ESKISEHIR.- OMM – Odunpazari Modern Museum, a major new museum and distinctive architectural landmark byKengo Kuma and Associates celebrated its public opening today (Sunday 8 September). Founded byart collector and businessman Erol Tabanca, the museum is the first of its kind in Eskisehir, a universitycity in north west Turkey.
OMM’s innovative design, by the acclaimed Japanese architects behind the new V&A Dundee in theUK, provides a bright and spacious new home for the 1,000-piece collection of modern andcontemporary art housed inside the museum. With its stacked timber design, inspired by thesurrounding streetscape of Odunpazari and its history as a timber trading market, the 4,500m2 museumstands as a new landmark that reconnects the town with its heritage, and as a progressive culturaldevelopment for Eskişehir and the Central Anatolia region at large.
Erol Tabanca, Founder of OMM, said: “Today’s opening marks the culmination of a visionary processfor everyone involved. We are delighted to reveal this unique building, the collection and our excitinginaugural presentations to the community here in my hometown of Eskisehir and to visitors from around the world.”
Kengo Kuma, principle of Kengo Kuma and Associates, and Yuki Ikeguchi, the partner leading theproject, said: "The idea for OMM was to use architecture to create a link between people and art. We were deeply inspired by the history, culture, people and streetscape of Odunpazari, and we wantedthe building to resonate on many levels. We hope that the museum will breathe new life into Eskisehirand become a central and inviting meeting point for the city.”
Largest Installation to date by Bamboo ‘Master’ Artist Tanabe Chikuunsai IV
At the museum’s opening ceremony on Saturday 7 September, which was attended by important international figures including Kengo Kuma and Yuki Ikeguchi, Japanese 'master' bamboo artist TanabeChikuunsai IV put the final touches to his ever largest installation, standing at over 6x8 metres. The newcommission, which is the most recent piece to join OMM’s evolving collection of modern andcontemporary art, was deeply inspired by Odunpazari and its inhabitants, who are represented as oneof five interwoven strands along with the four elements: Earth, water, air, fire. Renovating an ancientJapanese craft, the work was made entirely from recycled ‘Tiger Bamboo’ that's unique to one mountain in Kochi, Japan.
Digital Art Brings Home Important Environmental Message
As part of the opening presentation, British digital art collective Marshmallow Laser Feast areshowcasing two immersive installations (until 7 December) – Treehugger and In the Eyes of the Animal– both of which carry an important environmental message: that the protection and regeneration of theEarth’s ecosystems is fundamental to our collective futures.
Treehugger, recently awarded Tribeca Film Festival’s Storyscapes Award for innovation in immersivestorytelling, is the first chapter in what MLF plans to become a virtual archive of rare and endangeredtrees. The ultimate aim of the project is to assist conservation by encouraging people to connect withthe natural world and feel compelled to protect it. In the Eyes of the Animal, originally created and set in Grizedale Forest in the Lake District, UK, takes users on a fascinating journey that allows them toembody various animals as they traverse the landscape, flying above the forest canopy and coming face-to-face with high-definition critters.
In an age where technology is said to disconnect people from the natural environment, Marshmallow Laser Feast uses cutting-edge technology such as virtual reality, aerial 360 drone filming, LiDAR and CT scanning to highlight the invisible but fundamental connections and dependence between humans and the natural world.
First Exhibition Puts Turkish Artists in the Spotlight
OMM’s ambitious exhibition programme opens with ‘Vuslat ’, curated by Turkish curator Haldun Dostoğlu, which features a selection of over 100 works by 60 leading artists predominantly from Turkey including Bedri Rahmi Eyboğlu, Canan Tolon, Erol Akyavaş, İlhan Koman, Ramazan Bayrakoğlu, Sinan Demirtaş and Tayfun Erdoğmuş.
‘Vuslat ’, which loosely translates as ‘The Union’, was inspired by three scenes of union: Eskisehir gains its first private modern art museum; Erol Tabanca fulfills his dream of sharing his collection with thepublic, and the collection - much of which has been behind closed doors for years - is showcased in itsentirety for the first time.
Split over three floors, the new museum has a variety of exhibition spaces that will house the permanent collection and host a programme of multidisciplinary exhibitions – many of which will beproduced in collaboration with leading curators and creatives. The exhibition programme will becomplemented by a dynamic public programme, offering seminars, artist talks and workshops.
