NEW ORLEANS, LA.- The New Orleans Museum of Art presents Changing Course: Reflections on New Orleans Histories, an exhibition that celebrates the New Orleans Tricentennial by bringing together a group of seven contemporary art projects that focus on forgotten or marginalized histories of the city. Projects by artists Katrina Andry, Willie Birch, Lesley Dill, L. Kasimu Harris, Skylar Fein, The Everyday Projects, and The Propeller Group each shed light on the past while also looking towards the future, returning to defining moments in New Orleans’ history that continue to frame art and life in the city today. Changing Course is on view at NOMA June 29 through September 16, 2018.

“In New Orleans’ Tricentennial year, this exhibition will allow visitors to reflect on how our city’s histories have shaped our responses to present-day issues and concerns, while considering how the past can help spur evolution and change,” said Susan Taylor, NOMA’s Montine McDaniel Freeman Director. “During a year of celebration and remembrance, NOMA invites the city to consider how the act of commemoration can also be a form of forward thinking.”

Artist Skylar Fein’s installation Remember the Upstairs Lounge (2008) commemorates a 1973 arson at the Upstairs Lounge, a popular gay bar in the French Quarter, while also continuing the conversation around ongoing violence against LGBTQ communities, locally and nationally. The Propeller Group’s video The Living Need Light, The Dead Need Music (2014) offers a powerful meditation on the cyclical nature of time and history, drawing points of connection between the cultural traditions of New Orleans’ vibrant Vietnamese community and the fantastical funeral traditions and rituals of South Vietnam. Lesley Dill’s Hell Hell Hell / Heaven Heaven Heaven: Encountering Sister Gertrude Morgan (2010) pays tribute to the vital legacy of visionary New Orleans artist, preacher and poet Sister Gertrude Morgan. A new installation of woodblock prints by Katrina Andry addresses questions of racial and economic disparity and the uneven urban development in New Orleans after Hurricane Katrina, and also considers the impact that past infrastructure projects, such as the construction of I-10, had on historically African American neighborhoods in the city. L. Kasimu Harris’ War on the Benighted (ongoing) chronicles his work with New Orleans schoolchildren, which has resulted in photographs that place African American history at the center of a visual narrative that confronts stereotypes of youth and race and question the history of public education in New Orleans.

Two additional project components offer spaces for community reflection, serving as the beginning of a conversation about how these New Orleans histories impact different communities across the city. Willie Birch's installation simultaneously addresses specific historical events and the development of a contemporary art-centered community he is creating in New Orleans' Seventh Ward. Presenting new multi-media works confronts this area's relationship with its slave-holding past while also documenting the creation of a more inclusive community today. The Everyday Projects, a collective of photojournalists who use social media to combat clichéd representations of communities worldwide, brings their Pulitzer Center-sponsored curriculum to New Orleans with #EverydayNewOrleans, encouraging participants to use photography to share their unique perspectives on life in their neighborhoods throughout Greater New Orleans.

Changing Course: Reflections on New Orleans Histories is organized by the New Orleans Museum of Art and co-curated by Russell Lord, Freeman Family Curator of Photographs, Prints, and Drawings; Katie Pfohl, Curator of Modern and Contemporary Art; Brian Piper, The Andrew W. Mellon Curatorial Fellow for Photography; and Allison Young, The Andrew W. Mellon Curatorial Fellow for Modern and Contemporary Art.