Where did the $9 million cars go?
The First Art Newspaper on the Net    Established in 1996 Monday, November 25, 2024


Where did the $9 million cars go?
A 2020 Corvette near Phoenix, Ariz., on Dec. 4, 2019. The first new Corvette off the line was sold for $3 million for charity. Adriana Zehbrauskas/The New York Times.

by Jerry Garrett



SCOTTSDALE (NYT NEWS SERVICE ).- When classic cars hit the auction block these days, $3 million seems to be the new $10 million.

As the global economy has endured a trade war and other uncertainties, some of the exuberance in this billion-dollar business, which surged after the last recession, is showing signs of ebbing. The Arizona Auction Week, one of the market’s two annual tent-pole events, just completed its mid-January run with sales down 3% from last year.

That drop was nowhere near as disastrous as the 34% slide at the industry’s other tent-pole extravaganza, last August in Monterey, California. But the falloff in Arizona to $244 million, from $251 million in 2019, still felt ominous.

It was enough to prompt speculation about the near-term future of this formerly white-hot market.

The top sale price this year in Arizona, among 3,867 vehicles offered by seven auction companies, was $3,222,500 for a 1995 Ferrari F50 at Gooding & Co. Only one other vehicle hit $3 million — the first 2020 Chevrolet Corvette, auctioned for charity by Barrett-Jackson.

As recently as a few years ago, the star cars in Arizona topped $9 million. For the first time ever, the biggest sale at any January public live auction came not in Arizona but at a smaller Mecum event in Florida, where the so-called Bullitt Mustang went for $3.74 million.

Many factors are weighing on the market, said Jonathan Klinger, a valuation specialist at the collectible car insurer Hagerty, which tracks market trends.

“Most important is vehicle condition,” Klinger said. “Finely presented and rare cars sold extremely well, but there were relatively few of those in the auction tents this year.”

He added, “Vehicles ranked in ‘excellent’ or ‘concours’ condition represented less than half the offerings — the lowest ratio Hagerty has observed in more than five years.”

Where have the top consignments gone, then? Some are being held back, as discerning sellers know better than to offer them in a market that’s trending down, as it did in the recession that began in 2007.

This, of course, can create something of a vicious cycle. That’s why there was such relief in Arizona that August’s Monterey blood bath was not repeated.

“The challenging environment for the most expensive cars partly has to do with what’s going on in the larger economy,” Klinger said. “The tide of investment dollars that flowed into this segment following the Great Recession has clearly slowed.”

Also, a tax advantage that allowed collectors to roll over gains from the sale of one high-dollar car into the purchase of another has been eliminated.

Today’s high-end buyers will still pay top dollar, but only for the best and rarest cars. Overall, there were 25% fewer of those million-dollar cars offered at the Arizona events, compared with 2019. Of those that did sell from that rarefied group, most went for less than established values.

Here’s a “no sale” case in point: A promising offering at the Bonhams event, a 1932 Alfa Romeo 8C 2300 that was expected to be the week’s top sale, didn’t meet its reserve price — largely because it did not have its original engine. For the most discerning collectors, a replacement engine can be a deal-breaker.

Two other bellwether measures of the hobby’s health — sell-through rate and average price per sale — also slipped in Arizona. Only 77% of the cars on offer were sold, compared with 81% in 2019; the average price declined painfully, to $81,534 from $94,374.

Complaints have also been heard that there are now too many auction events, too many auction companies, too many cars — and that some of the same cars are being offered with distressing regularity. This “churn” tends to push prices down further.

In the current market, it takes about three years of ownership for values to catch up to prices paid, according to Hagerty’s calculations. Also, as this relatively young market matures, more data becomes available as to the proper valuation of various offerings; it seems fewer people are willing to let emotions, which can run high at public auctions, bid prices much beyond accepted norms.

Tastes also change, as the collector demographic changes. For instance, “brass era” cars from the automotive industry’s earliest days are mere novelties these days, besides being of extremely limited utility.

“People identify with, and want to drive, the cars they grew up with. That was part of the powerful attraction of the Bullitt Mustang,” said Dana Mecum, principal of Mecum Auctions, the nation’s top auction seller by sheer volume.

Last year, the car market suffered another black eye when the sale of a rare Nazi-era Porsche, which should have been the high point of the Monterey Car Week, went badly awry. The one-of-a-kind car, the Type 64, built for a race on Germany’s new autobahn, failed to sell when the auction was halted after a technical snafu.

Beyond such singular blunders, another factor holding back the once-bustling public live auction market is the growing popularity of online sales by bringatrailer.com and others.

And, as always, the most desirable cars, like Bugattis or Ferraris, tend to change hands through private events or transactions.

Still, there are bright spots at today’s public live auctions. Klinger cited sport utility vehicles, trucks, early Dodge Vipers and Ford GTs as examples. So-called modern classics from Europe and Japan are also popular. For buyers of vehicles like those, who spend thousands rather than millions, the Arizona auctions might have seemed almost like business as usual.

© 2020 The New York Times Company










Today's News

February 2, 2020

Exhibition looks at the disconcerting phenomenon of statuary polychromy

Asteroid that killed the dinosaurs was great for bacteria

Hester Diamond, passionate art collector, is dead at 91

A gorgeous center for photography, far from picture perfect

LACMA receives $50 million gift from the W.M. Keck Foundation for its Building LACMA campaign

Croatia's Rijeka celebrates capital of culture kickoff

The Morgan brings Jean-Jacques Lequeu Drawings from the Bibliothèque nationale de France

Exhibition surveys the rich range of artistic responses to life during the belle époque

Indiana State Museum opens exhibit on opioid crisis

Exhibition of early European open-air painting reveals new scholarship and recently discovered works

Where did the $9 million cars go?

Bergen Kunsthall features sculptures, drawings, paintings, collages and photographs by Simone Fattal

In former Syria rebel stronghold, nothing was spared

Del Pitt Feldman, master of the art of crocheting, dies at 90

Marine Hugonnier unveils a new body of work at Ingleby Gallery

Midcentury Modern, antiques, Abstract art to be offered at Benefit Shop Foundation Feb. 19

Mary Higgins Clark, queen of suspense and a fixture on bestseller lists, dies at 92

Monica King Contemporary opens the first solo exhibition in New York City of Taylor Anton White

moCa Cleveland announces the new exhibition Temporary Spaces of Joy and Freedom

'Creature Comfort: Animals in the House' opens at Shelburne Museum

New exhibition at Weatherspoon Art Museum highlights "hoops" in the South

Exhibition at Somerset House explores the fascinating world of mushrooms

New group exhibition at Argos loosely inspired by the title of a Chantal Akerman film

Ottocento Art Gallery opens exhibition of important masterpieces

Sikkema Jenkins & Co. opens an exhibition of works by william cordova

Choosing toys for Boys




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful