LONDON.- The UK’s largest ever survey of the renowned American sculptor and poet Richard Tuttle is taking place in London this October.

It comprises a major exhibition at the Whitechapel Gallery surveying five decades of his career, a large-scale sculptural commission in Tate Modern’s Turbine Hall and a new publication.

Entitled I Don’t Know . The Weave of Textile Language this unique project has been specially devised by the artist and focuses on the particular importance of textiles in his work.

Richard Tuttle (b 1941) came to prominence in the 1960s, combining sculpture, painting, poetry and drawing. He has become revered for his delicate and playful approach, often using such humble, everyday materials as cloth, paper, rope and plywood. For this project, Tuttle has taken as his starting point one of the unsung heroes of everyday life: textiles.

Textiles are commonly associated with craft and fashion, yet woven canvas lies behind many of the world’s most acclaimed works of art and textiles are of increasing interest to artists today. I Don’t Know . The Weave of Textile Language investigates the importance of this material throughout history, across Tuttle’s remarkable body of work and into the latest developments in his practice.

Exhibition 14 October – 14 December 2014 (Media View: 13 October 2014, 9am – 1pm) Free
The Whitechapel Gallery presents a major exhibition surveying Richard Tuttle’s career from the 1960s to today. He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal (1967), as well as making provocative sculptures such as Third Rope Piece (1974), the intimate scale of which directly responds to traditional ideas of monumental art.

Showcasing works selected in close dialogue with the artist the exhibition centres on his use of fibre, thread and textile and offers a fascinating introduction to Tuttle’s influential body of work. The exhibition includes Looking for the Map 8 , (2013-14), a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself (1972) as well as international loans from museums and private collections.

Rather than displaying the works chronologically, the artist insteaded position works in a formal relationship to each other and in direct response to the architectural framework of Whitechapel Gallery’s historic exhibition spaces. A concern with colour, line and movement runs through Tuttle’s intuitive presentation which occupies both ground and first floor galleries, featuring works ranging in scale from the intricate series of Section, Extension wall pieces to the 3-metre long floor-based sculpture Systems VI (2011).

Richard Tuttle was born in New Jersey in 1941, and now lives and works between Maine, New Mexico and New York. His work is held in major private and public collections around the world and recent retrospectives have been held at the San Francisco Museum of Modern Art; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago and the Los Angeles Museum of Contemporary Art.