SEOUL.- Hyundai Artlab announced Travis Jeppesen and Yutong Lin as the recipients of the 2026 Artlab Editorial Fellowship. Now in its fourth year, the Artlab Editorial Fellowship extends Artlab Editorial’s mission to foster writing about today’s most compelling artists, celebrate connectivity in all its forms, and envision the future. This year’s Fellowship invites two art writers whose texts on contemporary art exercise critical empathy, navigating the balance between care and critique, the interrogative and intuitive, the perceptive and imaginative, and engage through dialogue to deepen understanding.

Each Artlab Editorial Fellow will receive 10,000 dollars to produce three pieces of web-based writing for Artlab Editorial over the course of the year and will be paired with one of this year’s Fellowship Advisors, Mira Dayal and Gary Zhexi Zhang, for regular one-on-one guidance and mentorship throughout the program, alongside Artlab Editor Shannon Lee.

This year’s Fellowship received an overwhelming response to its 2026 Open Call, attracting over 800 exceptional applicants from 80+ countries and 165 cities around the world.

2026 Artlab Editorial Fellows

Open to art writers from anywhere in the world and at any stage of their career, this year’s Fellowship welcomes Travis Jeppesen and Yutong Lin whose essays promise in-depth perspectives that test the limits and conditions of language in contemporary art.





Travis Jeppesen is an American writer and artist living in Berlin. His books include Settlers Landing, Bad Writing, Poems I Wrote While Watching TV, See You Again in Pyongyang, and Victims. He is known as the creator of object-oriented writing, a metaphysical approach to art writing that attempts to inhabit the art object. His first major object-oriented writing project, 16 Sculptures, took the form of an audio installation and was featured in the Whitney Biennial 2014, and later, as a solo exhibition at Wilkinson Gallery in London, and finally published in book format by Publication Studio. A former editor at Artforum and Art in America, he is the recipient of an Andy Warhol Foundation Arts Writers Grant. His calligraphic and text-based artwork has been exhibited internationally. From 2019 to 2022, he served as assistant professor at the Institute for Cultural and Creative Industry at Shanghai Jiao Tong University, where he helped establish an MFA program in Curating. In 2023, his play Ghosts of the Landwehr Canal was premiered to critical acclaim at the Berliner Ringtheater; his earlier play, Daddy, was staged at HAU Theater in 2009, starring Vaginal Davis. His new collection of short stories and fictocriticism, For Those Who Hate a Little Bit of Everything, is out in 2026 from Schism.

His essays for the Artlab Editorial Fellowship will analyze the processes and conditionality of art criticism, unpacking style, the taxonomy of a bad review, and what it means to critique an artist whose explicit intention is to create “bad” work.

Yutong Lin is a writer, translator, photographer, and video artist based between Montreal, Canada, and Yunnan, China. Her work explores forgetfulness and misremembering in material and linguistic conditions. She traces stories, hearsay, and folk legends to map the cultural and geographical contours of Southwest China’s Himalayan borderlands through fieldwork. Her first photobook Zomia Garden (Canadian Centre for Architecture) reframes the history of plant hunting in Southwest China through Indigenous plant knowledge and geography. She is currently developing Afterword, an editorial and publishing project with Yidan Li that foregrounds the translator’s labor and sensibility as a spatial and architectural inquiry. Her work has been presented at the Canadian Centre for Architecture (CCA), 99Canal, Centre des arts actuels SKOL, and Fondation PHI, among others.

Her essays for the Artlab Editorial Fellowship will explore grief, untranslatability, and the ethics of writing at the limits of language.

Artlab Editorial Fellowship Advisors

Mira Dayal is an artist, writer, editor, and educator based in New York. She is currently Senior Editor at Triple Canopy and recently co-edited Track Changes: A Handbook for Art Criticism, published by Paper Monument with support from Critical Minded. The book was informed by Dayal's prior work as Ideas Editor at Art in America, Associate Editor at Artforum, and Founding Editor of the Journal of Art Criticism, as well as her writing over the past decade for numerous magazines, exhibition catalogues, and other publications. As a freelance editor, Dayal has additionally worked with institutions, publications, and publishers including Fortunately Magazine, the MIT List Visual Arts Center, Mousse Magazine, and Sternberg Press. Dayal also publishes the collaborative artist book series prompt: with Nicole Kaack. She is on the faculty at Barnard College and the School of Visual Arts, where she teaches courses on studio art and writing for artists. She holds a BA in Visual Arts – Economics from Barnard College and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago.

Gary Zhexi Zhang is an artist and writer based in London. His work explores systemic connections between cosmology, technology, and economy. He is a tutor at the Royal College of Art, where he teaches in the Contemporary Art Practice program. He edited Catastrophe Time! (Strange Attractor Press, 2023) and is currently working on a book under contract about multipolar technoculture. His writing on art, technology and economy has appeared in Frieze, ArtReview, Verge Journal of Global Asias, Serpentine Reader, Combinations, Are.na Annual, Journal of Cultural Economy, MIT Journal of Design and Science, amongst others. Books and chapters include “Against Reduction” (chapter, MIT Press, 2021), “Incomputable Earth” (chapter, Bloomsbury, forthcoming), Platforms: Around, In Between and Through (Singapore Biennale, 2023); Future Art Ecosystems III & IV (co-author; Serpentine, 2022 & 2024). He recently wrote catalogue essays for New Humans (New Museum), Forever Tomorrow (Auckland Art Gallery), Anicka Yi and Comrade Sun (HMKV). In 2025, he led a report for the British Council on art and technology in China.