|
|
| The First Art Newspaper on the Net |
 |
Established in 1996 |
|
Monday, January 26, 2026 |
|
| USC Project to Recreate Parthenon Sculptures |
|
|
|
|
LOS ANGELES, CALIFORNIA.- The surviving Parthenon sculptures, one of the greatest artworks of all time, is scattered in fragments across Europe. However, there is now a way to view them together for the first time: a virtual reconstruction. The sculptures of the Parthenon were carved nearly 2,500 years ago but the fragments are spread across 10 museums in eight countries. The Greeks are eager to reunite these in a museum being built specially to house these treasures within sight of the ruined temple the frieze once adorned. But the British Museum, the guardian of the Elgin Marbles - which were cut from the Parthenon 200 years ago - is reluctant to let them go. Its argument is that half the Parthenon sculptures are lost forever, and the rest are so scattered and damaged that it is no longer possible to recreate them in any real sense. A better solution is a computer reconstruction, which will give a more complete sense of how the whole might once have looked. The University of Southern California’s Institute for Creative Technologies is at work on that project. It has produced 152 high-resolution models of the sculptures, and produced images which show each in its original position. Work has also begun on a separate scheme to laser scan each piece of the scattered stones at the National Museums Liverpool’s conservation center. Sculpture department head John Larson hopes to use the scans to produce marble copies. All museums with parts of the sculptures have agreed to collaborate on the project, although it is not yet clear whether the Greek Ministry of Culture will take part. The work holds out the possibility of combining data from the surviving pieces, casts of fragments which have been destroyed, and expert reconstructions of those portions which have vanished. There are hopes that one day all 160m of the frieze, showing in life-like detail the men, women, horses and sacrificial animals which took part in the annual Panathenaic procession, may be depicted in images or 3-D replicas. Also able to be added in virtual reality are the metal attachments - harnesses, weapons, staffs and wreaths - which once adorned the originals.
|
|
Today's News
January 26, 2026
Mireille Mosler unveils the lost female pioneers of Dutch abstraction
Into the shadows: From The Cabinet of Dr. Caligari to Drive, 100 all-time favorite film noirs and neo-noirs
Prismatic maneuvers: Jean-Baptiste Bernadet debuts 'Vetiver (Shanghai)' at Almine Rech
Marian Goodman, pioneering gallerist who bridged the Transatlantic Avant-Garde, dies at 97
Colnaghi returns to BRAFA with a masterclass in cross-era collecting
Galerie Karsten Greve honors the late Qiu Shihua with major solo survey
Art Institute of Chicago announces Lucas Samaras: Sitting, Standing, Walking, Looking
Two new members appointed to the Stedelijk Museum Supervisory Board
The creative counterculture: How post-war artists invented the modern quest for self-realization
The bohemian life and defiant art of Alexandra Christou unveiled at Sadie Coles HQ
Erwin Olaf and Kendell Geers unite in a powerful dialogue of resistance and healing
Ángela de la Cruz joins Travesía Cuatro
Maruani Mercier now representing Pam Glick
Petra Seiser debuts at Art Genève with a solo presentation of Günter Brus
Cross-generational conversations: Adams and Ollman returns to Felix Art Fair Los Angeles
Noel W. Anderson's largest museum solo show debuts at UAlbany
KW Institute for Contemporary Art presents exhibitions by Klara Lidén, Jean Katambayi Mukendi, Else Marie Pade
Ailbhe Ní Bhriain debuts at Andréhn-Schiptjenko Paris with exploration of fragmented histories
Exhibition program 2026 at The National Museum of Art, Osaka
Julia Heyward: Miracles in Reverse at Kunstverein Nürnberg-Albrecht Dürer Gesellschaft
Banks Violette and Stephen O'Malley unveil immersive site-specific installation
Jack Warne intertwines augmented reality and landscape at Mai 36 Galerie
From magnolia leaves to human hair: The material activism of Nasim Moghadam at SF Camerawork
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
|
Royalville Communications, Inc produces:
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|