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Thursday, June 11, 2026 |
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| USC Project to Recreate Parthenon Sculptures |
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LOS ANGELES, CALIFORNIA.- The surviving Parthenon sculptures, one of the greatest artworks of all time, is scattered in fragments across Europe. However, there is now a way to view them together for the first time: a virtual reconstruction. The sculptures of the Parthenon were carved nearly 2,500 years ago but the fragments are spread across 10 museums in eight countries. The Greeks are eager to reunite these in a museum being built specially to house these treasures within sight of the ruined temple the frieze once adorned. But the British Museum, the guardian of the Elgin Marbles - which were cut from the Parthenon 200 years ago - is reluctant to let them go. Its argument is that half the Parthenon sculptures are lost forever, and the rest are so scattered and damaged that it is no longer possible to recreate them in any real sense. A better solution is a computer reconstruction, which will give a more complete sense of how the whole might once have looked. The University of Southern California’s Institute for Creative Technologies is at work on that project. It has produced 152 high-resolution models of the sculptures, and produced images which show each in its original position. Work has also begun on a separate scheme to laser scan each piece of the scattered stones at the National Museums Liverpool’s conservation center. Sculpture department head John Larson hopes to use the scans to produce marble copies. All museums with parts of the sculptures have agreed to collaborate on the project, although it is not yet clear whether the Greek Ministry of Culture will take part. The work holds out the possibility of combining data from the surviving pieces, casts of fragments which have been destroyed, and expert reconstructions of those portions which have vanished. There are hopes that one day all 160m of the frieze, showing in life-like detail the men, women, horses and sacrificial animals which took part in the annual Panathenaic procession, may be depicted in images or 3-D replicas. Also able to be added in virtual reality are the metal attachments - harnesses, weapons, staffs and wreaths - which once adorned the originals.
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Today's News
June 11, 2026
Schirn exhibition explores how AI is reshaping art, politics and visual culture
Let the games begin! Milestone's June 28 auction will entertain collectors with coin-ops and collectibles
Duane Michals, groundbreaking photographer of dreams and inner worlds, dies At 94
Soldiers, marbles, baseball and lunchboxes score big in Morphy's $1.8M Toys & General Collectibles Auction
Artcurial presents 18th-century European decorative arts and a scholar's collection
Museo Jumex brings football history to Mexico City with Objects Of Glory
Burgh House marks John Constable's 250th birthday with Hampstead exhibition
A Treasured History: The Stream Family Collection totals $17.3 million
All-Story No. 94 leads Pulps Auction at Heritage to all-time high of $1.86 million
Labouring Bodies examines how technology has shaped and controlled women's bodies
Escher in The Palace exhibition links graphic master's prints to Islamic art
Paulo Nazareth explores colonial memory and resistance in new 'Impasse' exhibition at Mendes Wood DM
New Museum announces exhibition program for fall 2026 through winter 2027
Lehigh University Art Galleries acquires 13 local artworks; Launches permanent triennial exhibit for regional artists
Robert Oxnam's driftwood sculptures and macro photography to go on display in New York
International artists reimagine security through poetry, solidarity and collective care
Organ Vida spirals through image overload, internet culture and collective weirdness
Ymane Chabi-Gara explores anxiety, confinement and memory in new exhibition at Mennour
New Orleans Museum of Art presents rare treasures from The Sèvres Porcelain Factory
Christie's Magnificent Jewels totals $49.7 Million
Christie's London summer season brings together postwar masters, Picasso ceramics and monumental sculpture
dépendance gallery to close after 23 years in Brussels
Olney Gleason, Gagosian, and the Pollock-Krasner Foundation to present Lee Krasner's first solo exhibition in France
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