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Friday, August 29, 2025 |
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Frank Frazetta's defining image of Conan to be offered in a landmark one-lot auction at Heritage Sept. 12 |
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Frank Frazetta Conan Novel Cover Painting Original Art (Lancer/Ace, 1967).
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DALLAS, TX.- Frank Frazettas cover painting for the 1967 Lancer/Ace Conan reprints is nothing less than a landmark of modern fantasy art a single image that crystallized a literary hero and reset the expectations of popular Illustration Art. Completed in 1966 and published the following year, the oil-on-canvas board, commonly known as Man Ape, endures as one of the most recognizable of Frazettas Conan paintings and among the greatest canvases the artist ever produced. This singular masterpiece will be offered in a dedicated one-lot auction at Heritage on Sept. 12, marking an extraordinary opportunity to acquire one of the cornerstones of fantasy illustration. Its spotlight on the block joins a three-day Comic Art auction taking place Sept. 12-14.
Man Ape is a touchstone of fantasy illustration an image that redefined Conan for modern audiences, says Todd Hignite, Heritages Executive Vice President. To acquire this painting is to own not just a masterwork of draftsmanship and color but the very matrix from which so much of Conans modern mythos was born.
Heritage holds the auction records for Frank Frazettas original paintings. In May 2019, Egyptian Queen realized $5.4 million at Heritage, setting a world and house record for original Comic Book and Fantasy Art. That record was surpassed by Dark Kingdom, which sold for $6 million at Heritage in June 2023 currently the highest auction result for any Frazetta work and any Comic or Fantasy artwork globally. His drawings go for out-of-this-world prices as well through Heritage. In June of this year, a magnificent Frazetta 1954 pen-and-ink work, Famous Funnies No. 214 Buck Rogers Original Cover Art, which portrays Buck Rogers sailing through space, sold for $1,035,000. Man Ape has found itself at the right house.
This painting by Frank Frazetta is one of the most recognizable and iconic images of Conan the Cimmerian, says Robert E. Howard historian Mark Finn. Drawn from Howards tale Rogues in the House, the scene stages Conans brutal encounter with the man-ape Thak. Frazetta distilled the story into an unforgettable tableau: a barbarian warrior squared against a hulking beast, each figure modeled with authority and electrified by movement.
Movement, in fact, was the artists guiding principle. Sharp diagonals, sweeping brushstrokes and compressed pictorial space pull the eye toward the clash of bodies at the compositions center. Conans twisting torso, clenched fists and forward-driving musculature animate the painting with a ferocious energy that continues to reverberate long after viewing. Frazettas mastery of anatomy honed through years in commercial illustration never lapses into static academic display. Every gesture serves the narrative. And color provides both structure and memory. Against a moody chiaroscuro of earth tones, flesh and stone, Frazetta deploys a visually stunning note: the blood-red cape of Thak. This crimson slash anchors the eye and sears itself into the imagination, transforming the painting into an unforgettable emblem of raw conflict. Frazetta achieves both immediate readability and enduring depth.
When Man Ape appeared on the cover of the 1967 Conan paperback reissues, it did more than sell books it reinvented a character for a new era. Frazettas covers for the Lancer/Ace series introduced a new theatricality into paperback illustration, says Hignite. They made Howards prose feel palpable to a new generation of readers.
Those covers ignited a Conan resurgence in the late 1960s, sparking Marvel Comics long-running series and later feature films. Frazettas imagery, elemental and larger-than-life, redefined how the barbarian would be envisioned across all media. Posters, comic book covers and endless reproductions spread the image globally, yet the power of the original remains unique.
Beyond its cultural impact, the paintings custodial history enhances its rarity. Executed in oil on a 16-by-20-inch canvas-wrapped board, the painting, a favorite of Frazettas, has remained with the artist and his family since its creation, preserving an unbroken link to Frazettas studio. For collectors of Illustration Art, American Art, Comic Art or Fantasy, Man Ape represents a pinnacle. Heritages offering of Man Ape as a one-lot auction underscores both its rarity and its centrality to the Frazetta legacy. This is not simply the sale of a painting; it is the presentation of a cultural touchstone the canvas that launched a thousand images and continues to shape the imagination of Illustration Art half a century later.
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