Transfer of sphinxes to Cairo square stirs controversy
The First Art Newspaper on the Net    Established in 1996 Monday, November 25, 2024


Transfer of sphinxes to Cairo square stirs controversy
In this file photo taken on June 12, 2015, tourists take the avenue of the ram-headed sphinxes, symbolising the ancient Egyptian god Amun, as they visit the Karnak Temple Complex (unseen) in Egypt's southern city of Luxor, 700 kilometres (435 miles) south of the Egyptian capital. Mohamed el-Shahed / AFP.

by Bassem Aboualabass



CAIRO (AFP).- In a bustling square of Egypt's capital, four sphinx-like statues stand in wooden crates ahead of a planned unveiling ceremony following their controversial transfer from historical sites.

With the bodies of lions and heads of rams, the statues had for millennia graced Karnak temple in the southern city of Luxor representing the ancient Egyptian god "Amun".

This month, the restored sandstone statues were moved to Cairo's landmark Tahrir Square, the epicentre of a 2011 popular uprising that toppled longtime ruler Hosni Mubarak.

"I am against the moving of Luxor monuments. I was especially saddened by their relocation," legislator Ahmed Idris from the city told AFP.

"Luxor has long been like an open museum which should be developed and its monuments' historical value are tied to the city," said Idris.

The statues will be the square's centrepieces, along with a 19-metre-tall (60-foot-tall) pink granite obelisk of the famed Ramses II.

The 3,000-year-old obelisk -- of Ramses II facing an ancient deity as well as inscriptions of his titles -- was moved from a Nile Delta archaeological site.

The relocations which came as part of government plans to renovate Tahrir Square have drawn wide criticism from archaeologists and activists.

Some petitioned President Abdel Fattah al-Sisi to stop the transfer.

Others including lawyers from a rights group filed a lawsuit citing a 1964 Venice Charter on the conservation and restoration of monuments, saying the move could "jeopardise the priceless artefacts".

Egypt signed the charter, adopted by UNESCO, in 1974.

'A touch of civilisation'
A frenetically busy square, Tahrir in downtown Cairo has long been associated with blaring car horns, traffic jams and exhaust fumes.

It stands a short stroll away from the Egyptian Museum, a tourist magnet which holds a vast collection of precious relics.

A staging ground for major protests in Egypt, the square has undergone multiple phases of renovation since the 2011 uprising.

Its renovation plan includes unifying building facades, removing street advertisements and an overhaul of its lighting.

In December, Sisi said the transfer of artefacts would add "a touch of civilisation" to the site.

But fears have grown over possible damage to the monuments.

"The high pollution in Tahrir Square will ruin the antiquities and accelerate their deterioration," Egyptologist Monica Hanna said in a Facebook post in December.

"A monument's value is diminished when removed from its original historical context and becomes an ornament rather than a monument," she said.

Egyptian architect Ayman Badr has said the square does not need "to be adorned with historical elements" as it "already holds historical value".

'A great honour'
Antiquities and Tourism Minister Khaled al-Anani has dismissed warnings that the monuments could be vandalised or be affected by pollution.

Ancient relics in Egyptian museums or public spaces often suffer damage by graffiti, engravings or just being frequently touched.

"No-one will be able to touch them. They will be placed on a high pedestal and surrounded by a water fountain," Anani told a private television channel in March.

He said they would undergo regular restoration and maintenance.

The statues were not among those lined up on the famed Kebash (rams) avenue linking Karnak and Luxor temples, according to the minister.

Mahmoud Zaki, a tour guide from Luxor, also sided with those defending the transfers.

"We exhibit artefacts abroad for foreigners to enjoy... and now it's a great honour that antiquities from Karnak temple adorn Egypt's most popular square," he told AFP.

An unveiling ceremony is planned but an official date has yet to be announced.

"It's nonsensical that (Egyptian) obelisks could be found in public spaces across the world and none of them stands in Egypt's most popular square," said antiquities expert Ali Abu Deshish.

© Agence France-Presse










Today's News

May 13, 2020

The daily call that 200 arts groups hope will help them survive

Transfer of sphinxes to Cairo square stirs controversy

Christie's announces the launch of VICE and VIRTUE

France's 'little museums' looking to shine as lockdown eases

Minister of Education, Culture and Science pays working visit to Van Gogh Museum

Nailya Alexander Gallery opens its first solo exhibition with Ingar Krauss

Curtains for Broadway: No shows until Labor Day, at least

Rijksmuseum unveils 44.8 gigapixel photograph of Rembrandt's The Night Watch

Baltimore Museum of Art receives $3.5M gift and names new Director of Matisse Center

Freeman's announces highlights included in its 'American Art & Pennsylvania Impressionists Sale'

Ketterer Kunst announces Covid-19 aid online only charity auction for Ethiopia

For the Public Library, Martha Graham is the missing link

It's a dog's life at Bonhams 19th Century Art sale

V&A launch open-call for homemade signs and rainbow drawings created during lockdown

Eskenazi Museum of Art hires Lauren Richman as Assistant Curator of Photography

Icelandic designer makes 'scary' masks to encourage distancing

Macau bans Tiananmen exhibition for first time in 30 years: activists

Home anime: Ghibli producer offers Totoro lesson online

Live classical music to return in London... at a distance

Victim or executioner? Let the computer decide

Art glass, Art Nouveau and Art Deco market buoyant at Heritage Auctions

Collective: Work made 'before' which speaks to 'now'

Tony Fitzpatrick announced as inaugural exhibition for official opening of Cleve Carney Museum of Art

Ira Wagner named Interim Director of Montclair Art Museum

What You Need To Know For Incredible Event Photography?

Top Digital Photography Tips and Techniques For Stunning Pet Portraits.

Top 5 criteria to hire an essay writer

I Want to Get into an Oxbridge University - How?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful