GWANGJU.- Birke Gorm has been selected to represent Austria at the 16th Gwangju Biennale 2026 in South Korea. Commissioned by Phileas – The Austrian Office for Contemporary Art and co-funded with the Federal Ministry for Housing, Arts, Culture, Media and Sport, her exhibition will be curated by Attilia Fattori Franchini and marks the second national presentation of Austria at the Gwangju Biennale.

Phileas – The Austrian Office for Contemporary Art invited artists and curators to submit joint proposals through an Open Call, which were assessed by its International Advisory Board comprising Lisa Gersdorf (Publisher, frieze, Berlin and London), Max Hollein (Director and CEO, The Metropolitan Museum of Art, New York), Tessa Praun (Curator and writer, Stockholm), Hans Schabus (Artist and Professor, University of Applied Arts Vienna), Jasper Sharp (Curator and writer, Vienna) and Simone Subal (Gallerist, New York).

The Austrian Pavilion in Gwangju will be hosted by the Eunam Museum of Art, a venue shared with the Swiss Pavilion, commissioned by the Swiss Arts Council Pro Helvetia. Birke Gorm’s exhibition, the evening and the morning and the night will be curated by Attilia Fattori Franchini, founder and director of KUNSTVEREIN GARTENHAUS, Vienna and director of the festival curated by. Gorm (born 1986 in Hamburg) is a visual artist based in Vienna. Her work investigates the life cycle of common objects, interrogating their ideological framework around the narration of history and changing attitudes to social representation, gender, industrialization, and value. In line with Gorm’s artistic production, the exhibition at the Austrian Pavilion will consist largely of discarded and repurposed materials, collected by the artist in Vienna and on site in Gwangju. Under the title the evening and the morning and the night, Gorm transforms the exhibition space of the Austrian Pavilion at the Eunam Museum of Art both physically and conceptually into an attic—a place that is used for storage, mainly left undisturbed. In the exhibition, the attic is regarded as the “mind of the house.” Just as an attic stores old, forgotten, or hidden objects, it can symbolize the mind’s storage of repressed memories, unprocessed emotions as well as the societal influences that command our identities.

“The concept of Birke Gorm and Attilia Fattori Franchini impressed with its clear artistic vision and its critical examination of relevant issues such as the use of resources or the consequences of capitalism. By repurposing everyday, seemingly worthless materials in her work, Birke Gorm brings the repressed and overlooked to the forefront, creating a space for collective memories. The jury was particularly struck by how her work inscribes itself into the local context, thus opening a dialogue between place, material, and history. Addressing some of the complex questions related to the human condition within a fragile socio-economic framework, Birke Gorm’s mesmerizing installations convey a highly impactful and persuasively engaging visual language,” said Max Hollein on behalf of the jury.

“Through careful attention, re-appropriation, and the use of traditional craft and domestic production techniques, I explore how care, time, and manual labour can reframe what seems disposable as something that carries valuable information. It is an honour to represent Austria—which has been my home for more than a decade—at the Gwangju Biennale, and I deeply value the opportunity to take part in the exchange between Austria, South Korea and the international art scene,” said artist Birke Gorm.

The 16th Gwangju Biennale will take place from September to November 2026, curated by Ho Tzu Nyen.