NEW YORK, NY.- French partners Patrick Jouin and Sanjit Manku of Jouin Manku studio designed a site-specific installation for the “Set in Style: The Jewelry of Van Cleef & Arpels” exhibition, which draws on the domestic history of the 1902 Carnegie Mansion, home to the Smithsonian’s Cooper-Hewitt, National Design Museum. The exhibition will be on view from Feb. 18 through June 5.

The original function of the historic spaces will be highlighted through the studio’s design, which Jouin says pays special attention to the “memories of the past.” “It’s a house where people were living; they were having dinner; they were sleeping; they were receiving friends,” he said. “I thought it was interesting to reconnect the design of the exhibition with the history of the building, because Van Cleef & Arpels also has a long history.”

The designers’ intention to evoke the building’s past is clear in the dining room of the mansion. In a nod to the sumptuous dinners that the Carnegies’ held with world leaders, they chose an expansive and opulent dining table and set it with jewelry. The objects will be presented under glass bubble encasements that accentuate and illuminate the finest details of each piece of jewelry. The shape and idea of the table are repeated in the music room, devoted to innovations, and in the breakfast room of the mansion in order to connect and link the different rooms of the exhibition.

In the mansion’s conservatory, the designers recall the glass domes used to house and protect flowers and expands the idea to the large-scale, domed architectural space. A flutter of Van Cleef & Arpels butterfly brooches, made of precious metals, some with Japanese lacquer, will inhabit that space and relate to the natural world visible just outside in the Arthur Ross Terrace and Garden.

The nature section features four 3-D holograms, which create full-color, virtual images of the jewelry within the case. The 3-D lenses surrounding the objects allow for 360-degree viewing of the jewelry and amplify the details and intricate craftsmanship of the work on view.

By recalling the history of the house in his design, Jouin Manku studio aims to emotionally connect the visitor to the work on view. “It is very important that the space allows the body and spirit of the visitor to see the beauty of the pieces,” Jouin said.

Adding to the visitor experience, music was commissioned by the young composer Nicolas Jaar to complement the exhibition design. Each room has a different piece, created in response to the room’s architecture, its original use and the themes of the exhibition. Jaar’s composition was inspired by a musical “promenade onirique” (dream walk), and is characterized by minimal, meditative melodies.