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Saturday, December 20, 2025 |
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| New IVAM project traces past and future through space, myth, and landscape |
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Andrea Canepa, boceto digital para la pieza El soplo de la Pitón, 2025.
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VALENCIA.- The project Entre lo profundo y lo distante (Between the Deep and the Distant), conceived specifically for the IVAM, takes as its starting point David Abrams The Spell of the Sensuous, which drawing on phenomenological philosophy and conceptions of time present in various Indigenous cosmologies proposes that time is inscribed within the landscape. In Abrams vision, past and future coexist within the present and are spatially situated: the past lies beneath layers of matter strata of earth, coral rings, ancient zones of the brain and upholds the present. The future, by contrast, rests on the horizon: a threshold linking the terrain we inhabit with what extends beyond, receding as we advance towards it.
From this idea , the lower installation explores forms of the past inscribed in space, invisible to experience, and invites visitors to enter an unknown territory. The work evokes a sense of interiority cave, earth, body, underworld, or womb arranging its elements so as to envelop the viewer, allowing them to move among layers reminiscent of tree rings or cave folds.
At the centre of the space, the presence of a mythical serpent is suggested an ancestral inhabitant of the subterranean imagination across multiple cultures.
On the upper floor, a metallic line traces the perimeter of the room like a horizon, almost within reach, and is interrupted by sculptures that alter its course. The installation enters into dialogue with the ceque system of the pre-Columbian Andean world a network of sacred lines radiating from the centre of the city towards the horizon, connecting huacas (sacred places) and mapping a correspondence between space and time. Each huaca marked moments in the Inca calendar. In this sense, the interruptions that break the line evoke those huacas as temporal markers.
The two installations are linked by an intervention on the staircase, so that the ascent evokes the crossing of a threshold the passage from one state to another. This vertical axis functions as a rupture in continuity, a now that traverses layers of time. Between the Entre lo profundo y lo distante explores how time is anchored in the landscape, recognising that every geography is, in essence, temporal.
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Today's News
December 20, 2025
Art Institute of Chicago presents first major Bruce Goff exhibition in three decades
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Mounira Al Solh opens Arnolfini's 2026 programme with major solo exhibition
MOCA unveils 2026 exhibition schedule
Italy revisits the Risorgimento through the art of Luigi Norfini in major bicentenary exhibition
New IVAM project traces past and future through space, myth, and landscape
Alphonse Mucha exhibition draws over 90,000 visitors to Palazzo Bonaparte
Atlanta Contemporary announces Unbound Narratives: Embodied Language
Nick Aguayo to unveil new abstract paintings at Miles McEnery Gallery
Seriously Playful will bring sculpture, drawing, and painting together at LAUNCH Gallery
Kolumba honors memory, objects, and storytelling in Musée sentimental showcase
Painting and photography converge in Galerie Miranda's winter exhibition Winterreise
Contested monument gains new context through Azra Akšamija's interactive sculpture
Marta Herford seeks Curator for Contemporary Art
Air de Paris will present ceramics, photography, and archives shaped by 30 years of artistic exchange
Neues Museum Nuremberg reexamines Boris Lurie's legacy through feminist dialogue in Testimony
Lynne Woods Turner explores movement, balance, and abstraction at Adams and Ollman
Catholic University architecture students build soaring spaceframe in the National Building Museum's Great Hall
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