Immersive must-see artworks premiere in major Patricia Piccinini solo exhibition
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Immersive must-see artworks premiere in major Patricia Piccinini solo exhibition
Patricia Piccinini (Australia VIC b.1965), Doubting Thomas 2008. Silicone, fibreglass, human hair, clothing, chair, 100 × 53 × 90cm. Edition of 3 + 1 A/P. McClelland Sculpture Park + Gallery Collection, Langwarrin. Purchased in 2010, The Elisabeth Murdoch Sculpture Foundation. Courtesy the artist.



BRISBANE.- A field of more than 3000 specially created flower sculptures is among a range of immersive must-see artworks premiering in the major solo exhibition ‘Patricia Piccinini: Curious Affection’ at Brisbane’s Gallery of Modern Art.

QAGOMA Director Chris Saines said Patricia Piccinini was one of the most exciting and challenging contemporary Australian artists working today and that ‘Curious Affection’, presented exclusively at GOMA until 5 August, was her most ambitious project to date.

‘Influenced by science, nature, fiction and the unconscious, Patricia’s ongoing concern is the social and moral impact of advanced technology on people, animals and our planet,” Mr Saines said.

‘Her fantastical creatures and environments are, in a way, propositions about possible futures which engage us on an emotional level, as they challenge conventional notions of beauty, perfection and the ideal.

‘Through this exhibition of recent and major new work, audiences will enter Patricia’s world, a place where the conventional boundaries between reality and artifice are unstable, and our intrigue and curiosity are pulled into the space between.

‘The works invite you to look beyond the strangeness to make a connection.’

Mr Saines said ‘Curious Affection’ was the first time a contemporary Australian artist had presented their work at GOMA on such a grand scale.

‘The exhibition occupies the entire ground floor and features more than 70 sculptures, photographs, videos, drawings and a number of large-scale installations, including major new commissions,’ he said.

Curator Peter McKay said exhibition highlights included Pneutopia 2018, a voluminous inflatable suspended in GOMA’s atrium, Kindred 2018, an orangutan-like mother with two young children and The Couple 2018, a sculpture of a pair in a loving embrace inside an original 1980’s caravan.

‘Patricia describes the imaginary beings in ‘Curious Affection’ as ‘almost possible’ and while they are not always beautiful in the conventional sense, there is a compelling sincerity and dignity about them,’ Mr McKay said.

Piccinini’s free Children’s Art Centre project ‘Curious Creatures’ also encourages under eights to enter another world. The inviting burrow-like space is home to fantastical, mole-like creatures. Children can explore the nooks and tunnels of the space while interacting with the soft and tactile forms.

An Up Late program in conjunction with ‘Curious Affection’ will be presented across five Friday evenings from 8 June to 6 July, with live music by local and international acts, bars and floor-talks.

The ‘Curious Affection’ film program at GOMA’s Australian Cinémathèque will showcase a wide range of science fiction and horror classics, together with beloved animations and documentaries.










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