WASHINGTON.- This fall marks the 16th season and continuing, Bill and Mary Meyer Concert Series at the Freer Gallery of Art’s Meyer Auditorium. Beginning October 2008 and continuing through May 2009, this season’s musical performances combine Japanese, Chinese and Western instruments; songs inspired by Persian mystic poet Hafiz; and time-honored favorites by Beethoven, Hadyn and Schubert. Bringing world- renowned soloists and ensembles to the Freer, this unique classical music series emphasizes a synthesis between Asian composers and their influences.
Commencing this series is “Between Tides: Music from Japan,” Oct. 2, performed by an international quartet: Kathryn Woodward, piano; Masayo Ishigure, koto; Theresa Salomon, violin; and Ariane Lallemand, cello. Together they use Japanese and Western instruments in their performance and combine early 20th century works by Yamada and Michio as well as later compositions by Sawai, Ishii, Satoh, Mayazumi and Takemitsu.
A few highlights of this year’s line up are the Jupiter Quartet, who recently won the prestigious Cleveland Quartet Award; the Swiss baritone soloist, Martin Bruns; the Leipzig String Quartet; and the Shanghai Quartet.
The Jupiter Quartet has performed at Carnegie Hall and holds the esteemed position of “Quartet-in-Residence,” at the Lincoln Center’s Chamber Music Society. On Oct. 29, they perform Haydn’s op. 77, no. 2; Beethoven’s op. 59, no. 2; Shostakovich’s op. 18; and Gubaidulina’s Quartet No. 2. On Feb. 25, Bruns infuses the Meyer Auditorium with his “warm open voice,” singing songs inspired by the Persian mystic poet Hafiz composed by Schubert, Brahms, Wolf, Jensen and Ullmann. In addition, the Prism Saxophone Quartet joins the Music from China ensemble to create a fusion between saxophones and Chinese instruments. In concert March 1, the Prism Saxophone Quartet introduces new works and Chinese instruments are played by Zhou Long, Ming-hsui Yen, Wang Guowei, Chai-yu Hsu and Dorothy Chen. Another outstanding concert is The Leipzig String Quartet, performing works by Takemitsu, Hosokawa, Tan Dun and John Cage on March 11. Returning to the Meyer Auditorium in April is the Shanghai Quartet with another provoking performance. Their program includes the world premiere of a new work composed by Vivian Fung, specifically written for them.
In keeping with the Meyer family’s long association with the Marlboro Music Festival, the Musicians from Marlboro return for three concerts that bring a novel approach to their distinct repertoire. Pieces for this season include the Dec. 10 debut of Mozart’s String Quintet, K. 614; Mendelssohn’s Octet, op. no. 20; and Janacek’s String Quartet No. 1. Their second performance, Feb. 19, features Haydn’s Quartet, op. 64, no. 6; Brahms’ Clarinet Quintet, op. 115; and Kodaly’s Duo for Violin and Cello. The Musicians from Marlboro conclude the 2008–2009 Meyer Concert series May 6, with Schubert’s October for Strings; Winds, D. 803, op. 166; Nielsen’s Serenata-invano; and Kirchner’s String Quartet No. 4.
The Bill and Mary Meyer Concert Series is presented in memory of Bill and Mary Meyer and is generously supported by Elizabeth E. Meyer, Melissa and E. Bradley Meyer, the New York Community Trust—The Island Fund, Victor and Takako Hauge and numerous additional donors.
