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Exhibition at UCCA Beijing reflects on the role of art during a time of crisis
Oliver Laric, Betweenness, 2018. Single-channel HD video, sound, 4'48".



BEIJING.- “Meditations in an Emergency” is the first exhibition to open in 2020 at UCCA Beijing, bringing together 26 Chinese and international artists reflecting on the role of art during a time of crisis.

From May 21 to August 30, 2020, UCCA Center for Contemporary Art presents the group exhibition “Meditations in an Emergency.” The exhibition emerges in the wake of the pandemic which has created the first truly global moment of the twenty-first century. As it marks UCCA’s reopening after the longest closure in its history, since late January, the exhibition looks to art as a source of solace, reflection, and solidarity. Structured in five sections—focused on everyday life, the body and biopolitics, the human/animal dichotomy, migration and borders, and the information landscape—the exhibition includes works by 26 artists. These engage with the currents that have led to our present circumstances, and what futures we might find in the aftermath. The exhibition takes its title from an anthology of poetry by Frank O’Hara (1926-1966), better known during his short life as a curator at New York’s Museum of Modern Art. As O’Hara wrote in one of the included poems, “In times of crisis, we must all decide again and again whom we love.”

Participating artists include Lawrence Abu Hamdan (b. 1985, Amman), Musquiqui Chihying (b. 1985, Taipei), Forensic Architecture (est. 2010, London), Han Bing (b. 1986, Shandong province), Christopher K. Ho (b. 1974, Hong Kong), Joyce Ho (b. 1983, Taipei), Hsu Chia-Wei (b. 1983, Taichung), Hu Rui (b. 1990, Liupanshui, China), Pierre Huyghe (b, 1962, Paris), Jiang Zhuyun (b. 1984, Hangzhou), Oliver Laric (b, 1981, Innsbruck, Austria), Amiko Li (b. 1993, Shanghai), Li Liao (b. 1982, Honghu, China), Lu Lei (b. 1972, Jiangsu province), Shana Moulton (b. 1976, Oakhurst, USA), Qiu Anxiong (b. 1972, Sichuan province), Mika Rottenberg (b. 1976, Buenos Aires), Angela Su (b. Hong Kong), Wolfgang Tillmans (b. 1968, Remscheid, Germany), Yi Xin Tong (b. 1988, Lushan, China), Wang Bing (b. 1967, Xi’an), Yang Fudong (b. 1971, Beijing), Zhang Hui (b, 1967, Heilongjiang province), Zhang Peili (b. 1957, Hangzhou), Robert Zhao Renhui (b. 1983, Singapore), and Payne Zhu (b, 1990, Shanghai).

“Meditations in an Emergency” is curated by the UCCA exhibitions team: Guo Xi, Luan Shixuan, Ara Qiu, Lin Luqi, Duffy Du, and Neil Zhang.

Like art institutions all over the world, in an unpredictable year UCCA has learned to prioritize adaptability and flexibility in light of changing conditions. Previously planned exhibitions for the spring and summer have, regrettably, been rescheduled for later in the year or farther in the future. “Meditations in an Emergency” marks an adjustment to new realities, coming together in a world demarcated by new logistical restrictions. Despite these parameters, the exhibition also offers UCCA an opportunity to think nimbly, allowing the curatorial team to re-focus on regional context and urgent artistic currents. It juxtaposes emerging artists with more established figures from China and abroad, and engages with pressing concerns that previously lurked beneath the surface. The works mostly predate January 2020, but have taken on new significance in this changed world.

The first section, “The Fragile Everyday,” examines the practice of everyday life. It includes Zhang Hui’s paintings of masked nurses and Shana Moulton’s eccentric, isolated pseudo-sitcom Whispering Pines ∞. Both date to 2018, yet will be instantly recognizable to anyone who has recently found themselves glued to news updates or practicing social distancing. The next section, “Vital Signs,” gestures towards the potential new biopolitics which may arise from the current moment, yet Wang Bing’s delicate documentary portrait of illness and aging in Mrs. Fang (2017) and Li Liao’s investigations of contemporary beauty standards and “gym bodies” speak to physical anxieties that are already well-cemented. “Beyond Animality” coalesces out of stark reminders of the connectivity and thin boundaries between human and animal, with Oliver Laric’s shape-shifting animations and Robert Zhao Renhui’s studies of environmental destruction questioning longstanding ideas of human exceptionalism. As borders have slammed shut to a degree not seen for decades, “Othered Movements” addresses how global flows of people and commodities have become at once taken for granted and contested, through works such as Mika Rottenberg’s surreal parable of international capitalism, NoNoseKnows (50 Kilos variant) (2015), and Christopher K. Ho’s installation CX 888 (2018), which restages a diasporic journey. The final section, “Out of Focus” features works including Yang Fudong’s blurry pairings of Nietzsche quotes and photographic prints, and Wolfgang Tillman’s reflection on time and history through the medium of collected news data, cutting through media noise to ponder the ultimate accessibility of cold hard facts.

By reopening with “Meditations in an Emergency,” UCCA serves its community as it best knows how, while also humbled by and deeply appreciative of the sacrifices that have been made by many around the world. Special measures to ensure the safety of all museum guests will be in place throughout the duration of the exhibition, and free entry will be granted to medical professionals.










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