NEW YORK, NY.- The Whitney Museum of American Art presents Charles Burchfield: Elemental, an exhibition exploring Charles Burchfield’s (1893–1967) lifelong pursuit of what he described as the “tremendous force of nature.” Drawn entirely from the Whitney’s collection, the presentation brings together ten watercolors created between 1916 and 1960, tracing more than four decades of the artist’s singular engagement with the natural world and his transformation of landscape into an expression of emotion, atmosphere, and spiritual intensity.

Opening October 22, 2026, Charles Burchfield: Elemental spans Burchfield’s career, from the radical experimentation of his early works to the expansive, visionary landscapes of his later years. Flowering meadows, insects, storms, rain, changing seasons, and turbulent skies become more than observations of the environment in Burchfield’s work. Through heightened color, rhythmic forms, and an intensely personal visual language, the artist rendered nature as something alive, psychologically charged, and continually in motion.

“As we contend with a vulnerable planet, the watercolors in Charles Burchfield: Elemental are important and resonant today,” said Caroline Webb, Curatorial Assistant. “Burchfield's attention to the dynamic cycles of the natural world and the care and reverence with which he articulated his unique perspective on nature in its most expansive sense reveals, as he once put it, ‘how vital nature is, besides being beautiful.’”

Among the works on view are Cricket Chorus in the Arbor (1917), An April Mood (1946–55), and Cold September Rain(1957). Together, the works reveal Burchfield’s remarkable ability to translate sensory experiences —the sound of insects, the movement of wind, fluctuations of light, or the arrival of a storm —into compositions that approach the transcendent. Rather than representing landscape as a fixed setting, Burchfield envisioned the natural world as an elemental force capable of reflecting states of memory, wonder, solitude, and awe.

Burchfield began developing this distinctive approach to watercolor early in his career. His works from the 1910s demonstrate an already unconventional understanding of landscape, in which trees, flowers, weather, and sound seem to possess their own emotional and spiritual presence. Across the decades that followed, he continually returned to these subjects, expanding upon earlier compositions and developing increasingly immersive visions of the environment. The works gathered in Elemental demonstrate the extraordinary continuity of this pursuit across his career.

The exhibition also marks seventy years since the Whitney organized Burchfield’s landmark 1956 retrospective, an important moment in the Museum’s longstanding engagement with the artist. The Whitney has collected Burchfield’s work for generations, establishing a significant representation of his practice within its holdings of twentieth-century American art. Charles Burchfield: Elemental offers a new opportunity to consider that history while examining the continued resonance of his deeply personal interpretations of the American landscape.

Charles Burchfield: Elemental is part of an ongoing Whitney initiative to bring rarely seen works from the Museum’s collection into public view. The presentation follows exhibitions dedicated to Wanda Gág, Jeanne Moutoussamy-Ashe, Claes Oldenburg, and Andy Warhol, highlighting the depth of the Whitney’s holdings while offering new perspectives on artists central to the history of American art.

Charles Burchfield: Elemental is organized by Caroline Webb, Curatorial Assistant.