ZURICH.- William Klein, the maverick photographer whose groundbreaking photobook "New York 1954-1955" redefined the boundaries of street photography, is making a triumphant return to the city that captivated him decades ago. The Photobastei gallery in Zürich is hosting a comprehensive exhibition showcasing 130 images from this iconic work, offering photography enthusiasts a rare opportunity to immerse themselves in Klein's raw and uncompromising vision of the Big Apple.

A Rebellious Spirit

Klein's journey to becoming a photographic icon was anything but conventional. Born in New York City to Jewish immigrant parents, he initially pursued sociology before serving in the military. In 1947, he traveled to Paris, where he immersed himself in the vibrant art scene, studying under renowned artists like André Lhote and Fernand Léger.

However, it was his return to New York in 1954, after eight years in Europe, that would truly ignite his photographic passion. The city he had once known as a child had undergone a profound transformation, becoming a bustling metropolis shaped by the forces of consumerism, advertising, and social change. Klein felt a deep disconnect from this new New York, a city that seemed both familiar and alien.

A Subjective Exploration

Driven by a desire to capture the essence of this rapidly evolving urban landscape, Klein embarked on a relentless photographic exploration. Armed with a Leica camera, he roamed the streets of New York, documenting its diverse inhabitants, bustling thoroughfares, and iconic landmarks. His approach was radically different from the more traditional, carefully composed street photography of his contemporaries.

Instead of striving for objective representation, Klein embraced a subjective and intuitive style. He experimented with unconventional framing, blurred compositions, and high-contrast lighting, creating images that were often gritty, confrontational, and full of raw energy. His photographs challenged the prevailing notions of "good photography," rejecting the emphasis on technical perfection and aesthetic refinement.

A Photobook Revolution

Klein's vision culminated in the publication of "New York 1954-1955." This groundbreaking photobook was not merely a collection of images; it was a complete artistic statement, designed by Klein himself from start to finish. The book's layout, typography, and even the cover were integral parts of his creative expression.

The book's content was equally provocative. Klein offered a unflinching portrayal of New York as a city of contradictions, a place of both glamour and squalor, opportunity and despair. His photographs exposed the underbelly of American society, revealing the harsh realities of poverty, racism, and social inequality.

A Lasting Influence

"New York 1954-1955" was met with both acclaim and controversy upon its release. Many critics praised Klein's innovative approach and his ability to capture the spirit of the city. However, others found his work disturbing and offensive, accusing him of portraying New York in a negative light.

Despite the initial backlash, Klein's photobook quickly gained a devoted following and had a profound impact on the field of photography. His work challenged the prevailing conventions of the medium, inspiring a new generation of photographers to experiment with form and content.

A Celebration of Visionary Photography

The Photobastei exhibition offers a rare opportunity to revisit Klein's iconic work and appreciate its enduring power. The curated selection of 130 images provides a comprehensive overview of the photobook, showcasing Klein's mastery of composition, light, and narrative.

For photography enthusiasts, this exhibition is a must-see. It celebrates the radical vision of a true master of the craft and offers a glimpse into a time when photography was still pushing the boundaries of its possibilities.