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Saturday, June 6, 2026 |
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| Heritage Auctions announces consecutive June sales for Western and Texas art |
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Fritz Scholder (American, 1937-2005), Indian Sitting on Bed, 1974. Acrylic and oil on canvas, 80 x 68 in. Estimate: $50,000 - $70,000.
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DALLAS, TX.- The American West has inspired generations of artists, but no two have seen it quite the same way. This month, Heritage Auctions explores the many ways artists have interpreted the people, landscapes and legends of the West through its June 18 Western Art Signature® Auction and June 26 Texas Art Signature® Auction, a pair of sales featuring works that range from groundbreaking Indigenous modernism to classic Western narratives and iconic Texas landscapes.
Leading the Western Art Auction is Fritz Scholders monumental Indian Sitting on Bed (1974), a powerful work by the groundbreaking artist who transformed the representation of Native Americans in contemporary art. A member of the Luiseño Tribe, Scholder rejected the romanticized stereotypes that had long dominated depictions of Indigenous people, famously declaring that he would paint the Indian real, not red. In Indian Sitting on Bed, a casually dressed man sits in quiet contemplation, a strikingly ordinary scene that underscores Scholder's revolutionary approach and helped redefine Native American art in the 20th century.
Today, Scholders influence is being reassessed by museums, scholars and collectors alike. Major institutional exhibitions have highlighted his role as a pioneer of contemporary Indigenous art and his lasting influence on subsequent generations of Native artists. Blending elements of Pop Art, German Expressionism and Abstract Expressionism, Scholder created a visual language that challenged convention and expanded the possibilities of American art.
Scholders work feels more relevant than ever, says Alissa Ford, Heritages Vice President of Western Art. He challenged audiences to confront outdated narratives and see Native people as contemporary individuals. That conversation continues today, which is one reason collectors are responding so strongly to important works like Indian Sitting on Bed.
The Western Art sale also includes G. Harveys Night Passage (1985), a masterful nocturne depicting two cowboys embarking on an evening ride beneath a dramatic sky. Illuminated by the warm glow of a cabin in the distance, the painting exemplifies Harveys gift for combining historical storytelling with cinematic atmosphere and his enduring fascination with the mythology of the American frontier.
Another standout is Richard Frieses monumental Monarch of the Whispering Pines (1891), a rare-to-market wildlife painting that combines meticulous observation with romantic grandeur. Originally exhibited at the Germanic National Museum in Nuremberg, the work later entered the collection of a former PepsiCo chairman before being gifted to the current owner's family, where it has remained for nearly six decades. With its commanding stag emerging from a mist-shrouded forest clearing, the painting exemplifies the qualities that have made Friese's works highly sought after by collectors of wildlife and sporting art around the world.
The June 26 Texas Art Auction offers an equally compelling survey of artists who helped shape the visual identity of the Lone Star State. Among its highlights is David Bates Floundering (1991), a large-scale canvas by one of Texas' most celebrated contemporary artists. Known for his energetic brushwork and deeply personal connection to the Gulf Coast, Bates has spent decades exploring the people, wildlife and landscapes that define the region.
Additional highlights include Fred Darges Resting, Three Brown Pelicans, a charming coastal scene by one of Texas' most beloved wildlife painters, and Porfirio Salinas Creek and Hills, a quintessential Hill Country landscape by the artist whose bluebonnet-filled vistas have become synonymous with Texas art collecting.
Taken together, these auctions tell a broader story about the West and Texas through the eyes of artists who interpreted them in very different ways, Ford says. Whether its Scholder's bold modernism, Harveys frontier narratives, Bates Gulf Coast imagery or Salinas beloved landscapes, each work offers a distinct perspective on the places, histories and cultures that continue to inspire collectors.
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