NEW YORK, NY.- The Museum of Modern Art opened a new exhibition, Full Disclosure: The Edge of Information Design, MoMA’s first devoted entirely to information design. On view in the Museum’s street-level gallery—which is free and accessible to the public—from September 27, 2026, through June 13, 2027, Full Disclosure features 30 works of digital and analog information design, including seven newly acquired works. This exhibition explores the many ways in which humans visualize information and how designers, operating in an increasingly complex digital world, can facilitate and shape our understanding. The show also seeks to recognize the fundamental role of information design, a medium that has evolved into a defining practice of the 20th and 21st centuries and a pillar of the Museum’s design collection. Full Disclosure: The Edge of Information Design is organized by Paola Antonelli, Senior Curator, Department of Architecture and Design, and Director, Research and Development ... More
Ruth Asawa: Retrospective is an extensively illustrated volume exploring the astonishing expansiveness of Asawa’s work.
BASEL.- With her delicate wire sculptures, Ruth Asawa (1926–2013), the American artist of Japanese descent, holds a distinctive and influential place in 20th-century sculpture. She transformed the simplest materials into fascinating sculptures, dissolving the boundaries between abstraction and figuration, art and craft, action and contemplation. The first posthumous retrospective of her work – and her first retrospective in Europe – offers a comprehensive look at an oeuvre shaped by a spirit of experimentation, material research, and an exceptional understanding of form, space, and community. At the Fondation Beyeler, “Ruth Asawa” brings together over 200 works from every phase of her artistic career. On the occasion of Ruth Asawa’s 100th birthday, the retrospective spans six decades of her extraordinary artistic career and brings together works from all periods and across all media, including her iconic wire ... More
Burle Marx & Cia. Ltda. Parque del Este, Caracas, Venezuela, master plan, 1958. Gouache and Indian ink on cardboard, 147,5 × 109 cm. Acervo Instituto Burle Marx.
BERN.- In transferring creative principles from art and music to nature, the Brazilian artist Roberto Burle Marx (1909–1994) revolutionised landscape architecture in the first half of the 20th century. From 17 October 2026 to 7 February 2027, the Zentrum Paul Klee is devoting the first major exhibition in Switzerland to the ‘inventor of the tropical garden’, who was also a painter, graphic artist, designer, collector and environmentalist. It invites the viewer to discover the whole interdisciplinary artistic universe of Roberto Burle Marx, with a particular focus on his projects in landscape architecture. Roberto Burle Marx was a multi-faceted creator: he painted, drew, sketched, passionately loved singing, was a collector and an environmental activist, who cultivated countless plants from the various ecological regions of Brazil. His most important legacy lies in his projects in landscape architecture: he revolutionised ... More
Portrait of Sandra Mujinga by Tove Sivertsen.
NEW YORK, NY.- The Metropolitan Museum of Art today announced its 2027 commissions for the Museum’s facade and Great Hall. Danh Vo (born 1975, Bà Rịa, Vietnam), who lives and works in Berlin and Mexico City, has been selected for The Genesis Facade Commission and will create new work for the four niches of The Met Fifth Avenue’s Beaux-Arts facade that will be on view September 16, 2027, through June 13, 2028. Inside the Museum, Sandra Mujinga (born 1989, Goma, Democratic Republic of the Congo), who lives and works in Oslo, will present a site-specific installation for The Great Hall, on view November 4, 2027, through April 4, 2028, bringing her sustained inquiry into visibility, concealment, and memory to the space where the vast majority of visitors to The Met Fifth Avenue enter. These projects are the latest in The Met's series of contemporary commissions that invite artists to create new works in dialogue with their own practice, The Met collection, the building, and its audiences. ... More
Over the past two decades, the Pinault Collection has thus established itself as a major presence on the international art scene.
VENICE.- Having hosted twenty-seven exhibitions since it opened in 2006, the Palazzo Grassi will, from 21 March 2027, become the home of a permanent exhibition of the Pinault Collection. A unique exhibition itinerary will bring together more than a hundred major works, some of which have, over time, become true references of contemporary art. "I have always believed that artworks need time: time to be seen, seen again, and sometimes understood in a different light. Twenty years after the opening of Palazzo Grassi, I wanted to give some of them a lasting place. Not to freeze the Collection, but to allow the works to continue to challenge us and renew our way of looking at the world." — François Pinault It was in Venice that François Pinault launched his cultural project in 2006. Together with Tadao Ando, one of the masters of contemporary architecture, he initiated a unique dialogue between historical heritage and the creative spirit of his time. The Palazzo Grassi was restored to its f ... More
Franne Davids, The Man with the Hat, n.d., Oil on paper, 11 3/4" H x 9" W, 17.5" H x 14.75" W x 1.75" D (framed).
PARIS.- Art history sometimes lacks fiction. We wish we could write certain untold stories, reinvent moments from the past, uncover unsuspected and mysterious connections. We wish we could tell what happened only in secret. Take the American painter Franne Davids, whose work is being exhibited in Paris for the first time. The broad outlines of her life are known. She was born in Connecticut in 1950; she is said to have attended Woodstock — at the very least, she owned a programme from the festival — and her brother was convinced that she had taken psychedelics. She attended Skidmore College for a year and took various classes in art and writing. In the late 1970s, she was diagnosed with paranoid schizophrenia. She then returned to live with her parents in Waterbury, where she would spend the rest of her life. The basement of the family home became her studio. For nearly forty years, she tirelessly painted the same obsessive world: women, alone or in groups, sometimes accompanied by m ... More
Marina Adams, Ancient Intel (for Norma Cole), 2026. Acrylic on linen, 70 x 50 in. (177.8 x 127 cm.).
NEW YORK, NY.- Alexander Berggruen is presenting Visual Weight. Included in Visual Weight are works by: Marina Adams · Richard Diebenkorn · Camilla Engström · Marie Hazard + Constança Entrudo (Ad Hoc) · Sheree Hovsepian · Anna Kunz · Eddie Martinez · Julie Mehretu · Gabriel Mills · Joan Mitchell · Yoab Vera Visual Weight surveys how artists find compositional balance within abstraction. Whether purely abstract or informed by landscape or the figure, these works often balance colors, shapes, and textures in a state of productive instability that generates distinct emotional registers. Pattern and structure emerge as organizing elements for several artists in this exhibition. Julie Mehretu draws on extensive research into patterns of movement and architectural diagrams, translating them into ambiguous representations of complex spatial relationships. As Marina Adams has stated, “We can see pattern in the most basic things. It’s in basic truths that we can find communion.” In her painting ... More
This exhibition at Lisson London precedes Herrera’s major retrospective at The Guggenheim Museum Bilbao, curated by Geaninne Gutiérrez-Guimarães, opening April 30 – October 24, 2027.
LONDON.- Lisson presents an exhibition of drawings, paintings and sculpture by Carmen Herrera, spanning the final decade of the artist’s life. Curated by art historian Marie Perennès, the display frames Herrera’s late works not as epilogues, but as the vital culmination of an eighty-year enquiry into line, form and colour. Born in Havana in 1915, Herrera studied as an architect in the 1930s before moving to New York in 1939 and training at the Art Students League in the early 1940s. From 1948 to 1953, she lived in Paris, where she shifted from the lyrical abstraction of her early paintings towards the ‘pure’ hard-edge style that became her art’s defining attribute. A direct contemporary of New York Schoolers such as Barnett Newman and Jackson Pollock, Herrera was one of the great unsung exponents of geometric abstraction, resolutely pursuing a sequence ... More
Portrait of Sophie Calle, 2025. Photo Claire Dorn. Courtesy Perrotin.
ROME.- What shape does an ending take? What happens before it, and after? How can we pass through it – and how might we hold on to it? These are some of the questions behind Sophie Calle. Matrimoni, Rotture e Funerali inclusi, the major exhibition that MAXXI National Museum of 21st Century Arts is devoting to one of the most original and influential figures in international contemporary art. Curated by Simona Antonacci, the exhibition runs from 16 October 2026 to 7 February 2027. It is the largest solo exhibition of the French artist's work ever held in Italy. It brings together eight projects created between 1978 and 2026, along with a new permanent installation at Rome's Non-Catholic Cemetery for Foreigners. Photographs, texts, videos, installations and autobiographical stories form a circular route through more than forty years of work. Together they explore the boundaries between public and private, reality and ficti ... More
COUNTY DURHAM.- The Bowes Museum presents Impressions of Light: Masterpieces from MuMa Le Havre and The Bowes Museum, a major exhibition tracing the evolution of landscape painting from Pre-Impressionism to Post-Impressionism. Marking a significant international partnership with the Musée d’art moderne André Malraux (MuMa), the exhibition brings works by artists including Claude Monet (1840–1926), Eugène Boudin (1824–1898), Gustave Courbet (1819–1877), Camille Pissarro (1830–1903), Jean-Francis Auburtin (1866–1930), and Raoul Dufy (1877–1953) from France to Barnard Castle, with many being shown in the UK for the first time. Displayed alongside The Bowes Museum’s pioneering collection of pre-Impressionist ... More
ZWOLLE.- Museum de Fundatie is presenting Digital by Nature: The Art of Miguel Chevalier, the largest retrospective of the French artist in Europe to date and his first major solo exhibition in the Netherlands. On view through April 4, 2027, the exhibition brings together nearly 120 works spanning more than four decades of experimentation with digital technology. Chevalier, who was born in Mexico City in 1959 and lives and works in Paris, is widely regarded as one of the pioneers of digital art. His practice explores the meeting point between nature, technology and human perception, often using algorithms to create visual environments that are never quite the same twice. At the center of the exhibition are four large interactive installations that respond directly to the presence and movement of visitors. Patterns shift, colors change, and digital forms emerge and disappear as people move through the space. The result is an experience in which the audience becomes an active ... More
The AMoA has appointed Sarah Hayes as Deputy Director of the organization. Photo: Natalie Nigito.
WATERTOWN, MA.- The Armenian Museum of America announced the appointment of Sarah Hayes as Deputy Director, expanding her leadership role at the Museum and positioning her to support the institution’s continued growth, strategic development, and national visibility. Hayes has served as Director of Development since 2023, leading membership, grant management, donor relations, corporate and foundation partnerships, and events. In her new role, she will retain leadership of the Museum’s development program while taking on broader responsibilities across the institution. As Deputy Director, Hayes will work closely with Board President Michele M. Kolligian, Executive Director Jason Sohigian, the Board of Trustees, staff, volunteers, donors, members, and community partners to advance the Museum’s mission and strengthen its financial and organizational sustainability. She will provide leadership and coordination ... More
BUDAPEST.- Walking is one of the most fundamental forms of human movement, which goes beyond its obvious practical, everyday function: it can be interpreted as a cultural-historical phenomenon, a tool for cognition and thought, an artistic act, and a philosophical methodology. In the visual arts, it can be applied to practices that foreground walking as a central process, event, experience or outcome. Its cultural-historical origins date back to antiquity; subsequently, throughout the 20th-century history of art, it gradually became emancipated, evolving into an independent artistic discourse and a subject of exhibition. Beginning with the Dadaist excursion of 1921 – the first such action in which the act of walking constituted the artistic content – it intersects with the aimless wanderings of the Surrealists and the Lettrist dérives (urban drifts), before connecting with Fluxus (the elevation of everyday experiences to the status of art), and on to ... More
Quote The artistic temperament is a disease which afflicts amateurs. G. K. Chesterton
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Raphaela Vogel channels punk rock energy into immersive survey at Z33 HASSELT.- Z33 is presenting the first Belgian solo-exhibition of Raphaela Vogel De mens is geen vogel (Man Is No Bird). Raphaela Vogel first gained international recognition for her immersive video installations, which employ emergent technologies such as drones, 360-degree selfie sticks and 3D scanners. Accompanied by hypnotic soundtracks and vocal performances, the artist often appears as the protagonist in her work. With deadpan humour, Vogel channels the anarchic spirit of punk rock into her theatrical, all-consuming installations. Throughout the exhibition, one notices the recurrence of themes, symbols and motifs such as animals, womanhood, music and sound, architecture and public space, popular culture and technology. Raphaela Vogel’s artworks offer “little shocks,” brief moments in which the body reacts faster than the mind. The works ... More
New works strengthen The Huntington's art collection SAN MARINO, CA.- The Huntington has added five significant works spanning the 16th through 21st centuries and a range of media to its Art Museum collection. The acquisitions deepen established areas of the collection while introducing new artists, histories, and perspectives. They create new opportunities for research, interpretation, and connections across The Huntington’s art, library, and botanical collections. “These acquisitions reflect our commitment to building on the strengths of The Huntington’s collections while broadening the histories and artistic traditions represented within them,” said Christina Nielsen, Hannah and Russel Kully Director of the Art Museum at The Huntington. “Our growing audiences value the historical masterpieces we steward for future generations, as well as the opportunity to experience them in conversation with art of ... More
Louisiana Art & Science Museum celebrates C.C. Lockwood's lifelong connection to Louisiana's wild places BATON ROUGE, LA.- The Louisiana Art & Science Museum is presenting Preserving Paradise: The Vision of C.C. Lockwood, a feature exhibition in the Republic Finance Gallery celebrating more than five decades of extraordinary photography and environmental education by renowned Louisiana photographer C.C. Lockwood. The exhibition opened September 25, 2026, in conjunction with LASM’s 41st Annual Gala: Louisiana Untamed, an annual celebration supporting the museum’s educational mission of creating lifelong explorers of art and science. For more than 50 years, Lockwood has traveled the waterways, swamps, marshes, forests and wild landscapes of Louisiana and beyond, documenting the beauty and complexity of the natural world. His photographs, recognized nationally through his work with National Geographic Magazine and numerous ... More
Whitney Museum to debut Operator's multimedia performance 'Act III' in November 2026 NEW YORK, NY.- The Whitney Museum of American Art will debut Act III, a multimedia performance by the artist duo Operator (Ania Catherine and Dejha Ti), with five performances from November 19–22, 2026. Commissioned by the Whitney and presented as part of the upcoming exhibition artport: A History of Internet Art, Act III is the third and final act of Operator’s work Human Unreadable. Structured as theater aware of its own construction, Act III moves between computational choreography and spoken narrative and follows the ten-year arc of Operator across five chapters. Live performances of Act III will take place in the Museum’s Susan and John Hess Family Theater on November 19 at 7 pm, November 21 at 1 pm and 7 pm, and November 22 at 11 am and 5 pm. The performances on November 21 at 1 pm and November 22 at 11 am will be livestreamed ... More
The Power Plant unveils fall 2026 exhibition season with focus on place, identity, and ecology TORONTO.- The Power Plant Contemporary Art Gallery opens its fall 2026 exhibition season this October, bringing together a variety of practices by artists exploring place, identity, ecology, and the worlds that connect us. Zadie Xa with Benito Mayor Vallejo: Moonlit Confessions Across Deep Sea Echoes: Your Ancestors Are Whales, and Earth Remembers Everything In her first major exhibition in Toronto, Zadie Xa presents an immersive installation created with longtime collaborator, artist Benito Mayor Vallejo. Expansive and multilayered, the exhibition combines a range of media—including a sound installation, a hand-painted mural of saturated twilight colours, and delicate bronze sculptures, co-authored by both artists —with intimate and large-scale paintings by Xa that often incorporate textile panels evoking traditional Korean patchwork quilting. The ... More
Frye Art Museum celebrates 75 years with five exhibitions SEATTLE, WA.- In spring 2027, the museum continues its seventy-fifth anniversary program with five exhibitions that exemplify the Frye's unique viewpoint, connecting Seattle with the art and artists of our time. The season pairs self-taught artist Esther Hamerman's lively midcentury depictions of migration, family, and city life with work by her great-granddaughter, the internationally renowned contemporary artist Nicole Eisenman; introduces many recent additions to the Frye's collection; and places a monumental cedar sculpture by Ursula von Rydingsvard in an evolving dialogue with the museum's holdings. New projects by Seattle artists Stefan Gonzales and Serrah Russell reconsider the archive and the Frye's own history, while Under the Sky brings Founding Collection landscape paintings together for the first time with contemporaneous photographs ... More
LAUNCH Gallery presents duo solo exhibitions by Cindy Craig and Leigh Salgado LOS ANGELES, CA.- LAUNCH Gallery is presenting solo exhibitions by Cindy Craig and Leigh Salgado, whose work honors femininity while examining women’s roles and stereotypes in contemporary society with ornate, symbolic, humorous and sometimes dark paintings and mixed media creations. Cindy Craig’s new series of paintings and mixed media creations titled Weeping Women examines beauty, desire and the cost of being seen. Cindy asks, “What does it mean to be a woman in a society that never stops telling her how she should look.” Weeping Women is an evocative exploration of femininity, beauty, and the often unspoken emotional toll of society’s expectations. Through surreal imagery, playful symbolism, and poignant juxtapositions, the exhibition examines the tension between a women’s inner self and the roles she is encouraged - or compelled ... More
Newly renovated County House in Trenčín hosts landmark exhibition on global crisis and solidarity TRENčÍN .- Trenčín 2026–European Capital of Culture presents Glocal Equality and Hospitality (Invalidated Ideas?), a group exhibition at the newly renovated County House (Župný dom) in Trenčín, Slovakia. Bringing together internationally recognised artists and collectives, the exhibition reflects on urgent and interconnected 'glocal' challenges—from social and economic inequality to migration, ecological crisis, and rising geopolitical tensions. Through a range of site-specific works and commissioned projects, it proposes art as a space for critical reflection, solidarity, and alternative ways of understanding the present. The exhibition evolved from the curators' project, Universal Hospitality (Vienna and Prague, 2015–16), which explored themes of nationalism and populism in the context of the refugee crisis. Over time, many other issues have come to light, ... More
16th Gwangju Biennale features UNESCO Creative Cities Network survey on urban heritage GWANGJU.- Gwangju Media Art Platform (G.MAP) presents the UCCN Pavilion (UNESCO Creative Cities Network) of the 16th Gwangju Biennale, Mondiacult Scape: Nothing of the Cities is lost. This pavilion is the first exhibition of a newly formed pavilion consortium, in which around ten UNESCO Creative Cities have joined together. At Mondiacult (2022), the UNESCO World Conference on Cultural Policies attended by some 150 countries, culture was declared a global public good, and the conference urged the integration of forward looking agendas and concrete goals to realize this. The Mondiacult Declaration signifies that culture is no longer merely a tool for economic development or a political instrument, but has entered its own domain as a goal to be protected in itself and as an independent field of policy. It shows that cultural rights, the basic ... More
Taichung Art Museum presents landmark overseas solo exhibition by Daito Manabe TAICHUNG CITY.- Taichung Art Museum (TcAM) presents RELATIONAL TIME—Life Beyond Simulation the landmark overseas solo exhibition by Japanese media artist Daito Manabe. Globally recognized for his signature technology development for the Tokyo Handover Ceremony at the Closing Ceremony of the Rio 2016 Olympic Games and collaborations with Ryuichi Sakamoto and Björk, the artist presents newly created works tailored for TcAM. To ensure pristine execution, all high-standard sound systems were imported directly from Japan. Curated by Joel Kwong, Programme Director of Hong Kong’s Microwave International New Media Arts Festival, RELATIONAL TIME explores a profound paradox. While machines can simulate thousands of futures in a second, humans require time to build trust and memory, proposing that relationships only come into being ... More
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