LONDON.- Christie’s Xhibition: Antoni T鄍ies is now on view until 19 July 2019. Displayed in the St James’s galleries at King Street, the exhibition showcases 35 paintings and works on paper that explore the relevance and versatility of the sign `X - or cross in T鄍ies’ work. Potent, economical and multivalent, the symbol is highly charged yet refuses rigid interpretation. Throughout his oeuvre of richly varied media, crosses are carved, painted, scrawled and collaged, constantly shifting their impact. T鄍ies’ ambiguous use of the cross exploited its commonplace uses of marking locations on maps or deriving religious connotations, he even used it as the first initial of his surname.
Through his art, T鄍ies evolved his own esoteric language to explore wider ideas about the relationship between matter and spirit. Developing his youthful interest in Surrealism, dreams and magic, he sought to physically incorporate mystery into his works. Despite his engagement with schools of complex existential and mystic thought, the materials he employed functioned to keep his work firmly anchored in day-to-day reality. The ‘X’, or cross married these notions within his practice, being graphically simple yet rich in allusion, it perfectly distills his ethos.
Guillermo Cid, Specialist, Head of Post-War & Contemporary Art, Madrid, “T鄍ies’ style encompasses a series of techniques and approaches that single him out as a unique voice within European abstraction of this period. He combined materialistic concerns with a symbolic cosmos inherited from the surreal art of Paul Klee and Joan Mir. The result was a radical and solemn language unlike anything else at the time. Whilst the matter is the flesh of his paintings, the crosses and the X symbols – in all their guises – are their bones and skeletons. Christie磗 is thrilled to present the show as a significant part of our summer programme at King Street."
Tobias Sirtl, Specialist, Post War & Contemporary Art, Munich: “T鄍ies received the Rubens Prize of Siegen, West Germany, in 1972. That prize only came to confirm what had been obvious since the beginning of the ‘60s: that the well-informed European art scene of the time saw in T鄍ies one of the champions of Post-War abstraction. Many of the Spanish-Catalan painter’s masterpieces are housed in major museums of central Europe and hang on the walls of the most renowned collections. We are grateful to those who have loaned us a selection of works to make this a landmark show. T鄍ies’ unique pictorial idiom enriched the language of Informalism, incorporating innovative features common to contemporary movements such as Zero or Spatialism. His oeuvre is marked by a sober colour palette, the use of raw materials and the conception of his paintings as objects, rather than depictions of a reality outside the canvas. This show celebrates the pioneering language that brought T鄍ies early critical acclaim in Europe and beyond."
