In a quiet Norwegian village called Harestua, nestled among pines and frost, Canadian artist Gregory Taylor found something ancient stirring. Not a troll from bridge-side legends, but a spirit of transformation—a mythic embodiment of emotion reborn through modern art. This spark became Trollibu, Taylor’s defining creative force, and the heart of his 2025 fine art journey.
The centerpiece of this evolution is The Six Trollibus’ of Origins, a monumental mixed-media work (primarily acrylic on canvas) measuring 47" W x 77" H x 2" D. Recently sold for $7,000 USD through Trollibu.com, the piece explores the six moods of Trollibu, each representing a distinct emotional state. Towering over six feet tall, the artwork radiates both myth and motion—its layered textures and bold color fields capturing the restless metamorphosis of the human spirit.
Between folklore and feeling
For Taylor, Trollibu isn’t just a character—it’s a mirror. “There’s a troll in everyone,” he says. “When you embrace it, you live freer, wilder.”
His expressive brushwork and dynamic composition invite viewers to navigate the six moods like emotional landscapes. Each form—abstract yet alive—suggests a different current of being: joy, chaos, melancholy, wonder, defiance, and balance. The work’s tactile surfaces and mixed-media layering heighten its sense of depth, offering endless interpretation.
Taylor’s background in Human Geography at the University of Alberta, where he focused on satellite image analysis, informs this visual language. “It sounds far from art,” he reflects, “but learning to see patterns in data taught me to recognize structure in chaos. That’s where my visual rhythm comes from.”
Between art and accessibility
Before arriving at Trollibu, Taylor worked independently across sculpture, 3D design, and digital media. But with The Six Trollibus’ of Origins, he distilled years of experimentation into a singular statement—a fusion of technique, myth, and self-exploration.
“I don’t think fine art and commercial art should be enemies,” Taylor explains. “A character, a feeling, or an idea can exist in both worlds. Trollibu represents that freedom.”
That spirit extends across the Trollibu brand (Trollibu.com / Trollibu.no), where playful design meets fine-art depth. While The Six Trollibus’ of Origins stands alone as a 1/1 original, Taylor continues to explore ways for collectors and fans to engage with Trollibu through accessible formats and future projects.
A playful rebellion
In an art world often allergic to humor, Taylor’s work is a refreshing contradiction—serious craft delivered with a wink. His process, which can involve brushes, sponges, and even hardware tools, rejects perfectionism in favor of intuition. “I want people to see my work and think, I could do this too—if I let go of control,” he says with a grin.
There’s a trace of pop surrealism and urban vinyl energy in his approach, echoing inspirations like Frank Kozik, yet Taylor’s Trollibu exists in its own mythos. It’s a self-contained world where mischief, balance, and authenticity coexist.
Looking ahead
Taylor envisions Trollibu continuing to evolve—through new canvases, interactive installations, and digital storytelling—but its essence will remain rooted in the emotional complexity that The Six Trollibus’ of Origins celebrates.
“In Norway, I learned that calm doesn’t mean silence,” Taylor muses. “It means knowing where you come from—and which part of you still wants to dance.”
In a landscape crowded by algorithms and trends, Gregory Taylor’s Trollibu doesn’t just challenge convention—it invites it to play.
