NEW YORK, NY.- Sotheby’s shared highlights from their Fine Books & Manuscripts online auction, currently open for bidding through 21 July, which features an exceptional selection of books, letters, archives, newspapers, broadsides, and other printed and manuscript artifacts from the Eric C. Caren Collection, illustrating “How History Unfolds on Paper.” The collection features a remarkable trove of documents that chronicles African American history across three centuries, from the American Revolution to the fight for abolition before the Civil War to the early Civil Rights Movement of the 20th century, and much more.

AFRICAN AMERICANS AND THE AMERICAN REVOLUTION
Two of the major themes that run through these historical materials are the American Revolution and the contributions of African Americans to American history. These two topics are linked in a remarkable 1783 document (estimate $10/15,000) that brings together a signer of the Declaration of Independence and a free Black man—whose forebears had been slaves—who volunteered for service in the Continental Army. Daniel Cumbo served as a private for three years in the Virginia Continental line, and when Independence had been won, Virginia Governor Benjamin Harrison, who had signed the Declaration of Independence as a Virginia delegate to the Continental Congress in 1776, certified that Cumbo, like other veterans of the Continental Army, was entitled to a grant of land in recognition of his service.

Other African American patriots of the Revolution are recognized in a series of weapons receipts issued by the Selectmen of Natick, Massachusetts, less than a month after the Battles of Lexington and Concord in April 1775, the first battles of the War for Independence (estimate $10/15,000). The document lists 11 troops, at least six of whom were Native or African American, and spotlights the significant contributions of the approximately 9,000 African Americans who served for the Continental Army.




The Caren collection also includes several other significant pieces related to the American Revolution, including a Continental Congress commission, signed by John Hancock, which was issued to Major General Benjamin Lincoln (estimate $30/50,000). The commission is the most significant Continental Army appointment in private hands, and one of the most consequential made during the course of the Revolution; it was General Lincoln who accepted the British surrender at Yorktown. The sale also features numerous contemporary accounts of the Boston Massacre, Bunker Hill, and the Battles of Lexington and Concord in period newspapers from both America and Great Britain. And especially intriguing is an extraordinary document demonstrating that not all Americans were eager to separate from Great Britain. A contemporary clerical copy of a 1775 Report issued by the New York Provincial Congress outlined a "Plan of Accommodation between Great Britain & the Colonies” (estimate $7/10,000). The Report, issued just a year before the Continental Congress declared Independence from Great Britain, was prepared for the use of New York’s delegates to the Continental Congress, and shows that there was no consensus among the thirteen Colonies that independence was the right step to take. Several Mid-Atlantic states, including New York, advocated a cautious approach towards independence and may even have harbored hopes for an equitable reconciliation with Britain.

SLAVERY AND ABOLITION
Frederick Douglass, perhaps the most significant and famous Black American of the 19th century, is represented by his passionate 1852 speech decrying slavery and the Fugitive Slave Law, as it appeared in Frederick Douglass’s Paper (estimate $2,500 - $3,500). Douglass delivered his landmark speech, which declared "Slavery has no rightful existence anywhere," at the 1852 national convention of the Free Soil Party, a short-lived predecessor of the Republican party that was dedicated to preventing the expansion of slavery into the Western territories, although many of its members were also ardent abolitionists.

Other important items concerned with slavery and abolition are two very rare 19th century broadsides. The earlier is an 1845 circular announcing the formation of a Massachusetts committee to oppose the admission of Texas (at the time still an independent nation) into the United States as a slave state (estimate $2/3,000). The announcement is signed in type by many prominent abolitionists, including Elihu Burritt, William Lloyd Garrison, Wendell Phillips, Charles Sumner, and John Greenleaf Whittier. There is also an 1848 broadside from Salem, Ohio, promoting an abolition newspaper issued by the Western Anti-Slavery Society whose motto was “No Union with Slaveholders” (estimate $1,500-2,500). The broadside proclaimed: “The Executive Committee of the Western Anti-Slavery Society take this means of addressing you, personally, to solicit your co-operation in an effort to extend the circulations of the Anti-Slavery Bugle." The Anti-Slavery Bugle was a radical Garrisonite abolitionist newspaper, issued from 20 June 1845, to 4 May 1861, which also advocated for supported women’s rights and criticized churches that neglected the anti-slavery cause.

SCIENCE
The achievements of Granville T. Woods, who was known as “the Black Edison” in the press, are celebrated in a volume concerning Woods' patent for an electrical railway system with underground conductors (estimate $4/6,000). Woods (1856–1910) was the first African American to become a mechanical and electrical engineer after the Civil War. As an inventor, he held more than sixty patents, including those for an automatic brake, an egg incubator, and for improvements to other technologies such as the safety circuit, telegraph, telephone, and phonograph. This invention, like many of Woods’s other innovations, prompted a lawsuit by white inventors trying to claim his work. Ironically, Woods was sued twice by Thomas Edison himself—but both suits were unsuccessful.

CIVIL RIGHTS
The collection also features material from the 20th century, as the early Civil Rights movement coalesced in the 1930s, such as a powerful and startling anti-lynching image, circa 1937, which was issued by the New York City Rebel Arts Group, a left-wing artist cooperative (estimate $1,500 - $2,500). The silk-screened cloth banner is a striking visual statement that depicts a clenched hand holding a protest sign in front of a factory that reads "Stop Lynching," above the caption "Shame of America.”