Haunting the coast of Spain: The ghost hotel of Algarrobico
The First Art Newspaper on the Net    Established in 1996 Thursday, September 19, 2024


Haunting the coast of Spain: The ghost hotel of Algarrobico
The hulk of the never-finished Hotel El Algarrobico near Almeria, Spain, on Dec. 26, 2021. Construction work was halted in 2006 after activists sued, saying it should not have been built in a protected area. The court battles have dragged on. Ben Roberts/The New York Times.

by Raphael Minder



NEW YORK, NY.- Sixty years ago, British film director David Lean traveled to Spain’s remote southern province of Almería to shoot his Oscar-winning movie, “Lawrence of Arabia.”

The location was chosen because “this really was just an empty desert facing the beautiful sea,” recalled Peter Beale, who was a young runner on the film set. The movie crew built a plywood replica of Aqaba, the Red Sea port city, in a dry riverbed leading down to the pristine beach of Algarrobico, a temporary stand-in for Lawrence and his troops to charge on horseback and capture.

In the decades following, many other parts of the Spanish coastline became almost unrecognizable, with massive construction to draw tourists and their dollars. Resort towns mushroomed, yachting marinas eclipsed fishing ports, and golf courses became the greenery of choice to lure foreign visitors, including many retirees from northern Europe.

But even as Almería was itself transformed by greenhouse agriculture, much of its land remained pristine and windswept, rugged and arid, hosting few aside from film crews keen to offer the likes of Clint Eastwood, Orson Welles, Yul Brynner and Jack Nicholson a striking terrain worthy of their movie adventures. To this day, Almería remains relatively hard to access, unconnected to the high-speed rail network that crisscrosses the rest of Spain.

However, mass tourism has not spared Almería entirely, and the beach where Lean built Aqaba is now dominated by an equally incongruous but strikingly more permanent and less successful project: a 21-story hotel that was abandoned when it was nearing completion nearly two decades ago. With three construction cranes still hovering above, the derelict hotel stands as an unused, unusable eyesore in the midst of one of the largest protected nature sanctuaries in southern Europe, the Cabo de Gata-Níjar Nature Reserve.

How such a hotel could be erected, and what should now happen to its giant concrete carcass, has been the subject of a 15-year court battle — one that has also become a litmus test for whether Spain can encourage more sustainable development in its travel industry, which has long underpinned the Spanish economy. The saga of the Algarrobico hotel also underlines another serious issue in Spain and anywhere else where real estate acts as an economic engine: When it comes to facilitating tourism, nature is more easily damaged than repaired.

“How the Algarrobico hotel can still exist is a mystery, but unfortunately the truth is that it is not an isolated case and there have been other Algarrobicos along the Spanish coast,” said Pilar Marcos, a biologist who runs the Spanish biodiversity projects of Greenpeace, the nongovernmental environmental organization. “We have repeatedly managed to ignore regulations in search of the golden goose,” she said.

A permit, and then a court battle

The history of the hotel is convoluted, but understanding the timeline can help explain just how a tourism project can go wrong when political, financial and environmental interests are misaligned.

The Cabo de Gata was declared a nature park in 1987. Covering almost 150 square miles of volcanic land, the park encompasses open plains, shrubby hills and coves. It also includes a few existing fishing villages and former mining settlements. When the park was created, the local municipality of Carboneras relabeled a section of the protected area as buildable land. It was eventually bought by Azata, a Spanish real estate developer, which then received a local permit to build its beachfront hotel in 2003. The only other buildings nearby are private homes that were built before the park was created.

Arguing that the hotel contravened the protected status of the park, environmental activists went to court and got a judge to freeze the project in 2006, just as the hotel was reaching the final stages of construction. A decadelong court battle followed until, after several appeals, the Spanish Supreme Court ruled that the hotel violated the park’s protection laws.

Then a new court battle began over who should be responsible for demolition of the hotel and who should pay for rehabilitation of the surrounding landscape.

While the case has dragged on through more than 20 separate rulings, the hotel has been decaying. Its white facade is defaced by graffiti, and one of the bay windows has the word “demolition” in Spanish painted in large blue letters across it.

In contrast to the Aqaba film set — which was quickly dismantled with help from the local villagers, who rushed to reuse its plywood planks — there is no clear end in sight for the disastrous hotel. In the latest twist, the highest regional court of Andalusia ruled in July that the hotel did not have to be destroyed after all, because Azata, the real estate developer, had a valid building license. Azata didn’t respond to a request for comment.

Beautiful beaches, ugly beach towns




In 2019, before the coronavirus pandemic struck, Spain was the second most popular destination in the world — after France and ahead of the United States — with almost 84 million international visitors. A significant number traveled to the fine-sand beaches of eastern and southern Spain, often staying in heavily built resort towns that also cater to package tourists, like in the skyscraper town of Benidorm. Amid this sea of concrete, Cabo de Gata offered a sharp contrast.

The park is “undoubtedly the crown jewel among our ecosystems in southern Spain, and the one important area where our simplistic sun-and-beach tourism model has not prevailed,” said Marcos of Greenpeace.

The Cabo de Gata park attracts nature lovers and hikers, as well as fans of adventure sports like scuba diving and kite surfing. There is no accommodation of more than 45 rooms within the park, and in the summer many visitors head for one of the campgrounds, where they can gaze at the stars at night.

The Algarrobico hotel has invigorated local environmental activism. Last year, about 200,000 people signed a petition to stop a boutique hotel from opening in front of another of the park’s beaches, called Genoveses. The hotel’s promoters still hope to get the green light, stressing that their 30-room hotel would rehabilitate an existing farmhouse and its stables without building anything new from scratch.

“The Algarrobico was a giant aberration that has unfortunately stigmatized any kind of new economic activity in this whole area,” said Ivan García, director general of Grupo Playas y Cortijos, the company that wants to open the boutique hotel. García said the company’s plans are respectful of the laws of the park, would make use of existing buildings and would add 25 jobs.

“If nobody creates jobs around here, we will not protect this beautiful area but instead allow it to depopulate completely and die off,” he said. Almería has an unemployment rate of 21%.

Even so, environmentalists say they are fighting an uphill struggle to stop more damaging tourism projects, even in places like Almería with high percentages of protected land. Some argue that property speculators have been encouraged by political and legal systems that rarely punish illegal construction. In 2019, the regional lawmakers of Andalusia even voted an amnesty for about 300,000 housing units that had breached construction rules, many of them close to the sea.

Since 1988, Spain has had a coastal protection law to limit seafront projects, but “that has not prevented Spain from continuing to build along its shores in a way that I don’t think any other European country has allowed,” said José Ignacio Domínguez, a lawyer who was instrumental in the lawsuit against the Algarrobico hotel.

Other tourism projects also scar the chiseled coastline of Almería. A short drive from the Algarrobico hotel stands another abandoned hotel on the Macenas beach, at the entrance to the town of Mojácar. The hotel’s concrete-cube construction, a contrast to a nearby 18th-century fortified tower, was brought to an early and unwanted halt by the bursting of Spain’s construction bubble in 2008. Nobody seems to know just when this concrete honeycomb will be removed, if ever.

In Mojácar, an association of environmental activists, called “Save Mojácar,” has recently been staging protests against a plan by town politicians to significantly increase the land area allocated to real estate projects. The activists even present a “tour of destruction” to show people where further construction could destroy the landscape.

“Our politicians would like to double the number of tourism apartments here, even though we still have many apartments that were abandoned because of the financial crisis,” said Jaime del Val, a performance artist who leads the Mojácar association. “We could be doing sustainable tourism, but we keep instead going in the opposite direction of mass tourism, because greed and corruption are rooted within the Spanish real estate sector.”

For now, Almería has been enjoying a bumper tourism year, as more people have sought to escape city crowds amid the coronavirus pandemic.

And many local residents just want to stop talking about the Algarrobico hotel debacle.

José Luis Amérigo, the mayor of Carboneras, said the fate of the hotel and the mistakes of the past were for the courts to judge. (His uncle was the politician who awarded the hotel’s construction license in 2003.)

“If you are driving a car and looking constantly in the rearview mirror, you might not get to where you want to go,” he said.

This article originally appeared in The New York Times.










Today's News

December 31, 2021

Remembering the racist history of 'Human Zoos'

Exhibition celebrates the creative genius of Sandro Botticelli

Herzog & de Meuron design concept unveiled by Memphis Brooks Art Museum

Exhibition surveys six decades of Jasper Johns' practice in printmaking

A theater treasure of St. Marks Place faces closure

Five Smithsonian Museums among those shuttering amid omicron staff shortages

Museo Picasso Málaga announces its exhibition programme for 2022

Haunting the coast of Spain: The ghost hotel of Algarrobico

The Metropolitan Museum of Art announces spring 2022 season of exhibitions

Centre Pompidou x West Bund Museum Project presents Bill Viola's 'Five Angels for the Millennium'

Heritage Auctions soars past $1.4 billion in sales in 2021

Portland Museum of Art presents a major survey of one of the world's preeminent multimedia artists

The Parrish Art Museum presents solo exhibitions by Peter Campus, Virginia Jaramillo, and John Torreano

"For America: Paintings from the National Academy of Design" on view at the Oklahoma City Museum of Art

5 classical music albums to hear right now

Kehrer Verlag publishes 'Ara Oshagan: displaced'

Domaine de Chaumont-sur-Loire exhibits Raymond Depardon's The La ferme du Garet series

Exhibition presents works that reflect the United Arab Emirates's diverse contemporary art scene

Architects Francesco Magnani and Traudy Pelzel design the MPavilion 2021

Jeanine Tesori's gift: Conjuring the storytelling potency of music

The 25 best classical music tracks of 2021

Lee Kaufman, who cleaned her way to late-life stardom, dies at 99

Inspired by Murano, glassware goes wild

Beverly Russell, who ran design magazines with flair, dies at 87

How to Spot Shady Crypto Sportsbooks & Crypto Sports Betting Sites

BENEFITS OF PHONE PSYCHIC READINGS

Why Card Games are a Popular Subject in Art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful