NEW YORK, NY.- Christie’s is honored to announce the sale of the first dated printing of “The Star-Spangled Banner” available for online bidding from June 2-18, 2020, as part of The Open Book: Fine Travel, Americana, Literature and History in Print and Manuscript auction during the Classic Week series of sales. This first newspaper printing of what would become the national anthem was published in the Baltimore Patriot and Evening Advertiser on 20 September 1814, under its original title, “The Defence of Fort M’Henry,” only three days after Francis Scott Key completed the lyrics. This rare printing includes all original four verses of the song, and it is also the first time a copy has ever appeared at auction. This issue of The Baltimore Patriot & Evening Advertiser is one of two copies owned by the American Antiquarian Society (of three known extant) and is being sold to benefit their collections acquisitions fund. The estimate is $300,000-500,000.
Peter Klarnet, Senior Specialist, Books & Manuscripts remarks, “The 20 September issue of the Baltimore Patriot is significant not only because it bears the first appearance of “The Star-Spangled Banner” in a newspaper, but it also offers a window into the world in which it was written— chronicling the political convulsions of a nation that was bitterly divided over the War of 1812. Indeed, Francis Scott Key was an opponent of the conflict, but despite his misgivings on the wisdom of going to war with the most powerful nation on earth at the time, he would stand with the raw militia that vainly attempted to defend Washington in August, and would celebrate the miraculous victory at Baltimore with what would become the young nation’s official anthem.”
By the autumn of 1814, the tide of the War of 1812 had turned against the United States. For much of that year, British forces ravaged the coast of the Chesapeake Bay, and in August, they took Washington—burning its public buildings, including the White House and the Capitol. Prospects appeared bleak for Baltimore when British forces began moving against the city in early September. The city endured a two-pronged attack by land and by sea and Fort McHenry, guarding the city’s harbor, withstood a 27-hour bombardment.
Francis Scott Key, a 35-year-old lawyer from Maryland, was eight miles away aboard a British naval ship negotiating the release of Dr. William Beane, a prominent physician who was taken prisoner. From that vantage point, Key witnessed the spectacular bombardment, and on the morning of 14 September, when the British ceased their attack, he saw that the American flag was still flying over Fort McHenry, inspiring him to pen his tribute. The song not only celebrated the victory at Baltimore, it marked a significant turning point in American cultural history: a renewal of American patriotism and the elevation of the American flag as the nation’s most important cultural symbol.
Set to the tune, “Anacreon in Heaven,” a popular English drinking song by John Stafford Smith (1740-1846), “The Star-Spangled Banner” took on a life of its own after the war, and served, together with several other popular songs as one of the nation’s “unofficial” anthems throughout much of the 19th century. In 1931, Congress proclaimed “The Star-Spangled Banner,” the official national anthem.
This issue of The Baltimore Patriot & Evening Advertiser is being sold by the American Antiquarian Society to benefit their collections acquisitions fund. This work is duplicative within their collection. Founded in 1812 by printer Isaiah Thomas in Worcester, Massachusetts, The American Antiquarian Society is one of the oldest learned societies in the United States. Its primary mission is to collect, preserve and make available material printed in what became the United States from the seventeenth century through 1876. In 2014, the Society was the recipient of the National Humanities Medal, "for safeguarding the American story. For more than two centuries, the Society has amassed an unparalleled collection of historic American documents, served as a research center for scholars and students alike, and connected generations of Americans to their cultural heritage.”