MILWAUKEE, WI.- From three outstanding public collections of their work, more than eighty paintings by the group of American artists dubbed The Eight—Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, and John Sloan—are joined together for the first time in The Eight and American Modernisms, on view at the Milwaukee Art Museum June 6–August 23, 2009.

The Eight and American Modernisms examines the distinct aesthetic agendas of The Eight artists from 1908 to the end of their careers. The conventional assessment of The Eight’s artistic partnership has focused primarily on themes of urban “realism”—to the exclusion of exploring their artistic individuality. Past scholarship has not considered the legacy of the group’s creative diversity, which Henri praised as an imaginative freedom that follows “no unity in any cult of painting.” The Eight and American Modernisms shows that Robert Henri (1865-1929) and his colleagues were “anti-realist” or expressionist, painting from memory and imagination.

This exhibition is organized by the Milwaukee Art Museum, the New Britain Museum of American Art, and the Terra Foundation for American Art. The exhibition is curated by Elizabeth Kennedy, curator of collection at the Terra Foundation for American Art; co-curated by Douglas Hyland, director of the New Britain Museum of American Art, and Joseph D. Ketner II, former chief curator of the Milwaukee Art Museum; and coordinated at the Milwaukee Art Museum by Liz Flaig, curatorial department administrator.