The First Art Newspaper on the Net   Established in 1996 Thursday, March 4, 2021


Now on view (online): Site-specific installation exploring the precariousness of living by Shaqayeq Arabi
With Dancing on Stilts, Arabi continues an ongoing series of works entitled ‘On Stilts’, a series of precariously balanced structures that examine the tension between the discomfort of disequilibrium and the motivation to stand erect and independent, in circumstance otherwise wrought with uncertainty, precarity, and peril.



NEW YORK, NY.- signs and symbols is presenting Dancing on Stilts, a solo exhibition by artist Shaqayeq Arabi. The exhibition features a site-specific installation composed of found objects and natural, symbolic material, combining sculpture with painterly elements to allude to shifting relationships between representation and abstraction, memory and materiality, structure and sensation.

With Dancing on Stilts, Arabi continues an ongoing series of works entitled ‘On Stilts’, a series of precariously balanced structures that examine the tension between the discomfort of disequilibrium and the motivation to stand erect and independent, in circumstance otherwise wrought with uncertainty, precarity, and peril. To be in the world is to live immersed in a milieu of opposing forces within and around oneself; To accept these forces implies an acceptance of indeterminacy that both stems from and is a place of strength. Through her acts of the display of this precarity, Arabi not only accepts but embraces the conditions in which she lives. Natural materials, including sticks, bamboo, and twigs, have resonance for the artist, often serving as the artist’s primary medium; each of these materials have innate qualities of flexibility and strength, without any a priori subservience to use value. The material’s ability to adapt, change, and resist unyielding signification presents an image of strength not bound by restrictions or absolutes. This material polyvalence reveals the nature of this strength.

Although unencumbered by the determinants of use, Arabi’s media, through her poetic practice of manipulation and transformation of such natural materials, nonetheless, erupts with evocative associations, replete with imagery, memory and emotion. Natural materials have a life span unto themselves; they possess internal and external existential references to the patterns of life and decay. With this installation, Arabi investigates the fragmentary nature of memory and its relationship to actual objects in space. Her structures at once frame and highlight how we understand our physical surroundings: as built environments for the structure of memory, and as memory itself not a process of codification but rather of sensation. These sensations Arabi acknowledges, invites, and draws forth through her work.

Arabi’s process is intuitive, spontaneous, and intimate. The installation is characteristic of Arabi’s artistic process in its assemblage and transformation of found natural and industrial objects into architectural structures. Her materials are a bricolage of fragments and objects found throughout her daily life — including in this case a stalk of willow branches the artist discovered in an abandoned furniture shop — cast away on the street or cast aside in her studio, before being reincarnated to assume another purpose. “I never ask myself why I have picked [the found objects] and what I am going to do with them. They eventually find their way into my work and suddenly I know the reason I have them in the studio, either because of their aesthetic or symbolic potency and most often for both reasons.”

Dancing on Stilts features the musical score "Soundscape," composed specifically for this installation by New York-based artist, filmmaker and musician Anthony Varalli.

shaqayeq arabi is a painter, sculptor and installation artist. She was born in Tehran and divides her time between her hometown, Dubai, and New York City. Arabi’s work finds its point of departure in image, sound, and smell, as well as the sensitivity of the surrounding environment. In sketching, composing and connecting accumulated fragments together, Arabi traces her reminiscences, creating a tangible and touchable reality out of the emotions and sensations. She received her Bachelor in Graphic Design from Al-Zahra University, Tehran, a BFA from University of Valencinnes, France and an MFA from Sorbonne University, Paris. Arabi has had exhibitions in the Middle East, North America, and Europe – notably Roots, Total Arts, Dubai, Study of an Upturned Ziggurat, Dept. of Signs and Symbols, New York, and Bits And Pieces: Collages And Assemblages, Shirin Gallery, New York.










Today's News

March 22, 2020

From victims to superwomen: Honoring female strength in Afghanistan

Kenny Rogers, who brought country music to a pop audience, dies at 81

Boris Yaro, whose ohoto of an assassination endures, dies at 81

Record-breaking Japanese whisky leads Sotheby's 'Finest & Rarest' auctions in London

Cardi Gallery hosts the most comprehensive exhibition of Mimmo Rotella's practice ever seen in the UK

Exhibition presents a series of animated political collages and landscape photographs by Catherine Opie

Phillips takes next steps in announcing sale dates for New York in June

Book gathers all of Albertus Seba's extraordinary illustrations

Florida International University museums engage arts and culture lovers working and learning at home

James Hatch, archivist of black theater, dies at 91

New book offers photographic insights into China's rapid changes within the time frame of the last 20 years

Now on view (online): Site-specific installation exploring the precariousness of living by Shaqayeq Arabi

Freelance musicians fear for future amid uncertainty

Lessons from my grandma on art, sex and life

How coronavirus-weary Americans are seeking joy

Freight+Volume opens Pungent Dystopia: A group exhibition

Object & Thing shifts 2nd edition dates to Nov 13-15

Home with your kids? Writers want to help

Broadway, shuttered by pandemic, reaches short-term pay deal

She had 3 jobs to support her music. Now all are gone.

Before Bach, he was Germany's greatest composer

Kahlil Joseph wins the 6th Eye Art & Film Prize

What happens when we lose the art that brings us together?

Wilding Cran Gallery opens an online exhibition of works by Fran Siegel and Paul Scott

Different Generator Sizes That Will Tailor Fit Your House

Why You Should Take Yoga and Meditation Online With Glo




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
online casino australia

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful