A sculptural object can change the atmosphere of a room without requiring an entire interior redesign. Its proportions, surface, and material presence can become the focal point of a space, particularly when the object has been conceived as an independent artwork. Victoria Yakusha's collectible collections explore this relationship between art, furniture, and architecture through distinctive forms and experimental materials.

Victoria Yakusha is a Ukrainian designer and architect based in Belgium and the United States, with her principal professional activity centered on Miami and the Belgium/France region. Her multidisciplinary practice encompasses collectible objects, furniture, interiors, and architectural concepts. Rather than developing separate artistic languages for each discipline, she approaches them through a consistent interest in volume, texture, and the expressive potential of materials.

Her work is particularly relevant to luxury interior design, where collectible objects are increasingly appreciated as individual artistic statements. Yakusha's creations are not intended simply to complement existing decoration. Their sculptural character allows them to influence the spatial composition itself, giving interiors a stronger visual identity.

TIARA Vases: A Closer Look at Material and Artistic Detail



The TIARA collection is one of the most distinctive examples of Yakusha's collectible practice. Presented during Milan Design Week in 2024 as part of her SKARB exhibition, the collection reinterprets the form of an ancient royal tiara through contemporary ceramic sculpture.

The vases are handcrafted from fireclay, with an engobe finish on the exterior and glazing inside. Their surfaces combine substantial ceramic forms with carefully incorporated topaz gemstones, creating a contrast between raw material and refined detail. The collection includes different sizes, allowing the sculptural concept to be expressed through varying proportions.

The larger TIARA vase measures 560 by 300 by 580 millimeters and weighs approximately 23 kilograms. Its surface incorporates two blue topazes, each weighing 42.3 carats. The medium version measures 510 by 250 by 430 millimeters and features 63.55 carats of topaz. Both are listed as editions limited to 12 pieces per model.

These specifications matter because they demonstrate the physical presence of the objects. Their substantial weight and dimensions make them closer to freestanding sculptures than ordinary decorative vases. The combination of handcrafted ceramic surfaces and gemstones also gives the collection a recognizable material identity.

ZTISTA: An Experimental Material With Sculptural Possibilities



Another important aspect of Yakusha's collectible design business is ZTISTA, a proprietary biomaterial developed for her creative practice. It combines cellulose, clay, flax fiber, wood chips, and a biopolymer covering, producing a material that can be shaped into organic forms.

ZTISTA allows Victoria Yakusha to work with volume and texture in ways that differ from conventional furniture production. The material can be applied to sculptural frames, creating surfaces with visible irregularities and a handmade character. Instead of concealing the production process, the finished objects retain a tactile quality that contributes to their individuality.

This experimentation reflects an important part of Yakusha's multidisciplinary approach. She does not limit her artistic expression to a particular medium. Whether working with ceramic, metal, wood, textiles, or experimental materials, the concept determines the material rather than the other way around.

Land of Light: Functional Objects With Distinctive Personalities



Presented at Design Miami in 2023, the Land of Light collection explores the relationship between sculpture and functional furniture. Its objects have unusual, almost creaturelike silhouettes and are designed to function as benches while maintaining the presence of independent artworks.

One example is Sontsehryv, a sculptural piece measuring 910 by 575 by 690 millimeters and weighing approximately 18 kilograms. Its rounded proportions and handcrafted surface give it a playful character, while its conceptual meaning centers on warmth and reassurance.

Another piece, Shvydkonih, measures 1,160 by 430 by 760 millimeters and weighs approximately 28 kilograms. Its more elongated proportions create a different sense of movement and balance. Both pieces use Yakusha's signature ZTISTA material and are listed as limited editions of 12.

The collection demonstrates how collectible furniture can combine visual experimentation with practical function. These are not conventional benches designed primarily for standardized interiors. Their proportions and expressive forms make them suitable for environments where furniture is intended to be experienced as art.

An International Collectible Design Practice



Victoria Yakusha's work has been presented through international design exhibitions, including Design Miami, Design Miami/ Basel, Milan Design Week, and collectible design events in Europe. Her practice also has a physical presence in Miami, where her gallery and interior studio bring together collectible objects and architectural design.

The Miami space occupies approximately 1,100 square feet and is conceived as an immersive environment rather than a conventional furniture showroom. Sculptural pieces, textured surfaces, and carefully directed lighting allow visitors to experience the relationship between objects and architecture.

Her presence in Belgium provides another connection to the European collectible design community, while projects and exhibitions in France further extend her international practice. This geographic positioning is important because Yakusha's business serves an international audience of collectors, interior designers, architects, and private clients.

What Makes Victoria Yakusha's Collectible Design Distinctive?

The defining characteristic of Victoria Yakusha's work is her ability to move between artistic disciplines without losing a recognizable creative identity. She approaches furniture as sculpture, considers objects in relation to architectural space, and uses materials according to the demands of each concept.

The TIARA vases demonstrate her precision in combining ceramic craftsmanship with gemstones. ZTISTA reveals her interest in developing materials that support unconventional forms, while Land of Light shows how functional furniture can communicate through volume and personality.

This range makes her collectible practice especially interesting. Her work is not defined by a single product category or decorative style, but by a consistent approach to sculptural expression.

Conclusion

Victoria Yakusha's collectible design collections offer a distinctive perspective on contemporary luxury through material experimentation, limited production, and sculptural form. Her work moves naturally between furniture, decorative objects, and independent artworks, reflecting the versatility of her broader architectural and artistic practice.

With professional activity centered on Miami and Belgium/France, Yakusha continues to develop an international creative presence. Her collections demonstrate how collectible design can become an integral part of architecture while retaining the individuality and expressive character of contemporary art.