BENTONVILLE, ARK.- Crystal Bridges Museum of American Art reached a major milestone in its expansion on Saturday, January 17, when the museum’s newly-transformed galleries opened to the public. Located in the former Early American galleries, the Visions of America Galleries feature a core experience designed to inspire curiosity and offer a high-level introduction to five centuries of American art through the Crystal Bridges collection.
Organized into five thematic sections, We, Dreaming, Nature, Making Our Mark, and We the People, the Visions of America Galleries take guests on a journey reflecting on American people, the power of dreaming and artistic imagination, our relationships with nature and its materials, the objects that shape our spaces and cultures, and the unfolding story of America. The reimagined galleries go beyond traditional art history to create an immersive, interactive experience of art, artists, and their stories.
Visions of America reveals the many ways to celebrate the American spirit through art and highlights artists’ visions and voices. Throughout the newly redesigned galleries, enhanced with new lighting, wall colors, large-scale graphics, and seating, visitors can hear from artists themselves through artist quotes on the walls and three in-depth artist interviews featuring Teri Greeves, 2024 Don Tyson Prize winner, Nicholas Galanin, and Beth Lipman. In addition, artist self-portraits and community portraits are featured prominently, along with new acquisitions, like Tomokazu Matsuyama’s You, One Me Erase, that pay homage to the influence of artists across time and cultures.
The refreshed galleries present collection favorites and new acquisitions, especially those reflecting recent collecting priorities in craft and Indigenous art, along with loans from Art Bridges Foundation. New acquisitions of Indigenous art include Teri Greeves’ largest work to date, K’Gui Stah Gyah, Gyah Stah Gyah, The Kiowa World: As We Have Always been, As We are, As We Will Be; Nicholas Galanin’s I think it goes like this (memory and interference); Raven Halfmoon’s Caddo Woman Warrior; and commissions by artists Jeri Redcorn, Kelly Church, and Jane Osti.
New acquisitions in craft include carved wooden spoons by artist Norm Sartorius, sculptural White Oak baskets by artist Leon Niehues, Betty Woodman’s House of the South, and more. In addition, the historic Tiffany Studios stained-glass window, Mountain Landscape (Root Memorial Window), will be on view in Visions of America in the spring. Anchoring the presentation are signature Crystal Bridges works such as Norman Rockwell’s Rosie the Riveter and Nari Ward’s We the People (black version).
Visions of America also includes the art of nature. Newly displayed are crystals and natural minerals, including rare and outstanding examples, among others, of aquamarine, wulfenite, and Arkansas quartz.
As part of the Crystal Bridges collection, Visions of America is free to all during Crystal Bridges’ regular museum hours. No ticket is required.
Crystal Bridges aims to revolutionize the art museum experience. June 6 and 7, 2026, Crystal Bridges will expand access to five centuries of American Art by adding another 114,000-square-feet of new space and showcasing a transformed way for visitors to interact with every part of the building – facilitating surprise and delight, joyful learning, and ever-broadening American stories. Crystal Bridges sits on a 134-acre campus along with Heartland Whole Health Institute and Alice L. Walton School of Medicine.
