LOS ANGELES, CA.- Pace’s booth at this year’s edition of Frieze Los Angeles will spotlight works by artists with strong connections to the city, including a never-before-seen, rounded-diamond installation by James Turrell; new paintings by Mary Corse and Friedrich Kunath; a suite of works on paper by David Lynch, who is the subject of exhibitions at the gallery’s Berlin and Los Angeles spaces this year; a 2018 work on paper by David Hockney; a 2020 sculpture by Peter Alexander; and photographs by Richard Misrach.

The presentation will showcase the gallery’s contemporary program with works by Robert Longo, Kohei Nawa, Marina Perez Simão, Alejandro Piñeiro Bello, and Mika Tajima.

Historical works on the booth will include paintings by Jean Dubuffet, Emily Kam Kngwarray, and Richard Pousette-Dart; a sculpture by Lynda Benglis; a 1969 painting by Kenneth Noland; and mixed media wall reliefs by Louise Nevelson, whose retrospective at the Centre Pompidou-Metz is on view through August 31.

It will also feature a sculpture by Arlene Shechet, who debuts a new outdoor sculpture at Pace Los Angeles in February— the artist will be in conversation with David Salle and Stephanie Barron in an event at Pace on Saturday, February 28, during the run of Frieze.

An exhibition of new paintings by Lauren Quin at Pace Los Angeles, on view through March 28, coincides with the fair.

Highlights on Pace’s booth include:

• James Turrell’s 2021 installation Carat and Schtik, a never-before-exhibited work from the artist's Glassworks series in which he explores the sensorial experience of space, color, and perception

• A suite of works on paper by David Lynch, whose paintings, sculptures, watercolors, and early short films are on view in an exhibition at Pace’s Berlin gallery through March 29—Lynch will also be the subject of a major presentation at Pace Los Angeles later this year

• A 2025 glazed ceramic and powder coated steel sculpture by Arlene Shechet, who will debut Big Sister (2025)— the first outdoor sculpture she is exhibiting since her 2024 presentation Girl Group at Storm King—at Pace’s Los Angeles gallery on February 11, remaining on view through June 6

• Mixed media sculptures from Kohei Nawa’s iconic PixCell series, a body of work that also figures in the artist’s first solo exhibition in Los Angeles, opening at Pace on April 11

• A new Art d'Ameublement painting by Mika Tajima, who will present a solo show at Pace Los Angeles this summer

• A 2025 painting by Mary Corse, who has been a key member of the Los Angeles artist community since the 1960s, exploring phenomena of light, space, and perception in her work for six decades

• David Hockney’s Viewers Looking at a Ready-made with Skull and Mirrors (2018), a photographic drawing printed on paper

• A urethane sculpture created in 2020 by Peter Alexander, who was born in Los Angeles in 1939 and became a key figure of the California Light and Space movement

• Los Angeles-based artist Friedrich Kunath’s new painting I Don’t Worry Anymore (2026)

• Two photographs by Los Angeles-born artist Richard Misrach, who is one of the most influential photographers of his generation, instrumental in pioneering the use of color photography and large-scale format in the 1970s

• Royal Lancer (1990), a sculpture by Lynda Benglis, whose work is on view in the exhibition Lynda Benglis Encounters: Giacometti at the Barbican in London through May 31 and who will present a solo show at Pace in New York this fall

• New charcoal drawings by Robert Longo, who will present a solo exhibition at Pace’s Tokyo gallery this spring

• New and recent paintings by Marina Perez Simão and Alejandro Piñeiro Bello

• Mixed media wall reliefs created in 1977 by Louise Nevelson, whose retrospective at the Centre Pompidou-Metz in France continues through August 31

• A 1983 painting by Jean Dubuffet, who posed fundamental questions about the nature of reality in his work across mediums

• Transition (1990), a painting by Emily Kam Kngwarray, who will be the subject of a survey exhibition, presented in collaboration with D'Lan Contemporary, opening at Pace’s New York gallery in May

• Richard Pousette-Dart’s painting Implosion into the Firmament (1991–92)—a presentation of the artist’s work, titled Geometry of Summer, is on view at Pace in New York through February 28

• Elide (1969), a large-scale painting by Kenneth Noland, who was instrumental in forging the language of postwar abstraction in the US