|
|
| The First Art Newspaper on the Net |
 |
Established in 1996 |
|
Thursday, February 19, 2026 |
|
| 'Women's Dreams' unites defiant Polish and East German artists of the 1980s |
|
|
Cornelia Schleime, Selbstinszenierung: Ich halt doch nicht die Luft an. Self-staging: Im Not Going to Just Hold My Breath, Hüpstedt, 1982; reprint by Bernd Hiepe, 2016. Inkjet print on Hahnemühle paper, 29.7 × 42 cm. Photo: Bernd Hiepe. © Cornelia Schleime. Courtesy of Galerie Judin, Berlin.
|
SZCZECIN.- Womens Dreams stages an imagined encounter between female artists active in the 1980s in East Germany and Polandone that the political circumstances of the time made impossible. The exhibition brings together works by Polish artists Ewa Zarzycka, Ewa Partum, and Izabella Gustowska alongside those of German practitioners Christine Schlegel, Cornelia Schleime, Gabriele Stötzer, Tina Bara, and the collective Künstlerinngruppe Erfurt. Their works share a critical stance toward the social and political norms imposed on women, coupled with a determination to assert control over their own image. The artists challenged the portrayal of women in socialist media, resisted prescribed gender roles, confronted discrimination, and expressed their desires with remarkable clarity and courage.
The 1980s were shaped by martial law and the closing of borders between ostensibly fraternal states. Heightened political repression, scarce resources for artistic production, and a pervasive sense of hopelessness on both sides of the border prompted many to pursue internal emigration or to leave abroad. A third path was alternative, underground activityoften a radical and uncompromising engagement with the authorities that demanded the invention of new languages and strategies. Artists turned to experimental media: staging performances, filming with 8 mm cameras, exploring graphic techniques, publishing zines, and creating collages. In front of conservative audiences, they exposed and repainted their bodies, while also constraining and binding them, laying bare the political repression they faced. Womens art in the 1980s was diverse, dynamic, and defiantclosely linked to the punk scene in the GDR, and drawing on avant-garde traditions in Poland. The artists presented in the exhibition are further connected by a thread of solidarity and sisterhood, manifested through collaborative initiatives, independent gallery practices, alternative exhibition formats, and sustained mutual support throughout the creative process.
In Womens Dreams, the act of looking acquires an added layer of meaning, foregrounding the tension between observing and being observed. This dynamic is embedded in the exhibitions architecture, which offers two perspectives: a conventional mode of display and an elevated viewpoint that frames the exhibition as a contemporary dialogue with the past.
Artists: Tina Bara, Izabella Gustowska, Künstlerinnengruppe Erfurt, Ewa Partum, Cornelia Schleime, Christine Schlegel, Gabriele Stötzer, Ewa Zarzycka
Curated by Marta Gendera
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
|
Royalville Communications, Inc produces:
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|