NEW YORK, NY.- This fall and winter, visitors to Frick Madison, the temporary home of The Frick Collection, will have an unprecedented opportunity to view two Renaissance masterpieces reunited for the first time in more than four hundred years.

Giorgione’s Three Philosophers, on rare loan from Vienna’s Kunsthistorisches Museum, will be shown in dialogue with the Frick’s beloved St. Francis in the Desert by Giovanni Bellini. The works were owned by the same Venetian collector, Taddeo Contarini (ca. 1466–1540), and were displayed for many decades in his palazzo before their separation centuries ago.

Comments Ian Wardropper, Anna-Maria and Stephen Kellen Director of the Frick, “It would be difficult to think of a more fitting conclusion for our temporary residency at Frick Madison than this once-in-a-lifetime installation. These two complex Renaissance paintings have prompted an enormous amount of commentary over the years, and we are delighted to present the pair together as an exciting farewell to this fascinating chapter in our institution’s history.”

Bellini and Giorgione in the House of Taddeo Contarini will examine the joint history of the two paintings. It has been proposed by scholars that Giorgione conceived The Three Philosophers, most likely commissioned by Contarini himself, as a companion to Bellini’s St. Francis in the Desert, and they seem to have been at Contarini’s palazzo for most of the sixteenth century before being separated. At Frick Madison, the pair will be displayed—alone—in the iconic room within the Marcel Breuer–designed building where St. Francis has hung in isolated splendor, as if in a secular chapel.

This special presentation is organized by Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator, who is authoring an accompanying book about the paintings and their original owner and his collection. Salomon states, “To this day, Taddeo Contarini is best known for his ownership of two masterpieces of Venetian Renaissance painting. Despite the attention that has been lavished on the paintings from his collection, Contarini remains an elusive figure, one we can understand only through some glimmers of information about him. The reunion of these two paintings brings an important part of Contarini’s collection back to life.”

COLLECTION OF TADDEO CONTARINI

In 1525, the scholar Marcantonio Michiel recorded works he had seen in a number of private collections in Venice and the Veneto, including that of Taddeo Contarini, a Venetian noble, in his palazzo in the parish of Santa Fosca. Among the ten paintings Michiel recorded from Contarini’s holdings—most of them now lost—he described two in detail. Regarding Giorgione’s scene, he wrote of “a painting in oil of three philosophers in a landscape, two standing, and one seated who contemplates the rays of the sun, with an admirably rendered rock.” His final entry reads: “The panel of St. Francis in the desert, in oil, was the work of Giovanni Bellini, and it has a landscape nearby, wonderfully composed and detailed.”

The paintings—known ever since as The Three Philosophers and St. Francis in the Desert—were still at Contarini’s palazzo by 1556, according to an inventory of his collection. They remained there for at least thirty-one years and possibly longer, before being separated by 1589, when the Bellini moved to Palazzo Giustinian through the marriage of Taddeo’s great- granddaughter Elisabetta. They continued to change hands through the centuries, eventually reaching the Kunsthistorisches Museum and the Frick, where they are among those collections’ most important paintings.