PARIS.- Sigalit Landau’s committed and poetic approach turns personal questions, be they philosophical or political, into universal quests. To achieve this, she often combines performance, installations, objects and films. Her work crystallizes a collection of ideas through a single image, object or action, rendering them symbolic as in her “Barbed Hula” video, where she appears on a beach in Israel, naked, performing a hula hoop dance using a ring of barbed wire.

She has been, for several years, involved in an in-depth relationship with the lowest place on earth, the Dead Sea (456m below sea level). She reacts, as an artist, to the terrible peculiarities of this site; this damaged place which holds within it the region’s geopolitical traumas, and is the scene of an ongoing ecological disaster. This is the place she has chosen to stage her unique oeuvre, inspired by her continual attraction to embody the ritual linked to memory. This is where she orchestrates her exploration of the archaeology of the present.

The title the artist has already given to her work for the pavilion, “One man’s floor is another man’s feelings” is a variation on the familiar saying “one man’s floor is another man’s ceiling”, which here becomes feelings. With this title, we might guess that the installation will evoke the interdependence of human beings and the sharing of riches. But the water that will be present all over the pavilion, like blood irrigating the body, is not only the precious liquid so scarce for billions of people, but it becomes a metaphor for the knowledge, sharing and feelings that connect us to each other and organise our common destiny. Like salt deposited on an object or penetrating a wound, the journey that Sigalit Landau is plotting for Venice, crystallise the fears and hopes of these uncertain times.

Sigalit Landau is born in 1969 in Jerusalem. Her work has been shown in solo exhibitions at the MoMA, The Museum of Modern Art, New York, at the Gallery Kamel Mennour, Paris, at the Kunst-Werke Institute for Contemporary Art, Berlin, at the Tel Aviv Museum of Art as well as the Witte de With Center for Contemporary Art, Rotterdam and is at the moment presented as part of the Centre Pompidou’s collections in the collective exhibition elles@centrepompidou.

The commissioning of the Israeli Pavilion is directed by Jean de Loisy and Ilan Wizgan.