LETHBRIDGE, AB.- The University of Lethbridge Art Gallery today unveils an unparalleled bequest of more than 1,000 works of art valued between $4 and $5 million from the estate of Dr. Margaret (Marmie) Perkins Hess (DFA ’04).

“This is the largest gift of art and cultural properties to the U of L in its 51-year history,” says Dr. Mike Mahon, U of L president and vice-chancellor. “We are honoured to become the home for these iconic works of art. Marmie was truly a renaissance woman; she was highly educated and committed to the arts, education and the community.”

The diverse collection is like a hidden treasure — most of the works haven’t been seen in public since Hess acquired them, including Cliffs Near Petawawa by Tom Thomson, a contemporary of the Group of Seven. It alone is valued at more than $1 million. The collection also contains more than 400 works by Indigenous artists, primarily Inuit and Northwest Coast First Nations.

“It was important to Marmie that her collection be open and accessible to the broadest audiences possible and also be used to support education, teaching and research. Given these wishes, we find it so satisfying that the Hess collection has found a new home at the U of L,” say Dale Boniface and Richard Haskayne, co-executors of the Hess estate. “Recognized nationally for the quality of its art collection and the standard of care and stewardship it provides to the collection, we take great comfort in knowing that Marmie would be absolutely thrilled with the new home and plans for her collection.”

Together, these works help tell the story of Canadian art in the 20th century from both settler and Indigenous perspectives. A.Y. Jackson, a member of the Group of Seven and a personal friend, advised Hess on her Canadian art purchases, which include works by Lawren Harris and Emily Carr. Another friend, the late photographer Roloff Beny, advised Hess on her purchases of international art, which include artists such as Picasso and Chagall.

“Marmie had a really good eye and she was ahead of her time with her strong interest in learning from Indigenous people and their art,” says Dr. Josephine Mills, U of L Art Gallery director and curator and Fine Arts professor. “This collection is an amazing addition for us.”

The U of L Art Gallery, in addition to renaming the main gallery space as the Dr. Margaret (Marmie) Perkins Hess Gallery, will focus on researching the works and providing access to them through exhibitions and public programs.

“The U of L Art Gallery is the perfect home for this gift because of our emphasis on creating in-depth engagement for students, scholars and the public,” says Mills.