Richard Gilder, donor to parks, museum and history, dies at 87
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


Richard Gilder, donor to parks, museum and history, dies at 87
Richard Gilder at a meeting of the conservative Club for Growth in New York, June 19, 2001. Gilder, a billionaire investor and benefactor who was instrumental in revitalizing two neglected exemplars of American democracy — the study of American history and Central Park — died on Tuesday, May 12, at his home in Charlottesville, Va. He was 87. Ruth Fremson/The New York Times.

by Sam Roberts



NEW YORK (NYT NEWS SERVICE).- Richard Gilder, a billionaire investor and benefactor who was instrumental in revitalizing two neglected exemplars of American democracy — the study of American history and Central Park — died Tuesday at his home in Charlottesville, Virginia. He was 87.

His wife, actress Lois Chiles, said the cause was congestive heart failure.

Gilder, a conservative, pro-growth Republican, formed an unlikely partnership in 1974 with George Soros, the liberal philanthropist, to rehabilitate Central Park, laying the foundation for what became the Central Park Conservancy in 1980.

Embraced by New York City’s parks commissioner at the time, Gordon J. Davis, the conservancy, a public-private partnership, restored Central Park, transforming it from a dust bowl that had been doomed by deferred maintenance during the city’s fiscal crisis of the 1970s to the 840-acre people’s oasis that was envisioned when it opened in the 19th century.

“No Dick Gilder, no reborn and restored Central Park,” Davis said in an email.

In 1993, Gilder, who had played in the park as a child and ran there daily as an adult, pledged $17 million if the conservancy and the city matched his commitment. It was the largest private gift to a public park at the time.

He began his history restoration project in the late 1980s, teaming up with Lewis E. Lehrman, who had left academia to run Rite-Aid, his family’s drugstore chain, and had run for governor in 1982 as the Republican-Conservative candidate, barely losing to Mario Cuomo. They amassed a collection that would eventually consist of 70,000 original documents, letters, pamphlets, diaries and other primary sources that illuminate American history. They then deposited them in a specially built $1 million vault in the basement of the New-York Historical Society in Manhattan to exhibit and share with scholars and educators.

They incorporated the collection into the Gilder Lehrman Institute of American History, which they established in 1994 to promote research, teacher training, exhibitions and classroom curricula and endow prizes to encourage research in the names of Abraham Lincoln, George Washington and Frederick Douglass.

One of Gilder’s passions was collecting battlefield maps, although Lehrman admonished him at one point, telling him, as he recalled in an interview, that “the battles were about the ideas in the documents, and you can’t move the battlefields into the classroom.”

Gilder also restored the New-York Historical Society itself as chairman of its executive committee, rescuing it from a precarious financial state and returning it to solvency; renovating its headquarters, on Central Park West; recruiting Louise Mirrer from the City University of New York to be the society’s president; and clarifying its mission — to explore the nation’s history from a New York perspective.

After joining the society’s board in 2003, Gilder was instrumental in transforming Alexander Hamilton from a relatively obscure profile on a $10 bill into a marquee name — more than a decade before the musical version of his life arrived on Broadway. The society did so in an exhibition that celebrated Hamilton’s West Indian immigrant roots and that reclaimed New York’s role as the nation’s first capital in a historical narrative that had been hijacked by Boston, Philadelphia and Virginia. “Hamilton” was followed by the blockbuster exhibition “Slavery in New York” in 2005.

Gilder’s philanthropy extended across West 77th Street to the American Museum of Natural History, to which he gave $50 million to establish the Richard Gilder Graduate School. Under its president, Ellen V. Futter, the museum was the first in the Western Hemisphere to begin, through the school, a doctoral degree-granting program. In 2012, he pledged $60 million more to build the Richard Gilder Center for Science, Education and Innovation, which is now under construction.

In an interview, Futter called Gilder “a provocateur who encouraged us to think big, aim high and optimize what things could be.”

Gilder’s affiliation with the Manhattan Institute for Policy Research, where he was chairman from 1990 to 1994, as well as with the Club for Growth and other conservative policy groups, prompted some historians to worry that his contributions to the New-York Historical Society would come with strings attached.

Mike Wallace, the City University historian and author most recently of “Greater Gotham” (2017), recalled in an email that there had been concerns among some historians that the Hamilton exhibition venerated conservative monetary policies. But to his credit, Wallace said, Gilder proved willing to turn over programming to Mirrer and her curators.

“His project was never political,” Mirrer said, “and those who declared that it was clearly didn’t know Dick.”

Harvard professor Henry Louis Gates Jr. — Gilder’s fellow alumnus of Yale, where the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition was established in 1998 — wrote in an email, “It’s safe to say that his support for historical scholarship was nonideological, nonpartisan, cosmopolitan and fearless.”

Richard Gilder Jr., a fifth-generation New Yorker known for his tweedy professorial appearance, was born on May 31, 1932, in Manhattan, the great-great-grandson of a Jewish immigrant from Bohemia. Richard Gilder Sr. was a property manager for a real estate company. Gilder’s mother, Jane (Moyse) Gilder, was a homemaker.

As a teenager Gilder left the Bronx High School of Science after a semester because of disciplinary problems and completed his secondary education at the Mount Hermon School for Boys (now Northfield Mount Hermon) in Massachusetts. At Yale, he switched majors from economics to history and earned a bachelor’s degree in 1954. He lasted a month or two at Yale Law School before dropping out.

“It just was not for me,” he told the author of an online biography, Charles Sahm. “You need a step-by-step mentality to be a good lawyer, and I am very impulsive.”

Gilder’s marriages to Britt-Marie Lagerljung, Virginia Chromiak and Teresa Maria Dempsey ended in divorce. In addition to Chiles, whom he married in 2005, he is survived by four children from his first marriage, Ginny (an Olympian rower), Peggy, Britt-Louise and Richard Gilder III; a sister, Peggy Tirschwell; and 10 grandchildren.

Gilder worked for investment firm A.G. Becker until 1968, when he started his own firm, now known as Gilder, Gagnon, Howe & Company. As an investor, he was considered a risk-taker, buying into startups, like Wal-Mart and Home Depot, that showed potential. By the end of the 1990s, its 70 employees were managing $11 billion and Gilder had amassed a fortune, much of which he was in a position to give away.

“Giving is as tough a business as getting,” Gilder, who had done a good deal of both, told The New York Times in 2000. “You can do so much damage. The rule in philanthropy, as in medicine, should be ‘First, do no harm.’”

© 2020 The New York Times Company










Today's News

May 15, 2020

When the virus came, some museum curators lost years of work

My weekend binge online at Frieze

Sainsbury Centre acquires a group of 29 major works by Elisabeth Frink

Moderna Museet in Stockholm and Malmö to reopen on June 16

Sotheby's scales up 'Watches Weekly' to three sales per week

Online sale featured a generous offering of advertising, toys and historic objects

Jonathan Crockett named Chairman of Asia at Phillips

Thomas Sokolowski, 70, dies; put art in the service of AIDS activism

Galerie Miranda reopens with he exhibition 'The Place of the Dry, Dry', by Chloe Sells

Royal Collection Trust publishes 'Japan: Courts and Culture'

Richard Gilder, donor to parks, museum and history, dies at 87

NYU Abu Dhabi Art Gallery launches first-ever digital archive

Jonathan Adewumi, who made everyone feel at home, dies at 57

LaiSun Keane announces a solo exhibition of Native American artist and sculptor Raven Halfmoon

Takesada Matsutani presents a series of previously unseen works at Hauser & Wirth

How lockdown spelled stardom for 3 play-at-home musicians

Solo for flute, airport terminal and one listener

James Hyman Gallery presents online exhibition to address physical and mental health

German dramatist, Vatican critic Rolf Hochhuth dead at 89

Turner Auctions + Appraisals to offer collection of posters from World Wars I & II

With galleries closed, a moment for net artists to shine

De Buck Gallery opens an exhibition of works by Hiba Schahbaz

Artangel and Freelands Foundation launch new initiative to support emerging artists

National Gallery and Art Fund foster new museum talent

Best skincare advice from Consulting Dermatologists that you should be aware of

Advantages of approaching Portland Temporary Staffing Agency

What Is A Firewall And How Does It Work?

How to Top up Wechat Wallet for Foreigner without China bank Card in 2020




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful