Gods, warriors and reprobates - lead an expertly-curated lineup at TimeLine's March 3 Antiquities & Ancient Art Auction
The First Art Newspaper on the Net    Established in 1996 Friday, February 27, 2026


Gods, warriors and reprobates - lead an expertly-curated lineup at TimeLine's March 3 Antiquities & Ancient Art Auction
Circa-135 A.D. panel from right end of ornate sarcophagus, with Hadrianic date placing it within the peak period of garland sarcophagi production in Roman Italy. Centered with a carved, dramatic theatrical mask with open mouth, drilled eyes, the forehead morticed for an attachment. Winged depiction of Eros (Greek God of Love) supports heavy garland of oak leaves and acorns. A boukranion (ox skull) appears at right. Size: 19in x 22 3/8in. Weight: 72.95kg. Provenance: NYC private collection; previously with Christie’s (1995 and 2019) and Sotheby’s (2020). Similar to an example in Herdejürgen's 1996 catalog of Stadtrömische und italische Girlandensarkophage. Estimate: $24,255-$32,340/£18,000-£24,000.



ESSEX.- Britain’s TimeLine Auctions, whose specialists are renowned for their expertise in museum-level antiquities, will host an important March 3 auction of ancient art, antiquities, collectables and natural history specimens. The fully-curated offering includes a very special selection of Roman gemstones from a London private collection. All auction lots may be viewed online or in TimeLine’s beautiful printed catalogues, which contain scrupulously-detailed descriptions, information on provenance (prior ownership), and clear photographic views of each item from multiple angles.



The March 3rd auction might well be called “Face Time,” as it features exquisite examples of Ancient Roman visages in marble, stone and other materials of the period. A Late 4th century AD Roman marble bust of Mars depicts the God of War with a calm, idealized facial expression with heavily-lidded eyes, a neatly trimmed beard, and wavy hair crowned by a Corinthian helmet. He wears a cuirass adorned with a small gorgoneion, and a chlamys secured by a brooch on the left shoulder. This dignified artwork stands 27 inches tall, weighs 45.2kg, and bears characteristics reminiscent of a sculpted female head in the Vatican. Estimate: $40,500-$54,450/£30,000-£40,000

Sarcophagus production was an active industry in the Roman Imperial period, with coffins frequently sold “ready-made” with standard decorative schemes. The auction features a remarkable circa-135 A.D. panel whose Hadrianic date places it within the peak period of garland sarcophagi production in Roman Italy. Coming from the right end of an ornate sarcophagus, it is centered with a carved, dramatic theatrical mask with an open mouth and drilled eyes, the forehead morticed for an attachment. To its left, a winged depiction of Eros (Greek God of Love) supports a heavy garland of oak leaves and acorns. A boukranion (ox skull) appears to the right. Most recently in a New York City private collection, it was previously with Christie’s (1995 and 2019) and Sotheby’s (2020). Its auction estimate is $24,255-$32,340/£18,000-£24,000.



A life-size head of Hermes is a Roman copy of a 5th century BC Greek type known as “Hermes Propylaios” attributed to Attic sculptor Alkamenes, a pupil of Phidias. The subject’s beard is tiered and closely curled, and the front of the head is worked with care and clarity, both indicative of the Roman workshop method. Some theories say such depictions of Hermes were created for the Propylaea of the Acropolis of Athens, Hermes being the patron deity of doors and entrances. With provenance from Chaucer Fine Arts Ltd, 1980s; and an English private collection, it comes with an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. Opening bid: $20,093/£14,870



Three times life-size, a 1st-2nd century AD Roman head of the goddess Diana has sensual lips, deep eyes and hair styled in transverse braids across the brow with a laurel wreath above the forehead. This architectural element, 28 3/8in (inclusive of custom display stand), would have supported the sima of a building of great size. Provenance includes a private Belgian collection, the Madame Andree Mace collection; and an English private collection. Accompanied by an academic report by Professor Neritan Ceka, its opening bid is $8,037/£6,000.



A large lower section of a 2nd century AD Roman marble figure of the goddess Isis includes a floor-length robe and sandaled right foot, and is modeled in a standing pose with the foot slightly advanced. Its height is 19 5/8in and it weighs 66.65kg. Its modern line of provenance can be traced to an American private collection (1980s-1990s), with a 2020 auction appearance at Sotheby’s in London. Similar statuary can be seen in Mark Fullerton’s 1990 book The Archaistic Style in Roman Statuary. Estimate: $9,430-$12,130/£7,000-£9,000

The marble head of a youthful Eros, Greek God of Love, was sculpted in 2nd-3rd century AD Rome. Carved in the round as a bust of a curly-haired child with a youthful face, wide cheeks, slightly opened mouth with full lips, and almond-shape eyes, it measures 13½ inches tall (inclusive of custom stand). The piece was held in the private collection of Mr and Mrs A at their mansion near the Champs-Élysées in Paris; thence by descent; followed by acquisition on the French art market; and a private collection in England. It can be compared to an artwork in The British Museum, Number 1879,0712.7. It has an auction opening bid of $8,037/£6,000.



The extraordinary London private collection of Ancient Roman gemstones includes fascinating depictions of animal subjects, which were favored in all manner of Roman artworks from the 2nd century BC through 4th century AD. Among the top examples is an Eastern Roman carnelian cameo from the 3rd-4th century AD that has an inset convex gemstone with the image of a crouching lion with his head resting on his forepaws. The attractive discoid-form cell is secured in a gold mount with a flange rim. Prior to joining the London collection, this handsome specimen, like several others in the auction, was part of an English private collection formed between the late 1970s and early 1990s. Its pre-sale estimate is £3,000-£4,000. Also reflecting the wild kingdom, a Roman carnelian gemstone from the 1st century BC to 1st century AD is fashioned in an ellipsoid shape and carved with a scene of a hunting dog attacking a large running boar. Estimate: £2,000-£3,000



A Late 1st century BC Roman aquamarine gemstone of a philosopher portrays an elderly man wearing a tunic and toga. It will convey to its new owner with a museum-quality impression of the artwork. Estimate: £2,000-£3,000. As history shows, not all Ancient Roman figures were honorable or noble. Accordingly, even uncouth characters found their way into gems of the period, like the auction’s agate cameo of a theatrical mask depicting “Pornoboskos.” A stock character in New Comedy, the unsavory Pornoboskos was a brothel-keeper who often played the adversary to love-struck young protagonists. Created in the 1st century BC, the cameo in his image includes such features as a bushy beard, pronounced eyebrows and crazed eyes. Estimate: £1,000-£1,400



From the demonic to the divine, a Graeco-Roman sard gemstone of the god Apollo, 2nd-1st century BC, is set in a later Roman Period gold mount with a roped border and attachment loop at the top. Masterfully carved, it features an intaglio profile bust of a youthful male with curly hair, wearing a headdress. Relevant information regarding this type of intaglio is found in AB Chadour’s Rings: The Alice and Louis Koch Collection, Volume I, Leeds, 1994, Item 222. Offered together with a museum-quality impression, this gemstone is expected to sell for £1,200-£1,700. Bearing an instantly recognizable image, a Roman carnelian intaglio gemstone is carved with the bust of Asclepius, God of Medicine, holding a serpent in one hand. Dating to the 1st century AD and accompanied by a museum-quality impression, its auction estimate is £1,000-£1,400.

TimeLine’s March 3, 2026 Ancient Art, Antiquities, Collectables & Natural History Auction is followed by four additional days of antiquities-buying opportunities (March 4-7, inclusive) and a March 10-11 Coins, Weights, Tokens, Medals & Books Auction. All TimeLine events are held live at the company’s head office at The Court House, 363 Main Rd., Harwich, Essex CO12 4DN, UK. Internet bidders may pre-register online. Goods may be previewed in person at the gallery by prior arrangement only.

Auction start time is 8am US Eastern time/1pm GMT. All remote forms of bidding are available, including absentee, by phone (please book phone line 48 hours ahead of time), or live online through TimeLine’s bidding platform or LiveAuctioneers. TimeLine Auctions accepts payments in GBP and ships worldwide. Questions: call +44 7494 866514 or email Aaron Hammond at ah@timelineauctions.com. Online: https://timelineauctions.com.










Today's News

February 27, 2026

Wagner Foundation presents an exhibition rooted in the power of collective dreaming

Gods, warriors and reprobates - lead an expertly-curated lineup at TimeLine's March 3 Antiquities & Ancient Art Auction

Montrose's March 14 Live Firearms Auction features fine sporting, classic and collectible firearms

Exhibition of works by Cho Sung-Hee & Pieter Obels to open at Opera Gallery Miami

Yale unveils most comprehensive exhibition ever of August Sander's "People of the 20th Century"

Olafur Eliasson debuts Your immeasurable expanse of flares at Galería Elvira González

Kunstmuseum Luzern unveils the first major Swiss retrospective of Maria Pinińska-Bereś

Renoir's radical romance: National Gallery sets date for major 2026 retrospective

Tate Modern unveils the largest survey of Tracey Emin's groundbreaking career

The Vancouver Art Gallery receives transformative gift of photographs by Stephen Shore from the Chan Family

Ralph Lemon debuts unseen works at Paula Cooper Gallery

Julien's Auctions announces Bold Luxury: Gwyneth Paltrow Lexicon of Style & The Archival Edit

Christie's to auction the storied collections of the Château de Tournay

Footwork: Where We Gather at the Michael C. Carlos Museum celebrates Atlanta's sports culture

Rain stories from desert Country light up the National Gallery for Enlighten Festival

The Ministry of Culture launches "Felicità" the new communication campaign for the Musei Italiani app

The sacred space of play: Reimagining Indian miniature painting at Purdy Hicks Gallery

Mori Art Award 2026: Katayama Mari wins inaugural grand prize

New exhibition bridges media and material

NOMA unveils rare Sèvres porcelain bequest from the Estate of Thomas B. Lemann

n+1: More than one image at the DZ BANK Art Foundation

The Art Museum at the University of Toronto launches its winter 2026 program with groundbreaking exhibitions

Fort Gansevoort presents Yvonne Wells at Frieze Los Angeles

'The Two Giants of the 19th Century' honored in Heritage Auctions' extraordinary Dan Madsen Collection March 18




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



The OnlineCasinosSpelen editors have years of experience with everything related to online gambling providers and reliable online casinos Nederland. If you have any questions about casino bonuses and, please contact the team directly.


Truck Accident Attorneys

sports betting sites not on GamStop



Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful