LONDON.- Today, London Taxi, a new sculpture, by London artist Benedict Radcliffe has been unveiled at
Heathrows Terminal 2| The Queens Terminal.
Created by London artist Benedict Radcliffe, London Taxi is inspired by the iconic and traditional design of Londons black taxis. The sculpture gives a new perspective on a well-recognised part of Londons landscape. The London Taxi will bid farewell to 20 million passengers at Terminal 2 every year and will be Benedict Radcliffes first piece of permanent public art.
The London Taxi is the central feature of Terminal 2s departure lounge, creating an opportunity for passengers to take one last glance of one of Londons most photographed icons. With an emphasis on British brands at Terminal 2 and with Richard Wilsons sculpture Slipstream at its entrance, the Heathrow team and Radcliffe selected the London Taxi for its distinct representation of modern Britain.
Benedict Radcliffe, originally from Kent, is an emerging London artist who has been commissioned by brands such as Paul Smith, JCB and Range Rover. His works have ranged from installations inspired by manufacturing, fashion, technology and transport. In the 2011 The power of making show at the Victoria and Albert museum, his work featured alongside Thomas Heatherwick and Ron Arad.
The London Taxis design uses cutting-edge computer programming technology to accurately translate the build specification of the London black cabs produced by The London Taxi Company based in Coventry. The etching on the artworks plinth features step by step road directions from the artists workshop in Shoreditch to Heathrows Terminal 2 and was inspired by The London Knowledge test that taxi drivers need to pass to obtain their licence. The sculpture was manufactured in Shoreditch, London and will be installed overnight at Heathrow.
Benedict Radcliffe says: It's hard to think of a more instantly recognisable motor vehicle, British or otherwise, than the FX4 Black Cab. Synonymous with London for more than half a century, the FX4 first appeared on our streets in 1958 and has served London and many other towns and cities in the UK ever since. I am incredibly proud to have been selected by Heathrow for a permanent display at Heathrows Terminal 2, the opportunity to exhibit at the UKs hub airport has been a great honour for me.
Normand Bovin, Heathrows Chief Operating Officer, said: As the UKs only hub airport, we have a unique opportunity to showcase British talent to the world. I am delighted that we have chosen a London artist and given new talent a platform in front of 20 million passengers a year from more than 50 destinations.
Paul Brennan, Taxi driver and member of the Licensed Taxi Drivers Association says: Im delighted that the famous black cab has been recognised in such an innovative way. Benedicts done a fantastic job of creating a piece of art representing the London Taxi and were thrilled that millions of passengers coming through Heathrow every year will get to see such an iconic part of British culture.
Benedict Radcliffe (born 1976) works across a wide spectrum of disciplines, creating everything from cars and bicycles to furniture and household objects, as well undertaking various architectural commissions and signature sculptural pieces for clients across the globe.
After graduating from the Mackintosh School of Architecture in Glasgow, Radcliffe staged his first exhibition in the city, featuring his modern Japanese classic a full size 3D wireframe Subaru Impreza, subsequently purchased by collector, David Roberts. As a result of the show, he received commissions from Comme des Garcons, Puma and Paul Smith.
Radcliffe left Glasgow in 2007 and set up a studio in London. His clients include a broad range of the best known and most prestigious brands in the world from manufacturing and technology to transportation, fashion and the luxury goods sector.
In the 2011 The power of making show at the Victoria and Albert museum, his work featured alongside Thomas Heatherwick and Ron Arad. He has been invited to exhibit and talk around the world and his work is held in private collections in Europe, America and Japan.