Minjung Kim, Story, 2024. Mixed media on mulberry Hanji paper, 90 x 145.5 cm, 35 1/2 x 57 1/2 in (unframed), 98 x 145.5 x 6.5 cm, 38 1/2 x 57 1/2 x 2 1/2 in (framed).
BRUSSELS.- Almine Rech presents 'The Pulse of Ink, Paper, and Fire', the first solo exhibition in Brussels by Korean artist Minjung Kim, bringing together a broad selection of her defining series. Born in Gwangju, South Korea, Kim trained in traditional Korean painting before continuing her studies in Milan, Italy, where she developed a distinctive visual language at the intersection of Eastern sensibility and Western abstraction. Now based between France and the United States, Kim has cultivated a unique body of work that extends the possibilities of hanji – traditional Korean mulberry paper – and has exhibited internationally for more than three decades. Hanji lies at the heart of Kim’s practice and has become inseparable from her artistic identity. During her years in Milan, amid a shifting European art scene increasingly open to new media, she chose hanji as her own language. Over many years of practice, the material has evolved from medium to metaphor, serving as both vessel o ... More
Belén Santillán is an Ecuadorian artist and educator based in Oslo.
OSLO.- Fotogalleriet announced the appointment of Belén Santillán as Research and Education Curator, a newly established position at the institution. Belén Santillán is an Ecuadorian artist and educator based in Oslo. She holds a Master’s degree in Arts and Public Space from Kunsthøgskolen i Oslo (KHiO) and brings professional experience from museum and public art contexts. Her artistic and pedagogical practice explores the intersections of art and critical pedagogy, with a particular focus on how cultural institutions can open spaces for creative expression and collective learning. As a member of the artist collective Tenthaus, Santillán has developed public programmes for Momentum 12 – Nordic Biennial of Contemporary Art, Tegnetriennalen 2023, Bergen Assembly 2025, and Stedsveven (2024–2026), a long-term public ... More
Erkki Santanen, Keltainen Hetki (= Yellow Moment), 1990.
JYVÄSKYLÄ .- COLOUR is an ambitious exhibition that illuminates the central role of colour in Finnish modern art. Abstract paintings and sculptures from Central Finland’s collections are presented across two venues – Jyväskylä Art Museum and the Museum of Central Finland. COLOUR – Highlights from the Art Collections of Central Finland explores the role of colour in modern art through works that celebrate the legacy of concretism, colourism, and informalism. Curated by Jyväskylä Art Museum in collaboration with the Saarijärvi and Keuruu Museum, the exhibition offers new perspectives on the regional collections through a selection of works curated to highlight their diverse facets and to complement both one another and the unique character of the venues. “The exhibition highlights the pivotal role of colour in Central Finnish art. ... More
Product developer Judith Peskens and Aleksandra Gaca (right). Photo by Patty van den Elshout.
TILBURG.- From 28 March 2026, the TextielMuseum presents Man <3 Machine – 25 Years of TextielLab. The exhibition marks a quarter of a century of TextielLab: the professional workshop of the TextielMuseum in Tilburg, where artistic imagination and technological innovation come together. The exhibition features works by Peter Struycken, Koen Taselaar, Aiko Tezuka, Jan Taminiau, Aleksandra Gaca, Bertjan Pot, Van Eijk & Van der Lubbe, Fransje Gimbrère, Samira Boon, Ursula Wagner and Mae Engelgeer. Man <3 Machine – 25 Years of TextielLab celebrates experimentation, collaboration and progress. The exhibition shows how textiles continue to evolve when human creativity and machine technology reinforce one another, and how this relationship can result in surprising, beautiful and ground-breaking work. ... More
Keith Haring, Untitled, May 23, 1981. Marker on plastic, 21 x 22 1/2 in; 53.3 x 57.3 cm. 26 1/4 x 26 1/4 x 2 1/4 in; 66.7 x 66.7 x 5.7 cm (framed).
NEW YORK, NY.- Martos Gallery will present a focused selection of works by Keith Haring at BRAFA Art Fair 2026, bringing together important examples from the early 1980s through the late 1980s. The presentation of more than twenty works spans the breadth of Haring’s practice and emphasizes movement, performance, and the activation of unconventional surfaces. The works presented at BRAFA highlight Haring’s radical approach to drawing and painting as acts of immediacy and public address. Executed across materials including paper, Plexiglas, vinyl, wood, metal, and found objects, these works demonstrate the artist’s belief that no surface was inert. Each became a site for transformation, where line functioned as both gesture and language. Central to this presentation are works from the early 1980s, a period during which Haring developed his instantly recognizable iconography through subway ... More
Historical photo of the Tramhuis 1931 on Beursplein (from the Rotterdam City Archives).
ROTTERDAM.- Walking inspires, connects, and energizes. It is not only one of the healthiest activities, physically and mentally, but also the best way to truly experience a city. With this belief at its core, Tramhuis curates special city walks in Rotterdam, inviting both residents and visitors to explore the city from fresh perspectives. On Saturday, February 14, the carefully restored Tramhuis will reopen its doors as a kiosk for city walks. Rich in history and character, this monumental tiny building will serve as the starting point for a wide range of walking routes through Rotterdam. In the heart of Rotterdam, the city’s smallest historic icon shines once again. Built in 1914 in Art Nouveau style, the Tramhuis originally served as a modern public transport shelter for tram passengers. Remarkably, the slender structure survived the 1940 bombing of Rotterdam and was relocated several times during the city’s reconstruction. In the 1970s, the building was given several functions and ... More
SAN FRANCISCO, CA.- Hauser & Wirth will return to FOG Design+Art this year with a selection of exceptional works by gallery artists spanning generations and genres. Contemporary works by Larry Bell, Charles Gaines, Jeffrey Gibson, Rashid Johnson, William Kentridge, Glenn Ligon, Angel Otero, Mika Rottenberg, Pat Steir, Henry Taylor and Ambera Wellmann are complemented by important historic works by Arshile Gorky, Luchita Hurtado, Francis Picabia and Jack Whitten. • Mika Rottenberg’s sprawling new chandelier, carved from invasive bittersweet vines harvested in Upstate New York and reclaimed plastic, is part of the artist’s ongoing series of functional sculptures entitled ‘Lampshares’; • A vibrant new large-scale collage and beaded bird sculpture by Jeffrey Gibson, who will be in conversation with artist, designer and author George ... More
Saâdane Afif, Old Shop-Vac Wet / Dry, 2026. Vacuum cleaner, acrylic, dust and LED lights, 12 lyrics as wall texts (Letraset), 90 x 56 x 56 cm (35 3/8 x 22 x 22 in) (vacuum cleaner and acrylic plinth) Dimensions variable (wall texts).
BERLIN.- Esther Schipper Berlin is presenting Winter 2026, bringing together works by Saâdane Afif, Rosa Barba, Angela Bulloch, Julius von Bismarck, Martin Boyce, Etienne Chambaud, Thomas Demand, Ryan Gander, Dominique Gonzalez-Foerster, Pierre Huyghe, Ann Veronica Janssens, Lee Bae, Sojourner Truth Parsons, Philippe Parreno, Anri Sala, and Anicka Yi. Over four decades ago, Gil Scott-Heron observed that – “politically, and philosophically, and psychologically” – there was only one prevailing season, “the season of ice”; words that, without doubt, mirror the current atmosphere. While the winter solstice promises the gradual return of light, days remain swayed in darkness for weeks on end. Though tiresome, this long night opens a space for introspection, even spurs the fire in one’s belly. Winter, for Scott-Heron, signified a state ... More
PARIS.- Thaddaeus Ropac Paris Marais presents "A Good Shelf" (Volume II), an exhibition by Tom Sachs that marries his signature bricolage sculpture techniques with the ceramic practice he began in 2012. The exhibition is conceived as a continuation of the show held at Thaddaeus Ropac London in autumn 2025. Featuring a selection of the New York-based artist’s hand-formed ceramics, displayed on singular shelves built from found materials, the exhibition continues Sachs’s exploration of themes of ritual and process. The ceramics on view can be used as mezcal copitas or cortado cups, cereal or soup bowls, but their ancient, versatile form originates from the East Asian tea bowl, or chawan. Sachs first started sculpting NASA-logo chawans after his 2012 Space Program: Mars mission, when he created a bricolage version ... More
Portrait, Photo by Tom van Nuffel.
LONDON.- London Mithraeum Bloomberg SPACE will present Room with All Existing Words, a new site-specific commission by Mark Manders, opening January 22, 2026. Installed above the ancient Temple of Mithras, and alongside the Roman artefacts discovered on the Bloomberg site, the installation will transform the gallery into a space suspended between past and present, inviting visitors to consider how our understanding of history is constructed and imagined from the fragments that survive. For over thirty years, Manders has developed what he describes as a “self-portrait as a building”: an evolving body of work where sculptures, objects, and texts form a cohesive fictional world. His practice is marked by contrasts, where sculptures appear at once like unearthed relics and also like works abruptly abandoned in the studio. Bronze and clay forms seem frozen in mid-construction, while fragments of language, including his own invented newspapers, appear partly hidden or painted over, suggesti ... More
NEW YORK, NY.- Pace announced its appointment of Timo Kappeller as a Senior Director in New York. Kappeller—who has previously held roles at The Campus in upstate New York, Hauser & Wirth, and Andrew Kreps— will focus on sales and artist relationships in his new role at Pace, which he will begin on January 20. With over 25 years of commercial, curatorial, and institutional experience in the contemporary art world, Kappeller will bring a deeply collaborative approach to his work at Pace. As Artistic Director of The Campus, which is run by six New York-based galleries, he curated large-scale exhibitions and led the institution’s public programming, artwork commissions, and strategic development. During his tenure, he worked with Alicja Kwade, Arlene Shechet, Kiki Smith, and Richard Tuttle, all of whom are part of Pace’s program, as well as Katharina Grosse, Rachel Harrison, Jenny Holzer, and other leading artists. Kappeller, who is a native German speaker, ... More
Alejandro Diaz, The Lavender Hour, 2024, Signed and dated lower right, Oil on canvas, 20 x 16 in., 40.6 x 50.8 cm.
SAN ANTONIO, TX.- Ruiz-Healy Art is presenting Alejandro Diaz: Rooms and Places, concurrent solo exhibitions of paintings by artist Alejandro Diaz at our San Antonio and New York City galleries. Alejandro Diaz, based in New York City and originally from San Antonio, TX, is a contemporary artist who creates complex bodies of work rooted in the intersections of popular culture, identity politics, consumerism, and humor. He studied at the University of Texas at Austin (BFA, 1987) and completed graduate work at Bard College, Center for Curatorial Studies (1999). Diaz was the recipient of the prestigious Louis Comfort Tiffany Foundation Award in 2007 and, in the following year, was selected to participate in a major group exhibition at LACMA, Phantom Sightings: Art After the Chicano Movement. The exhibition traveled to Mexico City, Houston, San Antonio, and New York. He has ... More
Pieter van Veen (Dutch, 1667-1736). The Rape of Prosperina. Oil on canvas.
SYRACUSE, NY.- The Syracuse University Art Museum’s spring 2026 season presents three new exhibitions that challenge how we think about art, freedom, and the human body. Together, they examine whose stories are told and how images shape our understanding of the world and each other. “Possible Worlds: 20 Years of the Wynn Newhouse Awards”, “Afterimages: Legacies of the Thirteenth Amendment” and “Undressed: The Nude in Dutch Art, circa 1550-1800” will join the permanent collection exhibition “Human/Environment: 4,000 Years of Art” and the Art Wall Project by artist Bhen Alan, “Why Does My Adobo Taste Different?” For 20 years, the Wynn Newhouse Awards, established by the Samuel I. Newhouse Foundation, have recognized and celebrated the excellence of contemporary artists living with disabilities. This exhibition brings together 11 of those artists, including painters, sculptors, photographers, ... More
Quote Go on working, freely and furiously, and you will make progress. Paul Gauguin
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Mirroring myth and modernity: Marcia Marcus returns to New York at Olney Gleason NEW YORK, NY.- Olney Gleason presents the solo exhibition Marcia Marcus: Mirror Image from January 8–February 14, 2026. This focused survey of paintings spans thirty years from 1964–1994 and marks the first solo exhibition of the artist’s work since 2017. The exhibition includes three of Marcia Marcus’ critically acclaimed group portraits in dialogue with important works in other genres – self-portraiture, still-life, landscape, and architecture – demonstrating the artist’s formal inventiveness and arguing for her traceable influence on painters working today. The exhibition anticipates the artist’s career-spanning retrospective at Provincetown Art Association and Museum from June 26–August 30, 2026, which will be accompanied by a major monograph. A singular figure in postwar American art, Marcia Marcus (1928–2025) is recognized for her rigorous and sensitive portraits ... More
Three new exhibitions open at the Whatcom Museum Feb 6 BELLINGHAM, WA.- The Whatcom Museum announced the opening of three new exhibitions in the museum’s Lightcatcher building on February 6, 2026: Personal to Political is a nationally touring exhibition featuring works by 17 African American artists who are reshaping the contemporary art world, from Kerry James Marshall, Lonnie Holley, and Woody De Othello to Gee’s Bend Quilters Loretta and Essie Pettway and Louisa and Mary Lee Bendolph. Printmaking is at the heart of the exhibition: this show highlights the enduring legacy of Berkeley, California-based printmaking studio and publisher Paulson Fontaine Press. Established in 1996, the Bay Area woman- and minority-owned printmaking studio has sought to amplify often-underrepresented voices in the visual arts. Meeting Radcliffe Bailey and Kerry James Marshall, both featured in the exhibition, oriented ... More
Finalists named for 2026 NSW Visual Arts Fellowship (Emerging) Seven early-career visual artists have been shortlisted for the 2026 NSW Visual Arts Fellowship (Emerging). Virginia Keft, Charles Levi, Tia Madden, Amelia Skelton, Sue Jo Wright and collaborative duo Natasha Dubler and Caitlin Dubler, have been selected as finalists to present work in 2026 for the prestigious fellowship program, culminating in a highly-anticipated exhibition at Artspace in July. The annual NSW Visual Arts Fellowship (Emerging) program, delivered in partnership between Artspace and Create NSW, has been a long-standing and successful platform for nurturing NSW’s emerging visual artists. With mentorship and support from Artspace’s curatorial team, the seven artists will present work to a panel, earning them valuable feedback and engagement with the contemporary visual art sector and with wider audiences through the 2026 NSW Visual Arts Fellowship ... More
Katonah Museum of Art mourns the passing of Ginny Gold KATONAH, NY.- The Katonah Museum of Art announces the passing of the Museum’s beloved friend and champion, Virginia L. (Ginny) Gold. Her admirable legacy at the KMA, extending over four decades, has been a guiding force that will continue to shape the institution for decades to come. Ginny first became involved with the KMA in 1983 and quickly immersed herself in all aspects of the institution. Her passion for the Museum is reflected through the myriad leadership roles she assumed, and especially through her stewardship as a Trustee from 1986 to 1994, and again from 2007 to 2016, after which time she was elected as a Trustee Emerita until her passing. When Ginny put her efforts towards a goal, there was no stopping her. Across her involvement with the KMA, her commitment was accompanied by her formidable mind, admirable style, and organizational acumen. ... More
Bill Bollinger's 'I Am Gravity' debuts at Karma BRUSSELS.- Bill Bollinger was a central figure in the Postminimalist and anti-form movements of the late 1960s and early 1970s. Karma’s first exhibition with the Bollinger estate, I Am Gravity features an installation, drawings, paintings, and sculptures in line with William Carlos Williams’s poetic dictum “no ideas but in things.” Included in era-defining exhibitions like Anti-Illusion: Procedures/Materials (Whitney Museum of American Art) and Live In Your Head: When Attitudes Become Form (Kunsthalle Bern, both 1969) alongside artists such as Richard Serra, Eva Hesse, and Richard Tuttle, Bollinger developed a form of inverse Conceptual art: rather than presenting ideas as things, he presented things as ideas. For the artist, common objects—rope, plastic hose, aluminum pipe, wire mesh, a trough—were “simple, physical expression[s] of an idea, a way of conveying information.” ... More
transmediale 2026: By the Mango Belt & Tamarind Road BERLIN.- The 39th edition of transmediale festival, curated by Neema Githere and Juan Pablo García Sossa, engages with different ways of understanding systems, cosmologies, and technologies. The festival invites both a geographical and theoretical shift in the prevalent discourse on technology, media, and our understanding of the internet as a world wide web. Taking place from January 28–February 1, the festival is conceived as a multi-situated, recursive net—a living network of practitioners from and around the tropical belt coming together in Berlin. Framed metaphorically through the architecture of a shell, the festival’s rhythm and thematic focus center on rethinking infrastructures, digital ways of life, and the language forms shaping how we inhabit, interact with, and move through these systems. The festival venues silent green and CANK will feature a series ... More
Call for entries: The 2026 August Sander Award seeks the next generation of portrait photographers COLOGNE.- The August Sander Award for portrait photography, donated by Ulla Bartenbach and Prof. Dr. Kurt Bartenbach, will be awarded for the fifth time in 2026 in cooperation with Die Photographische Sammlung/SK Stiftung Kultur, Cologne. The idea behind the award is to promote young contemporary artistic approaches in the sense of objective and conceptual photography. Against the background of August Sander's important portrait photographs, the photographic works of the applicants should primarily relate to the theme of the human portrait. The prize is awarded every two years. Eligible are national and international artists born as of January 1, 1986 with a focus on photography. The prize is endowed with 5,000 €. In addition, the Photographische Sammlung/SK Stiftung Kultur will organize an exhibition of the award winner's work, if possible and by individual ... More
Crystal Bridges Museum unveils new "Visions of America" galleries BENTONVILLE, ARK.- Crystal Bridges Museum of American Art reached a major milestone in its expansion on Saturday, January 17, when the museum’s newly-transformed galleries opened to the public. Located in the former Early American galleries, the Visions of America Galleries feature a core experience designed to inspire curiosity and offer a high-level introduction to five centuries of American art through the Crystal Bridges collection. Organized into five thematic sections, We, Dreaming, Nature, Making Our Mark, and We the People, the Visions of America Galleries take guests on a journey reflecting on American people, the power of dreaming and artistic imagination, our relationships with nature and its materials, the objects that shape our spaces and cultures, and the unfolding story of America. The reimagined galleries go beyond traditional art history ... More
Wang Guangle on Painting the Mystery of Time
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Flashback
On a day like today, French painter Jean-François Millet died
January 20, 1875. Jean-François Millet (4 October 1814 - 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings. In this image: Jean Francois Millet, The Path Lined with Trees, Vichy, c. 1866–67. Watercolor and pen and black ink on paper laid down on card, 4 7/16 x 6 5/8 inches. Image courtesy Jill Newhouse Gallery.
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