BERLIN.- The Konrad Fischer Galerie, Berlin presents sculptural, installative and pictorial works by Eloise Hawser (London), Piotr Łakomy (Poznań) and Jonas Weichsel (Frankfurt am Main). These artists work with complex industrial processes and materials which have been developed for serial production.

Eloise Hawser exhibits minimalist sculptures produced automatically as 3-D printouts. They are complemented by photographs of small 3-D printed sculptures arranged in various contexts. The artist refers to a wide spectre of references, matierials and processes by using seemingly banal materials applied in industrial processes repurposing them to create sculptures and installations subtly demonstrating their variability and inherent modality.

Piotr Łakomy creates installations entering into a dialogue with pieces of architecture related to the scale of the human body. Łakomy uses industrial materials appearing slightly futurist and addressing a relationship between people, urban landscapes, architecture and modern technology. The works exhibited are inspired by Frederick Kiesler's „Endlesse House“ - an amorphous building - and refer to his concept of conceiving architecture as a human organism. Four of the objects are related to the human body.

Jonas Weichsel’s paintings are committed to the reduction of elementar coordinates of paintings as well as the proportion of colour, shape, space and base substrate. They show predominantly monochrome and rectangular planes and triangles separated by clean lines. Both large-sized paintings shown in the exhibition were in the first step composed on a computer, a digitally composed brushstroke was plotted on canvas. In a complex determined process various colours are partially painted, thus generating the colour tone.

The exhibition can be seen on both floors.