The First Art Newspaper on the Net   Established in 1996 Monday, August 03, 2020



ArtDaily PhotoGalleries
PhotoGallery: Turner Bursaries
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Tate Britain announced the ten artists who will each receive one-off £10,000 bursaries in place of this year’s Turner Prize. In this image: Alberta Whittle: How Flexible Can We Make the Mouth, installation view, Dundee Contemporary Arts, 2019. Photo: Ruth Clark.
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Still from 'between a whisper and a cry' (2019, Alberta Whittle). Courtesy of the artist.
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Photo of Arika on Zoom Courtesy the artists
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boychild, Untitled Hand Dance, at Arika’s Episode 10: A Means Without End, Tramway, Glasgow 2019. Photo Barry Esson.
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Ima-Abasi Okon, Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub (2019) Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate.
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Ima-Abasi Okon Photo: Artor Jesus Inkerö
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Imran Perretta Credit: R Hylton Courtesy the artist
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Imran Perretta, the destructors (2019). Installation view, Chisenhale Gallery, 2020. the destructors is produced by Chisenhale Gallery and Spike Island, Bristol, and commissioned by Chisenhale Gallery; Spike Island; the Whitworth, The University of Manchester; and BALTIC Centre for Contemporary Art, Gateshead. Courtesy of the artist. Photo: Andy Keate.
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Jamie Crewe Courtesy the artist
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Jamie Crewe “The Ideal Bar” - “Le Narcisse” - “Alec’s” (2020), still Courtesy the artist and copyright Jamie Crewe
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Oreet Ashery Photograph: Christa Holka
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Revisiting Genesis (2016) at “Misbehaving Bodies: Jo Spence and Oreet Ashery” at the Wellcome Collection, London, 2019. Image courtesy of the artist and the Wellcome Collection, London.
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Sean Edwards Photograph by Antonio Olmos
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Sean Edwards, Undo Things Done (Wales in Venice), 2019 in parallel with the past i-iv, 2019, UV curable ink printed direct to medium density fibreboard substrate, perforated hardboard, plywood, hardboard, automotive spray paint, graphite, colouring pencil, household emulsion, plywood, wood glue and steel. Photograph: Jamie Woodley. Image Courtesy the Artist and Tanya Leighton gallery, Berlin.
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Blackbird in Mississippi COS x Serpentine Galleries Park Nights 2019: Shawanda Corbett, Blackbird in Mississippi, © 2019 Talie Rose Eigeland Courtesy: The Artist and Corvi-Mora, London
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Neighbourhood Garden Courtesy: The Artistand Corvi-Mora, London Photo: Marcus Leith
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Shawanda Corbett Courtesy the artist
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Installation view of Liz Johnson Artur: If you know the beginning, the end is no trouble at the South London Gallery, 2019. Photo: Andy Stagg
ArtDaily
Sidsel Meineche Hansen Courtesy the artist
ArtDaily
Sidsel Meineche Hansen, End-Used City, computer-generated images, game controller, PC, video, sound, duration: 12 min., 2019. Installation view, Sidsel Meineche Hansen, Welcome to End- Used City, Chisenhale Gallery, London, 2019. Photo: Andy Keate.

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