Installation view of Roy Lichtenstein: Like New (Whitney Museum of American Art, New York, October 11, 2026–May 10, 2027).
NEW YORK, NY.- The Whitney Museum of American Art presents Roy Lichtenstein: Like New, opening October 11, 2026. This exhibition brings together over 130 works made from the early 1940s through the 1990s and offers a bold reconsideration of one of the defining artists of the Pop art movement and the twentieth century. Tracing Lichtenstein’s career-long investigation into duplication, perception, simulation, authorship, and image culture, Like New reveals an artist who understood that images are never fixed but instead continually copied, enlarged, circulated, and made new. Roy Lichtenstein changed the way we see images. Turning the visual language of mass-culture comics, advertising, consumer goods, and commercial printing into fine art, Lichtenstein produced works that looked cool, crisp, and machine-made but were meticulously handmade. Roy Lichtenstein: Like New looks beyond the artist’s iconic surfaces to trace how his early interest in perception and visual recognition shaped a career-l ... More
Marco Ronconi, Ezo Red Fox. Photograph, archival pigment print, 22 × 32.5 inches. Edition 1/12. Courtesy of the artist and Sohn Fine Art.
LENOX, MA.-Sohn Fine Art is presenting an exhibition featuring the photography of Anton Lyalin and Marco Ronconi, two artists whose evocative portraits offer intimate encounters with wild animals. Lyalin photographs across the expansive landscapes of Africa while Ronconi focuses on the northern hemisphere, with images on exhibit captured in the forests and mountains of Japan, creating a visual dialogue between distant ecosystems. Lyalin and Ronconi both seek out moments of quiet observation - a direct gaze, the turn of a head, the tension of a body at rest, or an animal briefly emerging from its surroundings. Their photographs demonstrate that the portrait tradition extends beyond the human figure. These are not simply photographs of wildlife in their environments but captures that encourage us to consider the individuality and presence of each being. Sohn Fine Art’s Director and Curator of the exhibition says, “Lyalin and Ronconi ... More
Scarce one-quart can of Husky Heavy Duty Motor Oil (Husky Oil Company, Cody, Wyoming), 5½ inches tall and graded 8.9+ for condition, with outstanding color and gloss. Sold for $13,530.
DENVER, PA.- The two top-selling lots at Morphy’s October 4 Automobilia, Petroliana & Advertising auction were full-size vintage automobiles. An impressive 1932 Cadillac 355-B seven-passenger Imperial limousine registered to notorious gangster Al Capone sped off for $78,000, while a well-documented silver-blue metallic1964 Chevrolet Impala hardtop crossed the finish line at $74,400. The rest of the auction consisted of more than 650 lots of motoring-related signage, service station items and vehicles designed to please collectors at every price point. The event was held live at Morphy’s Pennsylvania gallery, with all forms of remote bidding available. Morphy’s has long-been renowned as the auction house collectors depend on for rare automobilia and petroliana. The 1932 Cadillac 355-B seven-passenger Imperial limousine with body by Fisher was finished in cream with burgundy fenders and accents. A binder documented ... More
George Grosz, Eclipse of the Sun, 1926, oil on canvas. The Heckscher Museum of Art purchase.
HUNTINGTON, NY.- One hundred years after it was created, Eclipse of the Sun, the iconic 1926 painting by George Grosz, remains as politically and artistically powerful today as when Grosz painted it as a scathing critique of the Weimar Republic of Germany. Bristling with impactful symbolism and allegory, the masterpiece anchors a distinctive exhibition at The Heckscher Museum of Art where it stands as one of the most significant paintings in any public collection on Long Island. Eclipse of the Sun Now, September 26–May 9, 2027, explores consequential works of politically engaged art created over the last century. Selected from the collections of The Heckscher Museum and Art Bridges Foundation, the exhibition features more than 50 works by leading artists of our time, including Felix Gonzalez-Torres, Kerry James Marshall, Nam June Paik, Howardena Pindell, Cindy Sherman, Mickalene Thomas, and many more. "This exhibition marks the 100th year of our painting and celebrates the vital conversations it s ... More
PARIS.- Mennour is presenting Yinka Shonibare’s first solo exhibition in Paris entitled “The Wind, the Earth and the Fire” at 5 rue du Pont de Lodi. The show brings various ongoing bodies of work into dialogue, including new quilts, hand-painted bronze and textile sculptures, and positions the multidisciplinary artist as one of the leading voices to explore postcolonialism and hybridity in contemporary art. Born in London, raised in Lagos, Nigeria, Shonibare has always experienced the world by navigating, and somehow bridging, distinct cultures. Decolonial studies continue to show how defining a sense of identity and belonging is far more complex than solely relying on what can be found in a national archive. By tracing the history of Dutch wax textiles, Shonibare uncovers the deep layers of complexity embedded within them and conveys the impossibility of pinning down an artifact as authentic. Rooted in Indonesian textile traditions, the hand-crafted wax fabric was appropriated ... More
VERCELLI.- Lovers float through the sky, animals take on unexpected colors, and familiar villages appear suspended between reality and dreams. These are the images that have made Marc Chagall one of the most beloved artists of the twentieth century. Yet behind their apparent joy lies a story of displacement, loss, and an extraordinary determination to preserve the people and places that shaped his life. That more complicated side of Chagall is at the heart of "Chagall," a major exhibition at Spazio ARCA in Vercelli, Italy, running from October 13, 2026, through March 29, 2027. Bringing together 60 works spanning more than half a century, the exhibition explores how the artist transformed personal memories, historical upheaval, and enduring love into a visual language that remains remarkably relevant today. Born in 1887 in Vitebsk, now part of Belarus, Chagall grew up surrounded by the traditions and daily rhythms of a Jewish community that would remain central to his imagination. Although he left ... More
PARIS .- From October 22 to 25, 2026, Offprint Paris returns to Césure, bringing together an international community of independent publishers, artists, designers, and thinkers who challenge conventions and expand the possibilities of print. Spanning art, architecture, design, the humanities, and visual culture, Offprint Paris celebrates publishing as a vital space for artistic experimentation, critical inquiry, and cultural independence. At a time when the production and circulation of knowledge are undergoing profound transformations, independent publishing remains an essential platform for creative freedom and alternative perspectives. Beyond its material form, the publication becomes a vehicle for new ideas, a space for intellectual exchange, and a powerful means of shaping cultural discourse. Through a distinctive selection of publishers working across disciplines and geographies, Offprint Paris highlights the diversity and ingenuity of contemporary editorial practices. From artist books a ... More
GRAZ.- How can we even recognize past violence for what it was if we remain at a distance from its present-day forms? Aflenz Memorial at the site of a former subcamp of the Mauthausen concentration camp near Leibnitz, Styria, has its starting point in the absence of visible traces of the camp and remembrance. After 1945, agricultural cultivation concealed the camp’s remains. Conceived as a walkable landscape, the memorial makes the camp’s dimensions tangible. Paths trace its former boundaries; the roll-call square and a prisoner barrack have been marked. The paths also recall guided tours organized by the municipality of Wagna, which kept the memory of the forgotten camp alive over many years. The Aflenz concentration camp was established in 1944. Its underground quarries were used to protect the armaments production from air raids. More than 900 men were subjected to forced labor under extreme conditions; at least 81 named prisoners died at the site. The project is grounded in Inve ... More
Benedicto ‘BenCab’ Cabrera, Walk By the Sea (2026), Bronze, 178 x 88 x 60cm.
MANILA.- Gajah Gallery Manila is presenting In Honor of Form, the first formal presentation of National Artist Benedicto ‘BenCab’ Cabrera’s sculptural practice. Centered on ten bronze sculptures realized in collaboration with Yogya Art Lab (YAL), the gallery’s foundry and production arm, the exhibition brings a new dimension to one of the Philippines’ most enduring artistic practices. A selection of works on loan from the BenCab Museum will also be on view, bringing into focus the subjects and forms that have sustained and evolved over the course of his practice. Developed over three years, from 2023 to 2026, the new bronze sculptures revisit some of BenCab’s most recognizable figures, giving these forms a renewed physical presence. The characteristic linearity of his paintings carries into the modeling of the figures, while the flowing drapery and rhythmic folds animate the sculptures with a sense of movement. In three dimensions, these figures unfold beyond the p ... More
Dr Matthew Knight of National Museums Scotland with a clay mould from the Blyth Hoard and a fitting from the Peebles Hoard that the mould was used to make. Photo: Stewart Attwood.
EDINBURGH.- Two years after the announcement that the Peebles Hoard had been acquired for the nation, an extraordinary discovery made just 7 miles away by the same metal detectorist is shedding new light on the unique 3,000-year-old treasure. The Blyth Hoard, found in the Scottish Borders, contains remarkable Bronze Age finds, including clay moulds potentially used to manufacture some of the unique bronze fittings found in the Peebles Hoard. The hoard, which has been allocated to National Museums Scotland, also contains two bronze axe-heads and, intriguingly, a complete copper ingot, which is the first of its kind to be discovered in Scotland. Experts hope that analysis of the ingot might point towards the geographical source of the metals used in the making of the bronze objects in both hoards. The discovery was made in 2022 by metal detectorist Mariusz Stępień who first detected one of the axe-heads. Noticing that there were other bronze objects in the ground, Mariusz reported the find ... More
Katie Wray joins National Museum Liverpool’s Board of Trustees.
LIVERPOOL.- Artist, curator and museum Trustee, Oliver Enwonwu, and Katie Wray, a Director in Deloitte's Real Estate team joined the Board on 1 October 2026. Oliver Enwonwu FRSA, FRAI, FSNA is a cultural leader, artist, curator and publisher whose career spans museums, heritage, the visual arts, publishing and public engagement. He has held senior leadership and governance roles across cultural and civic organisations in the United Kingdom and internationally, including serving as President of the Society of Nigerian Artists and on the Board of the National Gallery of Art, Nigeria. He is Executive Director of the Ben Enwonwu Foundation and Founder and Publisher of Omenka, through which he has advanced research, dialogue and public understanding of modern and contemporary art. Alongside his governance and cultural leadership work, Oliver maintains an active artistic practice exploring memory, identity, spirituality and cultural inheritance. He has delivered lectures at Stanford University, Florida ... More
LIVERPOOL.- Jade carvings, showstopping opera costumes, intricate ceramics and more are on view at World Museum in a new display jointly organized by the Shanghai Art Collection Museum and several partner institutions, showcasing China’s rich artistic heritage and the cultural links between the twin port cities of Liverpool and Shanghai. Wings of the Sea gives visitors the chance to journey through a wide range of Chinese artforms, by artists showcasing their craftsmanship and the evolving nature of traditional art in our modern world. Works meticulously carved out of jade and stone and sculpted from metal are displayed alongside paintings portraying countryside landscapes and everyday rural life. Folk art and handicrafts will give a glimpse into another side of Shanghai, with paper cuttings, embroidery and enamelwork revealing how Shanghai’s art combines tradition with new cultural influences. Meanwhile, the rich aesthetic language of the Peking Opera – which was designated as a na ... More
BREGENZ.- Torkwase Dyson transforms the ground floor of Kunsthaus Bregenz into the setting of a space-filling architectural sculptural intervention. Two enormous black, sail-shaped elements divide Peter Zumthor’s hall-like architecture. Made of black wood, the sculpture seems to soar upward as light as a feather and strikingly divides the ground floor, like a barrier. These forms, which Dyson calls “hypershapes,” are rooted in the theory of Black Compositional Thought. They are an expression of the self-determined emancipation of Black people from the geography of North America, shaped by slavery and extending into the present. The presence of the sculptures sharpens our sense of the position of our own body in space. Her reflections on Black geographies form the basis of her artistic practice. Rather than viewing geography as a neutral, physically given order, Dyson considers it an amalgamation of self-invention, social power relations, historical processes, and political decisio ... More
Quote Tanguy was the Watteau of surrealism. Sarane Alexandrian
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The Museum of Contemporary Art, Los Angeles naames Jonathan Abbott as CEO and Director LOS ANGELES, CA.- The Board of Trustees of The Museum of Contemporary Art, Los Angeles announced that after an extensive international search it has appointed Jonathan Abbott as CEO & Maurice Marciano Director, effective September 24, 2026. A nationally recognized leader in public media, Abbott brings to MOCA a commitment to the role of arts, culture, and education in strengthening communities and helping people understand the world around them. At MOCA, he will help shape the museum’s next chapter – building support for ambitious exhibitions and programs, deepening its role as a place for art, ideas, and public dialogue, expanding its audiences and philanthropic community, and strengthening its foundation for the future. Abbott most recently served for fifteen years as President and CEO of GBH, the country’s largest producer of multiplatform content for PBS, partner to NPR and PRX, and the organization behind such celebrated programs as FRONTLINE, NOVA, American Experience, and Masterpie ... More
The Montreal Museum of Fine Arts debuts site-specific survey by Allison Katz MONTREAL.- The Montreal Museum of Fine Arts (MMFA) is presenting Jeu d’esprit, the first ever solo exhibition of Allison Katz in a Quebec museum. Born in Montreal, Katz has won international acclaim and become one of the most exciting contemporary painters of her generation. Opening to the public on October 9, the exhibition features 15 paintings, including 8 works created specifically for the occasion; all set within a layout the artist designed for the MMFA. “The Museum is thrilled and honoured to present Allison Katz’s first major exhibition in Quebec and to highlight the talent of this Montreal-born artist. At once playful and deeply reflective, Allison Katz’s work explores the unconscious, coincidence and the complexities of identity,” says Mary-Dailey Desmarais, exhibition curator and the Zhao-Ionescu Chief Curator of the MMFA. Drawing inspiration from such varied sources as art history, literature, psychoanalytic theory and popular culture, Katz has developed a uni ... More
Modernica partners with Barbara Kruger on limited-edition functional art for MOCA LOS ANGELES, CA.- The Modernica x Barbara Kruger collaboration brings one of contemporary art’s most recognizable visual languages into the realm of functional design through two limited-edition works: the Case Study® Fiberglass Barbara Kruger Side Chair, Love It – Shove It, and the Case Study® Fiberglass Barbara Kruger Aiko Table, Want It – Need It. Produced in editions of 150 chairs and 250 tables, each work combines Kruger’s incisive text with Modernica’s iconic Case Study® Collection, a landmark of California modernism. Created in support of The Museum of Contemporary Art (MOCA), proceeds from the collaboration benefit the museum’s exhibitions and public programs. Drawing on Kruger’s bold use of language and image, the collaboration transforms everyday furniture into works that invite reflection on consumption, desire, identity, and power—hallmarks of the artist's practice for more than four decades, reinforcing a shared commitment to art, design, and cultural ... More
British Museum presents landmark survey of Korean art spanning over two millennia LONDON.- A new exhibition at the British Museum explores over two millennia of Korean art and culture, offering a fresh perspective on the peninsula's rich creative history. Drawing on exceptional works from the collection of the late Samsung Chairman, Lee Kun-Hee, this is the first major exhibition on Korea's art and history at the British Museum in over 40 years. Spanning from 300 BC to the present day, Korea reveals how the country's artists and craftspeople have continually demonstrated creativity, resilience and superb technical skill, while absorbing outside influences to create a distinctive and enduring cultural identity. At a time when Korean culture has an unprecedented global presence, often described as the Korean Wave, or hallyu, this exhibition offers important context for understanding its deeper historical roots. Since the 1990s, the Korean Wave has driven the global popularity of South Korea's cultural economy, exporting music, film, television and wider pop culture worldwide. ... More
Gemäldegalerie presents 'Portraits! Surprising Encounters from Botticelli to Lempicka' BERLIN.- How do we see ourselves – and how have people in different historical periods wished to be seen? The special exhibition “Portraits! Surprising Encounters from Botticelli to Lempicka” at the Gemäldegalerie (Old Master Paintings) ‒ Staatliche Museen zu Berlin, invites viewers on a fascinating journey through the history of portraiture. Unusual juxtapositions of works spanning six centuries reveal striking similarities, bringing the paintings to life and providing opportunities to reflect on the presentation of the self and others, as well as on staging, roles, and character. Masterpieces by artists such as Botticelli and Lempicka, Dürer and Giorgione, Rubens and Gainsborough or Therbusch and Largillière are brought into conversa-tion with one another, revealing striking and often surprising affinities. Works that have never “met” before come together for the first time, offering a fresh perspective on themes such as identity, beauty, status and power. Portr ... More
Kupferstichkabinett presents first major Flemish drawing exhibition in fifty years BERLIN.- For the first time in fifty years, the Kupferstichkabinett is once again presenting an exhibition featuring more than 100 outstanding drawings by 28 Flemish artists from its collection. The drawings, which are often astonishingly painterly and powerful, were created between 1570 and 1650 and offer fascinating insights into the creative process, as they were rarely produced as an end in themselves but rather as preparatory works for a piece to be executed. The impressive range of subjects extends from Christian and allegorical scenes, through mythological and historical motifs, to genre scenes, portraits, still lives and landscapes. In the 15th and 16th century, one of Europe’s most important artistic centres emerged around the cities of Antwerp, Brussels, Mechelen, Bruges and Ghent. Brussels, the residence of the Spanish governors, was the focal point of political and religious power. With its harbour, Antwerp developed into Europe’s leading trading hub, handling grain, texti ... More
AGWA presents Tim Burns: A forerunner of explosive, uncompromising Avant Garde art PERTH.- AGWA unveils a major exhibition celebrating six decades of experimental practice by Tim Burns. Tim Burns – The Kinetic Moments, is the first-ever solo exhibition in an Australian state art institution dedicated to Western Australian multimedia artist and filmmaker Tim Burns. The exhibition recognises one of Australia’s most radical, inventive, and persistently relevant creative forces. Across 60 years, Burns has carved out a singular position in the worlds of film, conceptual art, performance, and political intervention. Born in Cunderdin in 1947 and known to many as Tim “3rd Degree” Burns, he has exhibited internationally at MoMA PS1 in New York, the Hirshhorn Museum in Washington, Tokyo Film Festival, Sydney Biennale, Melbourne International Film Festival, San Francisco Film Festival, and London. Yet despite this extraordinary global footprint, Burns has never been honoured with a solo exhibition in an Australian state art institution, until now. The Kinetic Momen ... More
David Kennedy Cutler explores form, labor, and containment in exhibition at Derek Eller Gallery NEW YORK, NY.- A continuation of my obsession with converting basic objects of life and labor into still lives that do not sit still, Vessels presents a semi-simple set of containers. From within vases, studio work clothing, and a shipping crate, an abundance of irrationally reaching flower arrangements spring forth. The handful of paintings and single sculpture that occupy Derek Eller Gallery’s intimate North Room are made using inkjet transfer and acrylic paint on canvas, which both conform to and defy their mediums’ trappings. Paintings become sculptures by revealing their innards and breaking their frames, and sculptures are elaborately constructed stretchers over which image-saturated canvas is stretched. The process-drenched works can be referred to as painting and sculpture, but are initiated by strategies derived from photography, printmaking, performance, surveillance and meta-fiction. The exhibition uses the broad definition of the vessel as a container to hold, to embody, to pres ... More
She Said She Said: Arlene Shechet with Jessi Reaves
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On a day like today, Belgian painter Jacob Jordaens died
October 18, 1678. Jacques "Jacob" Jordaens (19 May 1593 - 18 October 1678) was a Flemish painter, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Rubens and Anthony van Dyck, he became the leading Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. In this image: Self-Portrait, c.?1650.
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