NEW YORK, NY.- A prolific poet, raconteur, activist, and thinker, Allen Ginsberg was also a prolific collector, meticulously saving letters, postcards, draft notes and manuscripts, photographs and snapshots, appearance bills and rally broadsheets, not only featuring him personally, but also his fellow poets, singers, lovers, writers, journey companions, friends, and agitators. Gathered here publicly for the first time is his personal archive of events and experiences documenting his life as a young man, breakaway poet, expansive spirit, curious intellectual traveler, and relentless enthusiast of the provocative and the profane.

There are hundreds of thousands of items carefully stored and archived at Stanford University’s Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate’s Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.

A poster for Patti Smith’s first-ever poetry reading. Correspondence from Allen’s stint as literary agent for William S. Burroughs and Herbert Huncke. Yippie manifestos from Jerry Rubin, Abbie Hoffman, and John Sinclair of the MC5. A ticket for a 1974 concert by Bob Dylan & The Band (with Yoko Ono’s phone number scribbled on the back). Posters documenting early Beat Generation readings in 1950s San Francisco as well as later ones capturing the 1960s Haight-Ashbury Hippie era.

Allen’s own remarkable journey is here, too: agreements for BBC Radio appearances, schedules of lecture tours, notes for his iconic 'Kaddish' poem. A parody of 'Howl' as ‘Towel’ by Terry Southern. Obsessive letters from fans he never met.

Though this project is so much more than a book of Allen’s photography, the featured images can’t go unmentioned: Allen’s lens finds not only Kerouac, Corso, Burroughs, and other Beats, but also Lou Reed, Van Morrison, Philip Glass, Norman Mailer, Marianne Faithful, Anne Waldman, Iggy Pop, Don Cherry, Robert Frank, and Patti Smith. You’ll find he often scribbled his affection for the subject right on the photo itself.

Packed with ephemera you’ve never seen, Material Wealth is a smorgasbord of things that most of us would have tossed away decades ago: notes to oneself, accounting statements, letters of intent, fan and media crushes, criticisms and critiques, posters of events now considered historical and cultural canon, political manifestos, et al.

These are just a few of the intriguing items folded between the pages of the one Ginsberg book that has never been—and needed to be done: a visual annotated compendium that reveals one of the unparalleled minds of his generation.

Pat Thomas is a counterculture historian and archival music producer (and liner-note writer) whose expertise and interests have helped him author such books as Listen, Whitey! The Sights & Sounds of Black Power 1965–1975 and Did It! Jerry Rubin: An American Revolutionary. He has co-curated Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980, co-edited My Week Beats Your Year: Encounters with Lou Reed, an anthology of interviews about the iconic musician, and contributed to The (Original) Adventures of Ford Fairlane: The Long Lost Rock n’ Roll Detective and Kerouac on Record: A Literary Soundtrack. Thomas was a consultant on the PBS documentary The Black Panthers: Vanguard of the Revolution and compiled the 3-CD box set The Last Word on First Blues for the Allen Ginsberg Estate (1970s recordings of Ginsberg, Bob Dylan, and Arthur Russell), and the 2-CD set Songs of Innocence and Experience of Ginsberg’s 1969 recordings (with Don Cherry and Elvin Jones) putting William Blake poems to music with vocals by Allen.

Pat Thomas has worked with a range of musicians including Les McCann, Gene McDaniels, Black Panther Elaine Brown, the Watts Prophets, and members of the Last Poets. Other projects include organizing the first-ever American release of Public Image Limited’s debut album (with rare bonus material), Roky Erickson’s 1970s & 80s solo albums, and previously unreleased recordings from Tim Buckley, Judee Sill, The Dream Syndicate, and Herbie Mann with Sonny Sharrock. He was a co-music supervisor/co-producer for the new Judee Sill documentary, Lost Angel: The Genius of Judee Sill.

In addition to Material Wealth, he is also working on a book about comedian/TV personality Ernie Kovacs.

“Seeing Ginsberg was like going to see the Oracle of Delphi. He didn’t care about material wealth or political power. He was his own kind of king. He achieved what any poet could hope to achieve. ‘I saw the best minds of my generation destroyed by madness.’ Very few poets have done that. Robert Frost, maybe. We still remember those lines today. Today’s poets don’t reach into the public consciousness that way. So it was remarkable that Allen had actually broken through.” — Bob Dylan