Artemisia visits... Pocklington Group Practice
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Artemisia visits... Pocklington Group Practice
Artemisia Gentileschi (1593 – 1654 or later), Self Portrait as Saint Catherine of Alexandria, about 1615-17. Oil on canvas, 71.5 x 71 cm © The National Gallery, London.



POCKLINGTON.- After a hugely successful first visit to Scotland, the National Gallery’s Artemisia Gentileschi self portrait is back on the road, this time visiting Pocklington Group Practice – a GP Surgery in the East Yorkshire market town of Pocklington that lies between York and Hull.

The rare self portrait by the celebrated artist of the Italian Baroque – Self Portrait as Saint Catherine of Alexandria (about 1615–17) – is on display from today (Monday 29 April 2019) until Saturday 11 May as part of a partnership with the charity, Paintings in Hospitals.

While Artemisia is visiting Pocklington Group Practice, there will be a number of opportunities for the general public to pop in and see her. A Community Viewing Evening is scheduled for Wednesday 1 May, 6-8pm, and a Community Viewing Day on Saturday 11 May, 1.30-6pm.

Through spring and summer 2019, Artemisia’s painting – acquired by the National Gallery, London in July 2018 - is undertaking a series of ‘visits’ to unusual and unexpected venues (not all of them galleries or museums) across the UK. The tour started at Glasgow Women’s Library (6-19 March) for International Women’s Day.

Future visits will include a girls’ school and also East London, where Artemisia will be a stop on the E17 Art Trail as part of its Waltham Forest London Borough of Culture 2019 celebrations.

Berni Judge, Managing Partner of Pocklington Group Practice says “We are extremely excited about being chosen to work with the National Gallery and Paintings in Hospitals and cannot wait for Artemisia to visit us here in Pocklington; we know our staff and patients are going to be thrilled to have her here. We want to be able to share Artemisia’s stay with as many of our local communities as possible, and so that is why we have created some ‘visiting times’ when anyone can come and see her. Another reason for these special events is that, alongside this exciting visit, we are still a working GP Surgery and therefore we need to be able to continue our day-to-day operations as smoothly as possible, so we ask people to please remember and respect that if they are planning to come and visit Artemisia.”

It is planned that Artemisia Visits … Pocklington Group Practice is the first stage in a longer collaboration with Paintings in Hospitals. Amisha Karia, Paintings in Hospitals Head of Collection, Loans & Programming explains “We are delighted to be working in partnership with the National Gallery and Pocklington Group Practice to place such an important painting in a care environment. We believe art should be for everyone and we are committed to using art to support better health and wellbeing. Following Artemisia's visit, we will be working with patients and staff at the GP practice to co-select artworks from the Paintings in Hospitals collection to celebrate the many ground-breaking women artists represented. The chosen artworks will then go on display at the surgery for the next three years.”

Director of the National Gallery, Dr Gabriele Finaldi says, “The National Gallery has never done a tour like this, taking a masterpiece to unexpected venues where it can be enjoyed by people who may not be able to see it in Trafalgar Square. The response in Glasgow was superb and we are looking forward to engaging with local communities in the next surprising venues, a GP surgery and a school."

Artemisia Gentileschi is considered one of the most accomplished painters among the followers of Caravaggio, whom she may have known personally through her father, Orazio. In an era when female artists were not easily accepted, she was the first woman to become a member of the Accademia del Disegno in Florence and had a truly international clientele, including royalty.

Artemisia faced challenges in both her professional and personal life: she was raped by a fellow painter and was subjected to gruelling questioning and physical torture during the trial that ensued. Her biography has long overshadowed her artistic achievements, but today she is recognised as one of the most talented painters of her generation.










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