CHICAGO, IL.- The Museum of Contemporary Art Chicago shared that Dancing the Revolution: From Dancehall to Reggaetón opens April 14, 2026, and be on view through September 20, 2026. This exhibition is the first of its kind to explore and expand the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art—two dynamic genres that have transcended their grassroots origins to shape global culture. From Kingston to San Juan through London, Toronto, New York City, and Panama, Dancing the Revolution positions music and dance as a revolutionary practice for collective liberation rooted in the struggle against colonial oppression.

Dancehall and reggaetón are not only musical genres but cultural practices and powerful expressions of resistance and joy—reminders of the Caribbean's centuries-old traditions of dance and music as means of liberation and protest rooted in Black Atlantic history and culture. Dancing the Revolution showcases pivotal moments and themes from these histories, starting with the sound system—a mobile disco that embodies both a community experience and a vital civic institution.

Presenting work across varied mediums, Dancing the Revolution includes painting, sound sculptures, installations, photographs, and video, showcasing how artists have been and continue to be inspired by these histories and the visual forms that emerge from them. The exhibition features more than 35 artists, including Jean Michel Basquiat, Carolina Caycedo, Isaac Julien, Lee "Scratch" Perry, Edra Soto, supakid, and Alberta Whittle. A special commissioned mixtape project invites visitors to learn about the evolution of these popular genres in Panama and hear iconic songs that have paved the way for the global phenomenon of reggaetón. Audiences will also be able to purchase the exhibition’s bilingual catalogue (Spanish/English), which features scholarship on topics such as sound system and sonic aesthetics in painting, dancing, and protest during Puerto Rico's Verano del 19, or Summer of 2019, and Panama’s reggae en español, as well as extensive illustrations reproducing exhibition artworks.

Dancing the Revolution considers music and dance as powerful tools for sexual and political liberation. The exhibition’s title is inspired by the shifting RPMs (revolutions per minute) that mark the tempo and history of Caribbean popular music, including historic events like Verano del 19 (which famously included protests attended by singers iLe, Residente, Ricky Martin, and Bad Bunny). At this critical moment of collective action, LGBTQ+ and feminist activists led "perreo combativo," or “combative twerking,” on the steps of San Juan Cathedral prior to Governor Ricardo Rosselló’s resignation, transforming reggaetón’s characteristic dance into a form of political protest. This reclamation of public space through dance—an act deeply rooted in dancehall history and culture—demonstrates how music and dance can serve as bold acts of collective resistance and emancipation.

The exhibition is curated by Carla Acevedo-Yates, former Marilyn and Larry Fields Curator and Director of Curatorial Initiatives, with Iris Colburn, Curatorial Associate, Nolan Jimbo, Assistant Curator, Cecilia González Godino, former Marjorie Susman Curatorial Fellow, and nibia pastrana santiago, Curatorial Consultant.