Eric Aho's icy abstractions at the Hood Museum of Art emphasize nature's innate contrasts
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Eric Aho's icy abstractions at the Hood Museum of Art emphasize nature's innate contrasts
Eric Aho, Ice Cut (Arctic Sky), 2015, oil on linen. Courtesy of the artist and DC Moore Gallery. © Eric Aho. Photo by Rachel Portesi.



HANOVER, NH.- The avanto, or the hole cut in the pond ice next to a Finnish sauna, has captivated nationally recognized Vermont artist Eric Aho for the last nine years and inspired the ongoing series of paintings titled Ice Cuts. The Hood Museum of Art, Dartmouth College, gathers together, for the first time, a large group of these works, along with the artist’s related watercolor studies and monotypes. This exhibition provides the opportunity to share in Aho’s extended meditation upon this austere, simple, yet mesmerizing subject. Eric Aho: Ice Cuts is on view from January 9 through March 13, 2016.

“I hope to accomplish something in painting that has the weight of actual human experience,” says Aho of the Ice Cuts series.

Trained initially as a printmaker, Eric Aho started painting when he moved to northern New England to teach that subject at the Putney School in Vermont in 1989. His major interest has been the landscape. His work has evolved toward abstraction in recent decades, as is clear from the Ice Cuts series, which eliminates the horizon line and focuses entirely on the shape of this void in the ice. The vantage point of these pictures is slightly above the hole, in fact, and in the large paintings it feels as though one needs to take just a few steps to immerse oneself in the cold depths.

The ice surface and cutaway edge reveal nuanced color and curious reflections, while the water in the hole is opaque in some canvases and reflective in others. Together, these aspects become rich painterly opportunities for Aho. As the series progresses, for example, Aho transforms the water, occupying the primary shape of the canvas, from a dark chasm into a glowing yellow surface, revealing the light of an imagined Arctic sky. In these luminous and complex works, ice and water, the same substance in different forms, are transubstantiated as paint through color and brushstroke. Seen as a whole, Eric Aho’s Ice Cuts are an intense meditation on winter, and on the art of painting.

This exhibition was organized by the Hood Museum of Art, Dartmouth College.










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