SAN JOSE, CA.- The San Jose Museum of Art is presenting the first solo museum exhibition in the United States of the work of renowned Japanese artist Tabaimo. Tabaimo: Her Room, the third exhibition in SJMAs series New Stories from the Edge of Asia, is on view from February 6, 2016, through August 21, 2016. The exhibition showcases three of the artists encompassing video animations, which are projected onto walls that curve and tumble into space. In these workstwo never before been seen in the United StatesTabaimo explores the surreal and uncanny aspects of life in contemporary Japanese society. Also on view are eighteen delicate scroll-like ink drawings and a wall drawing commissioned for this occasion, which exemplifies Tabaimos interest in strangely transforming everyday spaces.
Tabaimo is one of the most important new-media artists working in Japan today and the mysterious, shapeshifting worlds of her mesmerizing animations have captivated audiences around the globe, from Venice to Sydney, said Susan Krane, Oshman Executive Director of SJMA. It is the San Jose Museum of Arts honor to bring her work to the Bay Area for the first time, given the museums longstanding commitment to new approaches to new media. While Tabaimo takes animation into fantastical visual realms, she also opens a trapdoor into soulful and intimate psychological territoryas visitors to this exhibition will so clearly see.
In her drawings and video installations, Tabaimo focuses on the anxieties beneath the surface of everyday life and uncovers a darker world that exists behind the exterior of contemporary Japan's well-ordered society, said Rory Padeken, assistant curator at SJMA and curator of the exhibition. Often set in communal spaces such as public restrooms, commuter trains, and bathhouses, her animations depict seemingly mundane situations, but her scenes unfold into absurd (and sometimes grotesque) dreamlike narratives. Ordinary interiors mutate, disembodied body parts perform tasks, and moments of violence erupt.
Tabaimo creates her richly layered animations from thousands of drawings she makes using an automatic calligraphy brush. Her imagerywith its muted color palette, linearity, and everyday subject matteris inspired by traditional nineteenth-century Japanese woodblock prints (ukiyo-e). Yet Tabaimos style is very much a 21st-century hybrid: she contrasts the past with the present and blends tradition with oblique references to contemporary Japanese comics (manga) and animation (anime) as well.
By projecting her videos onto carefully designed architectural configurations, Tabaimo envelops viewers in the experience of her surreal worlds. She deliberately encourages both physical engagement and contemplation. Tabaimo: Her Room will include the video installations danDAN (2009), yudangami (2009), and aitaisei-josei (2015), as well as a selection of related drawings from akunin (2006-2007). All were inspired by the novel Akunin (Villain), (2007), a psychological thriller by author Shuichi Yoshida set in contemporary Japan.
danDAN (2009), a three-channel video installation, takes place in a cross-sectional view of a public housing apartment (danchi), where many of the novels characters reside. Tabaimo imagines glimpses of the lives contained in each unitand reveals behavior that ranges from the mundane to the disturbing.
In yudangami (2009), Tabaimo presents an offbeat narrative about a minor character from the book, Miho Kaneko, a former massage parlor girl. The animation, framed by a swinging curtain of black hair, appears as if its from inside someones head. Here, Tabaimo explores the sense of disconnection and unease that young adults face as they navigate between the real and the virtual worlds of urban Japan.
Miho Kanekos troubled affair with Yuichi Shimizu is a plot point of Yoshida's wildly popular book. In the third of Tabaimos related installations, aitaisei-josei (2015), she connects this tragic love story with that of the beautiful courtesan Ohatsu and her lover Tokubei from The Love Suicides at Sonezaki (Sonezaki Shinju), a famous eighteenth-century puppet theater (bunraku) play. Her fantastical narrative takes place in an uncannily animated house, haunted by the ghostly activities of Miho, wherein Ohatsu and Tokubei are represented as a sofa and table who twist and bend at night.
Tabaimo: Her Room is the third exhibition in SJMAs ongoing series New Stories from the Edge of Asia, which features work by artists from Pacific Rim countries and cultures who push the boundaries of narrative using experimental animation, video, film, gaming, and interactive technologies.
Born Ayako Tabata in 1975 in Hyogo, Japan, Tabaimo graduated from Kyoto University of Art and Design, Japan in 1999. She is the recipient of numerous awards including the prestigious Kirin Contemporary Award, grand prize (1999); Sakuya Konohana Prize (2001); 12th Annual Award to a Promising Artist and Scholar in the Field of Contemporary Art, Japan Cultural Arts Foundation (2005); 19th Takashimaya Art Award, Takashimaya Culture Foundation (2008); and Art Encouragement Prize, Agency for Cultural Affairs, Japan (2011). Her work has been shown in numerous exhibitions throughout Japan and the world with solo presentations at the Hara Museum of Contemporary Art, Tokyo (2003 and 2006); Fondation Cartier pour lart contemporain, Paris (2006); Moderna Museet, Stockholm (2009); The National Museum of Art, Osaka, Japan (2010); Parasol unit foundation for contemporary art, London (2010); and Yokohama Museum of Art, Japan (2010). In 2011, Tabaimo represented Japan at the 54th Venice Biennale, Italy. The Museum of Contemporary Art Australia, Sydney, presented a survey exhibition of Tabaimos work in 2014. Her work is included in the collections of the Fondation Cartier pour lart contemporain, Paris; Hara Museum of Contemporary Art, Tokyo; Modern Art Museum of Fort Worth, Texas; Moderna Museet, Stockholm; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; National Museum of Art, Osaka; Philadelphia Museum of Art; and Yokohama Museum of Art, Japan. Tabaimo lives and works in Karuizawa, Japan.