Kunsthal Charlottenborg presents its 2025 exhibition programme
The First Art Newspaper on the Net    Established in 1996 Wednesday, December 25, 2024


Kunsthal Charlottenborg presents its 2025 exhibition programme
Banu Cennetoğlu, right?, 2022–ongoing. Installation view, 58th Carnegie International, Carnegie Museum of Art, Pittsburgh, September 2022. Photo: Sean Eaton. Courtesy of the artist and Sylvia Kouvali, London/Piraeus.



COPENHAGEN.- Charlottenborg Spring Exhibition 2025
February 6–March 9, 2025


With a long legacy dating back to 1857, the Charlottenborg Spring Exhibition is one of the most significant open-call juried exhibitions in Europe. Each year, a professional jury selects a wide-ranging array of artists from among the many who submit their work in an open application process.

Reflecting current trends on the art scene, the annual exhibition offers plenty of opportunity to explore the rich diversity of contemporary art, architecture, applied art and design. All artists above 18 can apply until December 22, 2024.

This year’s jury, who will also curate the Spring Exhibition, is the multidisciplinary artist and curator collective coyote. The exhibition is organised by the Charlottenborg Foundation in collaboration with Kunsthal Charlottenborg.

Banu Cennetoğlu
March 19–August 10, 2025


Istanbul-based artist Banu Cennetoğlu (b. 1970, Ankara) is interested in how the production and distribution of text- and image-based information contributes to shaping our world. Her practice often involves extensive collecting, cataloguing and archiving of materials, which subsequently manifest in carefully composed works with wide-reaching perspectives.

In her first solo exhibition in Denmark, critical investigations of the daily press, the migration flows through Europe and the UN Declaration of Human Rights are brought to dialogue with an extensive private image archive, connecting the small and large events of everyday life with urgent global issues.

The exhibition is curated by Henriette Bretton-Meyer and Katarina Stenbeck and presented in collaboration with CPH:DOX. Further info here

MFA Degree Show 2025
April 12–August 10, 2025


The MFA Degree Show 2025 celebrates the work of 30 artists graduating from The Royal Danish Academy of Fine Arts’ Schools of Visual Arts.

Through a wide array of forms including photography, sculpture, painting, sound, video and performance, this annual exhibition presents individual artistic practices in a curated group show that provides a glimpse into current movements in contemporary art.

The MFA Degree Show 2025 is curated by Mariam Elnozahy, Artistic Director at Konsthall C in Stockholm. Further info here

Future Ours
Kunsthal Charlottenborg Biennale
June 10–August 10, 2025


Future Ours addresses the future of our planet and presents visions from twenty-one artists and collectives from around the world in the courtyard of Kunsthal Charlottenborg and in streets, train stations and bus stops across Denmark in the summer of 2025.

The exhibition explores how art can serve as a unique tool for critical world-building by proposing new social, political and economic models, reweaving a dialogue between social, economic, and ecological equity for the planetary community at large.

The exhibition is initiated by ART 2030 and Kunsthal Charlottenborg in collaboration with AFA Decaux and curated by Patricia Domínguez, Hans Ulrich Obrist and Jeppe Ugelvig. The exhibition was first presented inside the UN Headquarters and across New York City during the Summit of the Future in September 2024. Further info here

Larissa Sansour
September 26, 2025–January 11, 2026


The past, the present and possible futures meet in the darkly expressive exhibition by the Palestinian-Danish artist Larissa Sansour (b. 1973, East Jerusalem).

In her carefully considered and aesthetically refined video works and installations, Sansour addresses the Palestine issue that has lasted for nearly a century, reframing the history of a people and a homeland on the brink of erasure. Using an experimental and imaginative visual language, she weaves together historical and contemporary politics with imagined realities opening up a space for new ways of thinking about history, loss and trauma.










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