One of the most comprehensive collections of South Asian paintings outside of India on view in Austin
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One of the most comprehensive collections of South Asian paintings outside of India on view in Austin
The demon Dhumraksha leads his army, about 1700–1710. North India, Kulu or Bahu. Opaque watercolor on paper. Edwin Binney 3rd Collection, 1990.1107.



AUSTIN, TX.- One of the most comprehensive collections of South Asian paintings outside of India is on display at the Blanton Museum of Art at the University of Texas at Austin from July 9– October 1, 2017. These dynamic images were originally associated with important literary and religious texts and has been organized according to thematic narratives. Museum visitors will be introduced to the epic stories that continue to hold great cultural value in India and beyond.

“The Blanton is honored to partner with The San Diego Museum of Art to bring this remarkable collection to Austin,” said Blanton director Simone Wicha. “The epic stories have much to say about courage, loyalty, love and friendship, and the paintings themselves impress with the delicacy of their technique, the boldness of their design, and the humanity of the stories they convey. This exhibition is sure to delight audiences of all ages.”

Epic Tales from Ancient India: Paintings from T he San Diego Museum of Art represents the highest achievement of court paintings from several regions of the Indian subcontinent from the 16th–19th centuries and have been selected from the renowned Edwin Binney 3rd Collection of The San Diego Museum of Art. This exhibition depicts stories that have been integral to South Asian culture for hundreds of years and provides a compelling introduction to classic Indian and Persian texts, including Bhagavata Purana, a Sanskrit text about the Hindu god Vishnu and his different incarnations; Ramayana, the adventures of Prince Rama of Ayodhya; Ragamala , a text that explores various modes in Indian classical music; and works of Persian literature, including Shahnameh, an epic poem about the legendary kings of Iran.

The colorful manuscripts depict dutiful heroes, loyal friends, and strongwilled women, and each character serves as an instructive model in this storytelling tradition. Dangerous beasts, cunning adversaries, and assorted demons must be confronted and subdued. Battle scenes teeming with combatants give way to quieter moments, such as lovers meeting for a secret tryst. Many of the stories have religious significance and show the intervention of various divinities in maintaining cosmic order.

Complementing the paintings are examples of Chola-period processional bronze images, Vishnu and Hanuman, on loan from the Kimbell Art Museum and the Cleveland Museum of Art, respectively. These works hint at Hindu ritual practices and highlight the religious significance of the narratives.

Ray Williams, who leads the Blanton’s education efforts and serves as the managing curator for this exhibition, has a deep appreciation for India’s cultural expressions through story and image. “The struggle for cosmic order in the face of dark forces and fulfilling one’s duty with courage and integrity, are ongoing human concerns. The paintings invite us to plunge into Rama’s world, for example, and readily join in the quest to rescue Sita from the ten-headed, mustachioed, demon king and his frightful army,” said Williams.










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