Exhibition presents Nishiko's Repairing Earthquake Project for the first time in its entirety
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Exhibition presents Nishiko's Repairing Earthquake Project for the first time in its entirety
Nishiko: ‘Repairing Earthquake Project’, exhibition view Stroom Den Haag. Photo: Ayako Nishibori, courtesy Stroom Den Haag, 2018.



THE HAGUE.- Stroom Den Haag is presenting the Repairing Earthquake Project, the magnum opus of the Hague-based artist Nishiko (Kagoshima, Japan, 1981). After the earthquake and the subsequent tsunami in March 2011, Nishiko visited the Tohoku district in Japan, searching for remaining objects and collecting eyewitness accounts that enable us to experience the aftermath of the disaster first hand. As part of the project she repairs and reconstructs the battered objects with great care and tenderness. Their scars are visual reminders of the historical events. "In my point of view, extreme care and dedication generate a potential for healing," Nishiko states. The repaired objects are further granted a second life, as the artist has them adopted by "foster parents." The exhibition at Stroom presents the Repairing Earthquake Project for the first time in its entirety. The project not only enables us to experience a human tragedy first hand, it also bears witness to an ecological crisis.

In 2018 two new components form the culmination of the project, following visits to Canada and Japan respectively. Earlier this year, Nishiko moved into a temporary studio in the coastal district of Tofino, on the west coast of Canada, to collect remnants that still wash ashore at the other side of the Pacific Ocean, seven years after the tsunami. More recently, the artist returned to the afflicted area in Japan where survivors of the disaster are still searching for their personal belongings. In response Nishiko decided to render the objects which the survivors miss most as drawings, and to donate them subsequently.

The completion of the Repairing Earthquake Project is urged on by the pressure of time. The artist noted that in Japan, the reconstruction of tsunami-struck areas takes place at such a fast pace that it becomes increasingly difficult to find traces of the disaster.

The exhibition and lecture program have been compiled by guest curator Roel Arkesteijn. He is interested in forms of artistic engagement, activism, and art for social change. He is curator of contemporary art at Museum De Domijnen in Sittard.










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