Scripps College's Ruth Chandler Williamson Gallery announces 80th Ceramic Annual
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Scripps College's Ruth Chandler Williamson Gallery announces 80th Ceramic Annual
Robert Arneson, Art Works, c. 1960s. Glazed earthenware, press molded and altered form, 4 ¾ x 8 ¼ x 1 ¾ in. Collection of Forrest L. Merrill. Photo: M. Lee Fatherree.



CLAREMONT, CA.- From February 1–April 6, 2025, the Ruth Chandler Williamson Gallery celebrates the 80th anniversary of the Scripps College Ceramic Annual, the longest continuous exhibition of contemporary ceramics in the United States. This year’s exhibition, “In the Hands of the Collector: The Fred Marer and Forrest L. Merrill Collections,” is guest curated by ceramic historian, author, and educator Nancy Servis and features over one hundred works by more than sixty artists.


Experience the revolutionary ceramics of Peter Voulkos: Delve into the world of his groundbreaking work with clay, where he pushed the boundaries of the medium and redefined what sculpture could be.


A tale of two California collectors and their passion for clay, concurrent with the evolution of the Ceramic Annual, is at the heart of this exhibition. Fred Marer (1908–2002) a math professor at Los Angeles City College collected more than 1,500 contemporary works that span six decades. In Northern California, Berkeley’s Forrest L. Merril (b. 1933 amassed more than 4,000 pieces.

“Since its debut in 1945, the Scripps College Ceramic Annual has demonstrated how artists dynamically engage the medium,” notes Dr. Erin M. Curtis, Gabrielle Jungels-Winkler Director of the Ruth Chandler Williamson Gallery. “Fred Marer and Forrest L. Merrill personally witnessed the emergence and influence of the Ceramic Annual and championed many artists who exhibited at Scripps. Their collections provide a fascinating window into not only the Ceramic Annual, but also twentieth-century ceramics in California and beyond.”

“In the Hands of the Collector” highlights works by Laura Andreson, Robert Arneson, Ralph Bacerra, Michael and Magdalene Frimkess, David Gilhooly, Shoji Hamada, Jun Kaneko, Glen Lukens, Harrison McIntosh, Otto and Gertrud Natzler, Antonio Prieto, Lucie Rie, Paul Soldner, Goro Suzuki, Henry Takemoto, Marguerite Wildenhain, Toshiko Takaezu, Peter Voulkos, and Beatrice Wood. The exhibition explores how Marer and Merrill’s collections document a shift from vessels to sculptural forms and demonstrate key moments in West Coast ceramics.

“When you take the time to focus on an artist’s work, you have the liberty to go where they’ve been,” says Merrill. “And that’s the kind of journey that interests me very much.”

The exhibition is accompanied by an illustrated catalog featuring essays by Nancy Servis; Carol Sauvion, producer and director of the PBS documentary series “Craft in America”; Rody N. Lopez, executive director of Craft Contemporary; gallerist Mike Holmes; and Kirk Delman, registrar and collections manager at the Ruth Chandler Williamson Gallery.


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