ArtDaily PhotoGalleries

Tate Britain announced the ten artists who will each receive one-off £10,000 bursaries in place of this year’s Turner Prize. In this image: Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark.

Still from 'between a whisper and a cry' (2019, Alberta Whittle). Courtesy of the artist.

Photo of Arika on Zoom Courtesy the artists

boychild, Untitled Hand Dance, at Arika’s Episode 10: A Means Without End, Tramway, Glasgow 2019. Photo Barry Esson.

Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub (2019) Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate.

Ima-Abasi Okon Photo: Artor Jesus Inkerö

Imran Perretta Credit: R Hylton Courtesy the artist

Imran Perretta, the destructors (2019). Installation view, Chisenhale Gallery, 2020. the destructors is produced by Chisenhale Gallery and Spike Island, Bristol, and commissioned by Chisenhale Gallery; Spike Island; the Whitworth, The University of Manchester; and BALTIC Centre for Contemporary Art, Gateshead. Courtesy of the artist. Photo: Andy Keate.

Jamie Crewe Courtesy the artist

Jamie Crewe “The Ideal Bar” - “Le Narcisse” - “Alec’s” (2020), still Courtesy the artist and copyright Jamie Crewe

Oreet Ashery Photograph: Christa Holka

Revisiting Genesis (2016) at “Misbehaving Bodies: Jo Spence and Oreet Ashery” at the Wellcome Collection, London, 2019. Image courtesy of the artist and the Wellcome Collection, London.

Sean Edwards Photograph by Antonio Olmos

Sean Edwards, Undo Things Done (Wales in Venice), 2019 in parallel with the past i-iv, 2019, UV curable ink printed direct to medium density fibreboard substrate, perforated hardboard, plywood, hardboard, automotive spray paint, graphite, colouring pencil, household emulsion, plywood, wood glue and steel. Photograph: Jamie Woodley. Image Courtesy the Artist and Tanya Leighton gallery, Berlin.

Neighbourhood Garden Courtesy: The Artistand Corvi-Mora, London Photo: Marcus Leith

Shawanda Corbett Courtesy the artist

Installation view of Liz Johnson Artur: If you know the beginning, the end is no trouble at the South London Gallery, 2019. Photo: Andy Stagg

Sidsel Meineche Hansen Courtesy the artist

Sidsel Meineche Hansen, End-Used City, computer-generated images, game controller, PC, video, sound, duration: 12 min., 2019. Installation view, Sidsel Meineche Hansen, Welcome to End- Used City, Chisenhale Gallery, London, 2019. Photo: Andy Keate.