The Museum of Arts and Design opens Sterling Ruby's first solo institutional exhibition in New York City
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The Museum of Arts and Design opens Sterling Ruby's first solo institutional exhibition in New York City
Sterling Ruby, Basin Theology/STYX BOAT, 2017 Ceramic, 26 × 46 × 47 in. (66 × 116.8 × 119.4 cm) Photo by Robert Wedemeyer. Courtesy Sterling Ruby Studio.



NEW YORK, NY.- The Museum of Arts and Design is presenting Sterling Ruby: Ceramics, the artist's first solo museum show in New York City. The exhibition focuses on Sterling Ruby's large ceramic works, showcasing over twenty fired and glazed clay basins and other hand-built objects.

"As an institution dedicated to championing artists who work in and expand the field of craft, MAD is a natural home for Sterling Ruby's first solo institutional exhibition," said Shannon R. Stratton, MAD's William and Mildred Lasdon Chief Curator. "Ruby's interdisciplinary and transparent exploration of craft materials and methodologies exemplifies the Museum's mission. His work both inspires and challenges, prompting audiences to question modern definitions not only of craft but of contemporary art practice more generally."

Sculptures in clay have long held a fascinating and primary position in Ruby's broader studio work. Though he has no interest in separating himself from the history of his materials, Ruby upends tradition by creating hybrid ceramic forms that are simultaneously familiar and alien. In a process heavily indebted to craft, he manipulates clay by hand and machine to arrive at basins or vessel-like containers that often hold the debris of previous kiln misfires. Akin to an Abstract Expressionist canvas, the clay provides a responsive, tactile surface that records Ruby's aggressive gestures. The finish on each piece is as important as its construction: thick glazes accumulate in deep glossy pools and drip from every form. Like a reverse archaeologist, Ruby embeds the results of his experiments in clay within the final art object.

Clay, which Ruby calls his "monument material," is a natural ingredient for his art. The medium has a long tradition across many cultures, used by artists and craftspeople to make both purely functional objects and high art. Unrestricted by theory, clay invites a free-form and spontaneous approach to art making, which has enabled Ruby to create an extraordinary body of work that is engaging, intuitive, and subversive. Unconcerned with preciousness or uniformity, the artist's ceramics celebrate the technical challenges of the medium, expanding its limits while conveying their dissolution altogether.

Ruby's larger body of work includes a wide range of formats, many with a relationship to craft traditions, both studio and amateur. In addition to ceramics, his practice incorporates fabric, found-metal sculpture, cardboard collages, and drawings on paper.

Sterling Ruby: Ceramics was organized by the Des Moines Art Center and curated by the Art Center's Director, Jeff Fleming. The exhibition was secured for the Museum of Arts and Design by William and Mildred Lasdon Chief Curator Shannon R. Stratton with support from Assistant Manager of Curatorial Affairs Angelik Vizcarrondo-Laboy.










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