The way we experience art has changed, and it's not just about where we see it, but how we see it
The First Art Newspaper on the Net    Established in 1996 Thursday, November 13, 2025


The way we experience art has changed, and it's not just about where we see it, but how we see it
In a post-gallery world where digital storytelling defines perception, Smartist represents something bigger: a shift toward tools that don’t just serve the art world, but serve the artist.



NEW YORK, NY.- As more artists turn to self-representation and digital platforms to share their work, one uncomfortable truth keeps surfacing: the world still isn’t built for artists to succeed. Fewer are represented by galleries, most juggle part-time jobs, and the pressure to self-market online has never been higher.

That tension between creative integrity and survival is reshaping what it means to be a working artist in 2025. And it’s also driving the rise of tools like Smartist, a visual staging app designed by artists, for artists to help them present their work professionally, without needing a gallery, photo shoot, or expensive software.



For founder Ilgar Tali, Smartist was born out of this simple but radical idea: to make it possible for artists to make a living as artists. His mission goes beyond presentation; it’s about removing barriers that keep creators from thriving. By giving them access to the same high-end visualization tools used by galleries and designers – but made intuitive, affordable, and immediate – Smartist helps artists sell more work, sustain their practice, and stay independent.

Unlike many “art tech” startups, Smartist wasn’t built to disrupt the industry, it was built to sustain it. By giving artists access to the same high-quality visualization tools used by designers and galleries, Smartist helps level the playing field, letting artists focus less on selling and more on creating.



Key features of the app include:

• A vast library of curated interiors (from modern lofts to white-cube galleries).

• Accurate dimensions, lighting, and shadow adjustments for realism.

• The ability to upload and stage multiple works, customize frames, and export high-res visuals.

• A “room upload” feature that allows artists to preview art in a real space (theirs or a client’s).

• Currently in development is a new AI-driven video staging feature that will be released soon.



In a post-gallery world where digital storytelling defines perception, Smartist represents something bigger: a shift toward tools that don’t just serve the art world, but serve the artist.

For more information, visit https://smartist.app/.










Today's News

November 13, 2025

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Columbia University rare collection at Roland auction November 15th

The way we experience art has changed, and it's not just about where we see it, but how we see it

The National Gallery to stage the first exhibition for one of Europe's earliest women painters

MAXXI Rome explores thirty years of relational aesthetics

Ben Brown Fine Arts Hong Kong presents a deep dive into Alighiero e Boetti's systems and variations

Mathias Énard begins literary residency at the Prado Museum

Geneva Luxury Week live auctions total US$ 102.5 million 24% increase year-on-year

Jeff Koons's "Porcelain Series" redefines beauty at Gagosian

Victoria Miro unveils Chantal Joffe's fourteenth solo exhibition with the gallery

Zander Galerie Paris presents a meditative exhibition of photographs by Robert Adams

Christie's sale celebrates the visionaries and breakthroughs that shaped today's world

Graciela Iturbide's "Las Californias" reveals decades of intimate portraits from East LA to Tijuana

Kunsthalle Praha presents the first large-scale exhibition of Roman Ondak in Czechia and Slovakia

5,000-year-old winepress and Canaanite ritual finds unearthed in Israel

Galerie Urs Meile opens Lêna Bùl's "skin in my stomach"

kaufmann repetto now represents Clarissa Tossin

Textile, body, and memory intertwine in Amine Habki's Nordic debut at Andréhn-Schiptjenko

Exhibition unites Marina Perez Simão and Tomie Ohtake in a cross-generational dialogue on abstraction

Magdalene Odundo unveils new ceramic and glass works in her first exhibition at Xavier Hufkens

Rare & Important Travel Posters at Swann Galleries Nov. 25

Zoe Walsh's "Night Fields" opens at Yossi Milo in New York

Herèms Foundation's Latitudes grant supports Nuits Balnéaires




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